Missy Lane's Assembly Room - Venue

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

“SHINE”, Innervision Records label recording artist Kim Scott has impressed audiences across the globe in performances and on the airwaves. Known for her exceptional tone, intoxicating melodies, and flawless technique, she is one of the most sought-after flutists in both the classical and jazz fields. The contemporary jazz superstar has an ever-growing fan base garnered from her continued presence on the performance scene and from her visibility as radio host of the nationally syndicated, two-hour jazz program, “Kim Scott’s Block Party Radio”, which airs weekly across the world. She’s a fresh image and sound for today’s contemporary jazz scene. With five albums to her credit, Kim Scott has proven to be a mainstay in the field and a promise for the future as both a soloist and collaborator.

Ronald Jackson, journalist for The Smooth Jazz Ride, states “Artists like Kim Scott bring an exuberance to an art form long prophesied to be a thing of the past in short order by critics. When you listen to the Pied Piper-like allure and magic of her style, you come to the conclusion that those critics couldn’t be farther from the truth.”

Her collaborations include performances and recordings with Jonathan Fritzen, James Lloyd, Jazmin Ghent, Greg Manning, and others. Kim Scott has performed on the stages of Blues Alley, Seabreeze Jazz Festival, Greater Hartford Festival of Jazz, Catalina Jazztrax, and more as a soloist. She is also a member of the all-female jazz supergroup Jazz in Pink, alongside other musicians such as keyboardist Gail Jhonson and violinist Karen Briggs, and has shared the stage with them across the country. 

WATCH HERE:
https://www.youtube.com/channel/UCEOuXZFhWCGgjHz7Bx-7AGQ?view_as=subscriber

 

 

 

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

“SHINE”, Innervision Records label recording artist Kim Scott has impressed audiences across the globe in performances and on the airwaves. Known for her exceptional tone, intoxicating melodies, and flawless technique, she is one of the most sought-after flutists in both the classical and jazz fields. The contemporary jazz superstar has an ever-growing fan base garnered from her continued presence on the performance scene and from her visibility as radio host of the nationally syndicated, two-hour jazz program, “Kim Scott’s Block Party Radio”, which airs weekly across the world. She’s a fresh image and sound for today’s contemporary jazz scene. With five albums to her credit, Kim Scott has proven to be a mainstay in the field and a promise for the future as both a soloist and collaborator.

Ronald Jackson, journalist for The Smooth Jazz Ride, states “Artists like Kim Scott bring an exuberance to an art form long prophesied to be a thing of the past in short order by critics. When you listen to the Pied Piper-like allure and magic of her style, you come to the conclusion that those critics couldn’t be farther from the truth.”

Her collaborations include performances and recordings with Jonathan Fritzen, James Lloyd, Jazmin Ghent, Greg Manning, and others. Kim Scott has performed on the stages of Blues Alley, Seabreeze Jazz Festival, Greater Hartford Festival of Jazz, Catalina Jazztrax, and more as a soloist. She is also a member of the all-female jazz supergroup Jazz in Pink, alongside other musicians such as keyboardist Gail Jhonson and violinist Karen Briggs, and has shared the stage with them across the country. 

WATCH HERE:
https://www.youtube.com/channel/UCEOuXZFhWCGgjHz7Bx-7AGQ?view_as=subscriber

 

 

 

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

“SHINE”, Innervision Records label recording artist Kim Scott has impressed audiences across the globe in performances and on the airwaves. Known for her exceptional tone, intoxicating melodies, and flawless technique, she is one of the most sought-after flutists in both the classical and jazz fields. The contemporary jazz superstar has an ever-growing fan base garnered from her continued presence on the performance scene and from her visibility as radio host of the nationally syndicated, two-hour jazz program, “Kim Scott’s Block Party Radio”, which airs weekly across the world. She’s a fresh image and sound for today’s contemporary jazz scene. With five albums to her credit, Kim Scott has proven to be a mainstay in the field and a promise for the future as both a soloist and collaborator.

