Mississippi Studios

w/ Who is She?



The Go! Team

The Go! Team announce their first North American shows in 5 years with a run of West Coast dates in May 2024. The shows will see the band play songs from their double whammy of recent releases ’Get Up Sequences Part 1’ and ‘Part 2’ and also serve as a celebration of 20 years since the release of their debut album ‘Thunder, Lightning, Strike’.

The Go! Team burst onto the scene back in 2004 with their debut album ‘Thunder, Lightning, Strike’, putting the disco in discordant & red limiting the levels with a heady mix of old school hip hop, (northern) soul and guitar feedback. Twenty years later The Go! Team, led by main man Ian Parton and fireball frontwoman Ninja, are still as exhilarating and life affirming as ever.

‘One sick party record bursting with overdriven guitars, triumphant trumpet lines, and battling drum assaults that seem to break through walls with the barrelling force of a thousand Kool-Aid men’.

Who is She?

Our monuments to the triumph of the human spirit are grand and bold structures, monoliths that stretch to the heavens just as easily as they crumble to the earth. These are tributes to great people, grand journeys, and the weight of history. In our desire to honor the enormity of humankind, we might forget to also pay appropriate tribute to all the moments that make our lives and those within it beautiful and fantastically surreal. But here, in service of the intrinsic heart and whimsy at the core of the lived-experience of our lives is a trio of expert songwriters, Who Is She?

Who Is She’s previous record, 2017’s Seattle Gossip, was a field trip through endless delights. A collection of unforgettable rock and roll hits about rom-coms, missed connection ads, the magic of a Myspace top 8 and the chemistry of David Arquette and Courtney Cox. Now, the Seattle supergroup of master songwriters – Robin Edwards (Lisa Prank), Bree Mckenna (Tacocat) and Julia Shapiro (Chastity Belt) – are joined by a new member: Tacocat’s Emily Nokes, who brings glorious harmonies to the studio and keyboards to the live experience, adding a new dimension to an expansive universe of sound. And with a new member comes word of a new record: Goddess Energy.

Who Is She? are more than a supergroup, they are a power trio wielding talent honed in their respective bands that has formed here into an undeniable hit machine swirling with hints of pop, indie, and punk rock. Produced by the legendary Jenn Champion (Carissa’s Wierd, S), Goddess Energy is a group chat struck by lightning and given life, a sonic bombardment of riffs and turns-of-phrase. 

The communal spirit thrives in the songs of Who Is She?, awash in the light of longtime friends that build on the strength of each other's ideas, thoughts, jokes, and vibes, compressing it all together into perfect nuggets of songs. “I feel like the band is a vehicle for hanging out,” adds Edwards, as Shapiro puts it with an effortless succinct aside, “we’re a friendship band.”

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Dustin Kensrue
The Desert Dreaming Tour


w/ The Brevet & Brother Bird



Dustin Kensrue was still a teenager when he formed Thrice, the dynamic and multifaceted rock band who have been bending and blending genres for the past quarter century. Before the group's touring schedule took him around the world, he spent his childhood in Southern California, regularly heading into the desert to visit his paternal grandparents in Palm Springs. While there, he would wander for hours through the rocky hills and sandy washes near their home, and the landscape, colors, and stories of that sun-baked wilderness left a lasting impression.

Decades later, Kensrue summons the spirit of the American southwest with his third original studio solo album, the evocative and eclectic Desert Dreaming. It's a transportive album that blurs the lines between genre and geography, balancing the influence of old-school country western icons like Marty Robbins and Gene Autry with the sharp songwriting of a modern musician who's spent 25 years on the road, onstage, and in the writing room. Kensrue approaches these songs like a western novelist, filling them with details of the desert—the sound of coyotes howling in the distance, the smell of sage and lilac in the dry wind, the lure of hidden treasure in the hills—and punctuating the recordings with pedal steel guitar, train beats, and the strongest melodies of his career.

It's been years since Kensrue made his earliest trips into the Sonoran Desert to visit his grandparents, gaining an appreciation for the southwestern landscape along the way. But this record itself reaches even further back, leaning heavily into the ethos and aesthetics of the country and western music of the 50’s and 60’s. And following another thread into the mid-century he opens Desert Dreaming with "Death Valley Honeymoon," a song about his mother’s parent’s own honeymoon in the Mojave Desert. It's a personal moment of an album that mixes biography, history, and fiction, and it's one of the many songs that make this Desert bloom. Everything that follows—the deep growl of Kensrue's baritone guitar, the spring reverb that drifts skyward like woodsmoke, the trail-riding twang of songs like "Leaving Tonight For Santa Fe"—shows just how expansive Kensrue's music can really be. 