Ronald Jackson, journalist for The Smooth Jazz Ride, states “Artists like Kim Scott bring an exuberance to an art form long prophesied to be a thing of the past in short order by critics. When you listen to the Pied Piper-like allure and magic of her style, you come to the conclusion that those critics couldn’t be farther from the truth.”

Her collaborations include performances and recordings with Jonathan Fritzen, James Lloyd, Jazmin Ghent, Greg Manning, and others. Kim Scott has performed on the stages of Blues Alley, Seabreeze Jazz Festival, Greater Hartford Festival of Jazz, Catalina Jazztrax, and more as a soloist. She is also a member of the all-female jazz supergroup Jazz in Pink, alongside other musicians such as keyboardist Gail Jhonson and violinist Karen Briggs, and has shared the stage with them across the country. 

WATCH HERE:
https://www.youtube.com/channel/UCEOuXZFhWCGgjHz7Bx-7AGQ?view_as=subscriber

 

 

 

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

“SHINE”, Innervision Records label recording artist Kim Scott has impressed audiences across the globe in performances and on the airwaves. Known for her exceptional tone, intoxicating melodies, and flawless technique, she is one of the most sought-after flutists in both the classical and jazz fields. The contemporary jazz superstar has an ever-growing fan base garnered from her continued presence on the performance scene and from her visibility as radio host of the nationally syndicated, two-hour jazz program, “Kim Scott’s Block Party Radio”, which airs weekly across the world. She’s a fresh image and sound for today’s contemporary jazz scene. With five albums to her credit, Kim Scott has proven to be a mainstay in the field and a promise for the future as both a soloist and collaborator.

Ronald Jackson, journalist for The Smooth Jazz Ride, states “Artists like Kim Scott bring an exuberance to an art form long prophesied to be a thing of the past in short order by critics. When you listen to the Pied Piper-like allure and magic of her style, you come to the conclusion that those critics couldn’t be farther from the truth.”

Her collaborations include performances and recordings with Jonathan Fritzen, James Lloyd, Jazmin Ghent, Greg Manning, and others. Kim Scott has performed on the stages of Blues Alley, Seabreeze Jazz Festival, Greater Hartford Festival of Jazz, Catalina Jazztrax, and more as a soloist. She is also a member of the all-female jazz supergroup Jazz in Pink, alongside other musicians such as keyboardist Gail Jhonson and violinist Karen Briggs, and has shared the stage with them across the country. 

WATCH HERE:
https://www.youtube.com/channel/UCEOuXZFhWCGgjHz7Bx-7AGQ?view_as=subscriber

Ticketing fees include State and County Sales & Use Tax, Etix fees and credit card processing fees.

Attendees under 21 must either have a valid college ID or if not in college must be accompanied by a guardian. Attendees without a valid college ID or guardian, may be asked to leave the premises. All attendees will need to show a valid form of identification. This decision is made solely at the discretion of Missy Lane’s.

Guests are allowed into our showroom up until 15 minutes after the show begins. We will stop seating 15 minutes into the show due to the disruption caused to the performers and other audience members. No exceptions, no refunds.

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

Sy Smith has long since solidified her place in the world of underground soul music (she’s often called “the hardest working woman in underground soul”). This Los Angeles-based singer, songwriter and producer helped cultivate the nu-soul scene in that city more than 10 years ago, a scene which now easily boasts some of the most progressive artists of that genre to date, some of whom came directly from Smith’s own band line-ups (including Thundercat and Kamasi Washington). Her catalog includes 5 studio albums, with contributions from a who’s who of producers (James Poyser of The Roots, Ali Shaheed Muhammad of A Tribe Called Quest and Nicolay of The Foreign Exchange). All 5 of her albums, including her brand new project “Sometimes A Rose Will Grow In Concrete” have been heralded by critics around the world for Smith’s lyrical dexterity, her vocal whimsy (often colored with a very distinctive rhythmic swing that’s all her own) and her ability to spin a story like few others in soul music. Listeners often remark on Smith’s vocal range, which moves effortlessly from a speakeasy, gritty alto all the way to a stratospheric soprano whistle register reminiscent of the late Minnie Riperton.

Smith’s career began as a backing vocalist on some of the music industry’s most coveted gigs. She has provided supporting vocals for Whitney Houston, Sheila E., Meshell Ndegeocello, Chaka Khan, Usher, Macy Gray and The Rickey Minor Band (as seen on American Idol for six seasons and The Tonight Show with Jay Leno). Most recently though, she’s caught the ear of jazz aficionados as a featured guest with Grammy-winning trumpeter Chris Botti. Audiences around the world are often astounded to see Smith’s voice and Botti’s trumpet go note-for-note in playful competition on stage, and her performance of “The Look Of Love” on his Grammy-nominated DVD “Live In Boston” is an audience favorite. Jazz critics have also taken note of Smith’s solo performances in her genre-bending presentations (e.g. “SySingsJanet!”, her jazz-reworking of classic Janet Jackson songs), which include her often sitting in on piano, synth bass and manipulating her own vocal effects on with an on-stage processor.

Smith has received two NAACP Theater Award nominations, both for best supporting actress in a comedy/musical, for her theater work in Los Angeles (Michael Ajakwe’s If You Don’t Believe: A Love Story, Body Language), and she has numerous television acting credits (Ally McBeal, How I Met Your Mother, American Dad). She has an Emmy nomination for her songwriting (Best Music/Lyrics for “Welcome Back All My Soulmates” for HBO’s Dancing In September). This NYC-born/Washington DC-raised woman is a proud graduate of Howard University where she earned a bachelor of science in psychology.

Ticketing fees include State and County Sales & Use Tax, Etix fees and credit card processing fees.

Attendees under 21 must either have a valid college ID or if not in college must be accompanied by a guardian. Attendees without a valid college ID or guardian, may be asked to leave the premises. All attendees will need to show a valid form of identification. This decision is made solely at the discretion of Missy Lane’s.

Guests are allowed into our showroom up until 15 minutes after the show begins. We will stop seating 15 minutes into the show due to the disruption caused to the performers and other audience members. No exceptions, no refunds.

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

Sy Smith has long since solidified her place in the world of underground soul music (she’s often called “the hardest working woman in underground soul”). This Los Angeles-based singer, songwriter and producer helped cultivate the nu-soul scene in that city more than 10 years ago, a scene which now easily boasts some of the most progressive artists of that genre to date, some of whom came directly from Smith’s own band line-ups (including Thundercat and Kamasi Washington). Her catalog includes 5 studio albums, with contributions from a who’s who of producers (James Poyser of The Roots, Ali Shaheed Muhammad of A Tribe Called Quest and Nicolay of The Foreign Exchange). All 5 of her albums, including her brand new project “Sometimes A Rose Will Grow In Concrete” have been heralded by critics around the world for Smith’s lyrical dexterity, her vocal whimsy (often colored with a very distinctive rhythmic swing that’s all her own) and her ability to spin a story like few others in soul music. Listeners often remark on Smith’s vocal range, which moves effortlessly from a speakeasy, gritty alto all the way to a stratospheric soprano whistle register reminiscent of the late Minnie Riperton.