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w/ Eugenia Riot

Launched a little more than twenty years ago in Raleigh, North Carolina, Chatham County Line built a devoted local following on the strength of their genre-bending live show—an intoxicating blend of bluegrass, folk, country, and rock and roll—before breaking out internationally with their 2003 self-titled debut. In the years to come, the band would go on to release eight more critically acclaimed studio albums, top the Billboard Bluegrass Chart four times, collaborate with the likes of Judy Collins, Sharon Van Etten, and Norwegian star Jonas Fjeld, earn two gold records in Norway (where they were also twice nominated for the Spellemannprisen, Norway’s equivalent of a Grammy), and share bills with everyone from Guy Clark and Lyle Lovett to Steve Martin & Martin Short and The Avett Brothers. NPR hailed the group as “a bridge between bluegrass traditions and a fresh interpretation of those influences,” while Uncut lauded their “powerful melodies and gorgeous harmonies,” and Pitchfork dubbed their music “timeless.”


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Moved from Polaris Hall to Mississippi Studios. All tickets purchased for Polaris Hall will be honored at Mississippi Studios.


w/ Reb and the Good News 

Scott Gilmore and Sarah Vitort are Fox and Bones—energetic offbeat folksters with a retro pop-rock bent who have been setting the world alight with a handclapping, foot-stomping good time since 2016. The indomitable duo has brought their optimistic Americana polish to international stages shared with the likes of Rayland Baxter, The Dead South, ZZ Ward, The Talbott Brothers and Horse Feathers among others.

 

At Fox and Bones’ core is an unrelenting backbone that represents honest-to-goodness folklore dreams, wrapped in the delectable shine of a duo with a combined 25+ years of songwriting experience. They’re akin to Lake Street Dive, Nathaniel Rateliff, and Shovels & Rope as a relatable, soul-stirring, retro-tinged folk-rock outfit that knows how to shatter a crowd’s hearts and put them back together all in the same utterance. Scott’s powerhouse grit and Sarah’s resonant tone combine with A-grade songwriting chops to create accessible, relatable, and often heart-rending folk-rock music.

 

Their hardworking artistic output has earned them first place at the 2023 Tucson Folk Festival songwriting contest and second place in the International Acoustic Music Awards, amongst other accolades. The duo also founded Portland’s Folk Festival: an annual, three-night celebration of folk and roots music at the iconic Crystal Ballroom.

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w/ Tonina & Lo Steele

Songs have always been there for Moorea Masa (pronounced More-ray-uh Mah-sa), being raised in the musical mecca of Portland, Oregon. The daughter of an Italian immigrant father and an Black mother born abroad, this singer/songwriter/guitarist has been making music for as long as she can remember. At fifteen, she was already looking for chances to perform by sneaking into local clubs, where she was lovingly adopted into the vibrant community of Portland musicians. Moorea has toured the world and shared a stage with artists k.d Lang, Allen Stone, Big Wild, Rachael Price (Lake Street Dive) The Motet, El Vy, Nick Waterhouse, headlined tours in Europe, and supported other artists including Corrine Bailey Rae, Emily King, Lawrence, The Dip, Lady Wray, Bernhoft and many more. Her album When The Summer Calls comes out this year and is an exploration of Joy, Pleasure and Ease. Catch her and her band The Mood on tour this Spring! 

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w/ Girl and Girl



After forming in 2019 and drip-feeding music into the world ever since, Royel Otis continue their rise to the top. Recently, they were nominated as Breakthrough Artist for the 2023 ARIA Awards, the recognition following a sold-out multiple-date national tour, a debut performance at Splendour in the Grass, and a rapturous sold out UK and European tour, including performances at Leeds and Reading Festival, Electric Picnic, Pukkelpop, End of the Road and more, all achieved in the first half of 2023 - and in support of their third EP, Sofa Kings. From cleaning up ‘Ones to Watch’ lists by the likes of Matt Wilkinson at Apple Music 1, NME, and the Daily Telegraph, breaking into the US Alternative radio chart top 40, to earning Spotify’s RADAR Artist recognition, and being featured in Vogue and GQ, Royel Otis only continue their ascending trajectory. 
 