Smith’s career began as a backing vocalist on some of the music industry’s most coveted gigs. She has provided supporting vocals for Whitney Houston, Sheila E., Meshell Ndegeocello, Chaka Khan, Usher, Macy Gray and The Rickey Minor Band (as seen on American Idol for six seasons and The Tonight Show with Jay Leno). Most recently though, she’s caught the ear of jazz aficionados as a featured guest with Grammy-winning trumpeter Chris Botti. Audiences around the world are often astounded to see Smith’s voice and Botti’s trumpet go note-for-note in playful competition on stage, and her performance of “The Look Of Love” on his Grammy-nominated DVD “Live In Boston” is an audience favorite. Jazz critics have also taken note of Smith’s solo performances in her genre-bending presentations (e.g. “SySingsJanet!”, her jazz-reworking of classic Janet Jackson songs), which include her often sitting in on piano, synth bass and manipulating her own vocal effects on with an on-stage processor.

Smith has received two NAACP Theater Award nominations, both for best supporting actress in a comedy/musical, for her theater work in Los Angeles (Michael Ajakwe’s If You Don’t Believe: A Love Story, Body Language), and she has numerous television acting credits (Ally McBeal, How I Met Your Mother, American Dad). She has an Emmy nomination for her songwriting (Best Music/Lyrics for “Welcome Back All My Soulmates” for HBO’s Dancing In September). This NYC-born/Washington DC-raised woman is a proud graduate of Howard University where she earned a bachelor of science in psychology.

Ticketing fees include State and County Sales & Use Tax, Etix fees and credit card processing fees.

Attendees under 21 must either have a valid college ID or if not in college must be accompanied by a guardian. Attendees without a valid college ID or guardian, may be asked to leave the premises. All attendees will need to show a valid form of identification. This decision is made solely at the discretion of Missy Lane’s.

Guests are allowed into our showroom up until 15 minutes after the show begins. We will stop seating 15 minutes into the show due to the disruption caused to the performers and other audience members. No exceptions, no refunds.

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

Sy Smith has long since solidified her place in the world of underground soul music (she’s often called “the hardest working woman in underground soul”). This Los Angeles-based singer, songwriter and producer helped cultivate the nu-soul scene in that city more than 10 years ago, a scene which now easily boasts some of the most progressive artists of that genre to date, some of whom came directly from Smith’s own band line-ups (including Thundercat and Kamasi Washington). Her catalog includes 5 studio albums, with contributions from a who’s who of producers (James Poyser of The Roots, Ali Shaheed Muhammad of A Tribe Called Quest and Nicolay of The Foreign Exchange). All 5 of her albums, including her brand new project “Sometimes A Rose Will Grow In Concrete” have been heralded by critics around the world for Smith’s lyrical dexterity, her vocal whimsy (often colored with a very distinctive rhythmic swing that’s all her own) and her ability to spin a story like few others in soul music. Listeners often remark on Smith’s vocal range, which moves effortlessly from a speakeasy, gritty alto all the way to a stratospheric soprano whistle register reminiscent of the late Minnie Riperton.

Smith’s career began as a backing vocalist on some of the music industry’s most coveted gigs. She has provided supporting vocals for Whitney Houston, Sheila E., Meshell Ndegeocello, Chaka Khan, Usher, Macy Gray and The Rickey Minor Band (as seen on American Idol for six seasons and The Tonight Show with Jay Leno). Most recently though, she’s caught the ear of jazz aficionados as a featured guest with Grammy-winning trumpeter Chris Botti. Audiences around the world are often astounded to see Smith’s voice and Botti’s trumpet go note-for-note in playful competition on stage, and her performance of “The Look Of Love” on his Grammy-nominated DVD “Live In Boston” is an audience favorite. Jazz critics have also taken note of Smith’s solo performances in her genre-bending presentations (e.g. “SySingsJanet!”, her jazz-reworking of classic Janet Jackson songs), which include her often sitting in on piano, synth bass and manipulating her own vocal effects on with an on-stage processor.

Smith has received two NAACP Theater Award nominations, both for best supporting actress in a comedy/musical, for her theater work in Los Angeles (Michael Ajakwe’s If You Don’t Believe: A Love Story, Body Language), and she has numerous television acting credits (Ally McBeal, How I Met Your Mother, American Dad). She has an Emmy nomination for her songwriting (Best Music/Lyrics for “Welcome Back All My Soulmates” for HBO’s Dancing In September). This NYC-born/Washington DC-raised woman is a proud graduate of Howard University where she earned a bachelor of science in psychology.