Sofa King’s singles “Kool Aid”, “Sofa King”, “Going Kokomo” and “I Wanna Dance With You” were quick to receive international and local press adoration from Paper Mag, Purple Sneakers, NME, consistent airplay from BBC Radio 1, Apple Music 1 and the status of Triple J’s #1 Most Played track. Produced by Chris Collins and Royel Otis, the EP delivered visceral stories and quick wit atop blissful guitar-fuzzed haze, landing in major playlists such as Ultimate Indie, All New Indie, DOPAMINE and Today’s Indie Rock (including featuring on the cover). The record followed the band’s sophomore EP Bar ‘N Grill in 2022, which saw the pair grace the covers of global playlists including Indie Arrivals and Supersound, Apple Music’s Heaps Indie and more, amassing over 10 million streams, and garnered widespread playlisting support across Australian community radio, US college radio and BBC Radio 6. The band earned a slot in this year’s triple j’s Hottest 200 for “Oysters In My Pocket”. Meanwhile, earlier this year, they joined Groovin the Moo’s 2023 touring lineup and as supports on alt-j's Australian tour. 
 
They are ready to end 2023 in sizzling style, as they sling “Fried Rice” ahead of their debut album, PRATTS & PAIN arriving early next year.



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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

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w/ Benjamin Dakota Rogers

Sometimes it seems like country has forgotten its wild roots – or least outgrown them, changing as it has to reflect an ever-evolving world. Then there’s a guy like Colby Acuff. A fourth generation Idaho native with a rugged spirit true to his mountain home, honest-to-a-fault lyrics and a sound as raw as the remote wilderness, Acuff’s untamed brand of country stands proudly apart in today’s format, pure and untouched by modern gimmicks. Self-taught and largely self-contained, he’s already used it to find success on his own terms. Just don’t expect him to follow the pack. “If you wanna do something right, you’ve gotta do it yourself,” Acuff says, speaking with the hardscrabble charm of an old-soul troubadour. Hailing from Coeur d'Alene, Idaho, a Rocky Mountain oasis near the very top of the continental U.S., that proudly-independent attitude forms the heart of Acuff’s outgoing personality – and a creative drive stretching all the way back. Growing up, Acuff was always busy with three things – fishing, duck hunting and making music – and it was music that captured his imagination. He learned piano at 5, drums at 9 and guitar at 11, took the stage for the first time at 12 and was even writing songs by 15 – and even those early efforts were unique, inspired by bold artistic outliers. Favorites included bluegrass trailblazers like Flatt & Scruggs, who broke away from the great Bill Monroe to go their own way, plus country “outlaws” like Waylon Jennings and Willie Nelson – some of the first to successfully buck the Nashville system. Even modern-day mavericks like Sturgill Simpson and Tyler Childers have his admiration, although Acuff has always followed his own winding path. So winding, in fact, he eventually wondered what else he could do ... and with typical go-your-own-way flair, went and found out.


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w/ Max Marcos 



Dakota Theim

A songwriter with a gift for whimsical melodies, breezy productions, and introspective lyricism, Dakota Theim has been a mainstay on the Portland indie underground for years. His sound is largely inspired by the golden age of FM radio, laden with sunny harmonies and blissed out guitars. With his latest releases, he is exploring new sonic territory while musing on relationships, identity, and aging, resulting in some of the most endearing songs of his career.

Dakota’s auteur-like qualities have earned him favorable comparisons to artists like Tame Impala and Mac DeMarco. He writes and produces all of his own material from his Portland home studio, often times being joined by live band members Ben Bilotti, Alex Werner, Jack Stringer, and Joseph Freeman to round out his recordings. Together, the band has hosted several sold-out shows in their hometown, and toured extensively across the Pacific Northwest.

While his productions are often eccentric and whimsical, Dakota’s devotion to the craft of songwriting is what sets him apart. His songs are meticulously composed, full of left turns and moments of unexpected beauty. With a steady stream of new content expected for this year and beyond, Dakota finds himself on the verge of breaking out of his local scene and reaching a national audience.



Tenants 

Tenants is a four-piece act of non-homeowners building upon the rich textures and eclectic sounds of the 70s and 80s, while firmly rooting their feet in the present. 

 

Their upcoming full length album, ‘Nighttime Sunshine’, is a sea change for the band. At the heart of the record lies a bold fusion of genres - from the infectious rhythms of disco, the emotive melodies of synth-pop, to the smooth sounds of yacht rock, and the raw energy of alt rock. 