Ticketing fees include State and County Sales & Use Tax, Etix fees and credit card processing fees.

Attendees under 21 must either have a valid college ID or if not in college must be accompanied by a guardian. Attendees without a valid college ID or guardian, may be asked to leave the premises. All attendees will need to show a valid form of identification. This decision is made solely at the discretion of Missy Lane’s.

Guests are allowed into our showroom up until 15 minutes after the show begins. We will stop seating 15 minutes into the show due to the disruption caused to the performers and other audience members. No exceptions, no refunds.

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

Sy Smith has long since solidified her place in the world of underground soul music (she’s often called “the hardest working woman in underground soul”). This Los Angeles-based singer, songwriter and producer helped cultivate the nu-soul scene in that city more than 10 years ago, a scene which now easily boasts some of the most progressive artists of that genre to date, some of whom came directly from Smith’s own band line-ups (including Thundercat and Kamasi Washington). Her catalog includes 5 studio albums, with contributions from a who’s who of producers (James Poyser of The Roots, Ali Shaheed Muhammad of A Tribe Called Quest and Nicolay of The Foreign Exchange). All 5 of her albums, including her brand new project “Sometimes A Rose Will Grow In Concrete” have been heralded by critics around the world for Smith’s lyrical dexterity, her vocal whimsy (often colored with a very distinctive rhythmic swing that’s all her own) and her ability to spin a story like few others in soul music. Listeners often remark on Smith’s vocal range, which moves effortlessly from a speakeasy, gritty alto all the way to a stratospheric soprano whistle register reminiscent of the late Minnie Riperton.

Smith’s career began as a backing vocalist on some of the music industry’s most coveted gigs. She has provided supporting vocals for Whitney Houston, Sheila E., Meshell Ndegeocello, Chaka Khan, Usher, Macy Gray and The Rickey Minor Band (as seen on American Idol for six seasons and The Tonight Show with Jay Leno). Most recently though, she’s caught the ear of jazz aficionados as a featured guest with Grammy-winning trumpeter Chris Botti. Audiences around the world are often astounded to see Smith’s voice and Botti’s trumpet go note-for-note in playful competition on stage, and her performance of “The Look Of Love” on his Grammy-nominated DVD “Live In Boston” is an audience favorite. Jazz critics have also taken note of Smith’s solo performances in her genre-bending presentations (e.g. “SySingsJanet!”, her jazz-reworking of classic Janet Jackson songs), which include her often sitting in on piano, synth bass and manipulating her own vocal effects on with an on-stage processor.

Smith has received two NAACP Theater Award nominations, both for best supporting actress in a comedy/musical, for her theater work in Los Angeles (Michael Ajakwe’s If You Don’t Believe: A Love Story, Body Language), and she has numerous television acting credits (Ally McBeal, How I Met Your Mother, American Dad). She has an Emmy nomination for her songwriting (Best Music/Lyrics for “Welcome Back All My Soulmates” for HBO’s Dancing In September). This NYC-born/Washington DC-raised woman is a proud graduate of Howard University where she earned a bachelor of science in psychology.

Ticketing fees include State and County Sales & Use Tax, Etix fees and credit card processing fees.

Attendees under 21 must either have a valid college ID or if not in college must be accompanied by a guardian. Attendees without a valid college ID or guardian, may be asked to leave the premises. All attendees will need to show a valid form of identification. This decision is made solely at the discretion of Missy Lane’s.

Guests are allowed into our showroom up until 15 minutes after the show begins. We will stop seating 15 minutes into the show due to the disruption caused to the performers and other audience members. No exceptions, no refunds.

Food & beverage orders can be done by QR code or turning on the service lamps at each table.

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