Ahead of the album, singles “Only Right” (4/19) and “Anymore” (5/23), which will be released Spring of 2024, offer a glimpse into the band’s evolving sound.

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w/ Shawna Pair



Night Heron

Night Heron is the creation of Cameron Spies, former frontman for Radiation City. After Radiation City broke up Cameron enlisted some of his favorite musicians. The players on this record hail from other projects (currently or formerly) such as: Y La Bamba, Reptaliens, Nicole McCabe, and Aan



The Apricots

The Apricots are an indie-folk-rock band from Portland, OR that thrives on vocal harmony. At their core, they're just a group of best friends that have found purpose in this band. Their songs will make you swoon one minute and groove the next.


Shawna Pair




Cameron Spies, from Radiation City and Night Heron, produced, engineered, and mixed Shawna’s debut album, ACTIVATOR.

From the start, Shawna and Cam got along famously. Something just felt special. Many studio sessions were filled with laughter as well as crying over the wounds life had inflicted.



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w/ Reverse Cowgirl



Unsung heroes of the Seattle rock community, the Young Fresh Fellows were one of the first independent bands from the rainy city to earn a nationwide reputation in the 1980s, gaining an enthusiastic cult following and the approval of critics. Few bands were more admired by their peers than the Fellows, and their skewed but tuneful mix of British Invasion-era pop, garage rock, offbeat humor, and pop culture obsessiveness had a long shelf life, with the band still making joyful noise four decades after they began. 

Originally comprised of vocalist/bassist Scott McCaughey, guitarist Chuck Carroll, and drummer Tad Hutchison, the Young Fresh Fellows were formed in 1983 and debuted in 1984 with The Fabulous Sounds Of The Pacific Northwest, an understated pop nugget featuring whimsical numbers including "Teenage Dogs in Trouble," "Power Mowers Theme," and "Rock and Roll Pest Control,” produced by honorary Fellow Conrad Uno at his basement/garage Egg Studios.

After recruiting bassist Jim Sangster to allow frontman McCaughey to switch over to guitar, the Fellows followed with 1985’s Topsy Turvy (gathering a rave review from Rolling Stone) and their first national tour. 1987's The Men Who Loved Music was their breakthrough release, with the absurd college radio hit “Amy Grant,” solidified the band's cult following.  The Replacements’ Paul Westerberg considered the Fellows kindred spirits, and the two groups often toured in tandem.

After 1988's Totally Lost, Carroll left the group. In the wake of his departure, the remaining three Fellows issued an authorized bootleg arguably-titled Beans And Tolerance, before enlisting Fastbacks kingpin Kurt Bloch for 1989's roaring This One’s For The Ladies (with fan faves “Taco Wagon,” Bloch’s “Lost Track Of Time” and Kinks cover “Picture Book”), followed by a slew of 45s on various U.S. and international labels.

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Portland, OR based singer-songwriter, John Craigie, covers the entire Beatles album 'Rubber Soul' with his unique "Lonely" blend of wit, humor, history and stories told between each beloved song. Five special guests will open the show, each playing one non 'Rubber Soul' Beatles' song. 

Much like community, music nourishes us mentally, emotionally, and spiritually. It also invites us to come together under the same roof and in a shared moment. In similar fashion, John Craigie rallies a closeness around music anchored by his expressive and stirring songcraft, emotionally charged vocals, lively soundscapes, and uncontainable spirit.

Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


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MOSTLY STANDING / LIMITED BALCONY SEATING

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Portland, OR based singer-songwriter, John Craigie, covers the entire Beatles album 'Rubber Soul' with his unique "Lonely" blend of wit, humor, history and stories told between each beloved song. Five special guests will open the show, each playing one non 'Rubber Soul' Beatles' song. 

Much like community, music nourishes us mentally, emotionally, and spiritually. It also invites us to come together under the same roof and in a shared moment. In similar fashion, John Craigie rallies a closeness around music anchored by his expressive and stirring songcraft, emotionally charged vocals, lively soundscapes, and uncontainable spirit.

Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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Palmas Del Sol

'Palmas Del Sol' is a band consisting of members Tony Ramirez (Orquestra Pacífico Tropical, Eagle Sun King), Ana Belén (Sandy Pylos, EEEKS), Papi Fimbres (Sávila, Dreckig), Ana Rodriguez (Orquestra Pacífico Tropical, Letras) & Vicco Gonzalez (Caicedo). Together these five Brown homies are concocting a brand new sound from the diaspora of their homelands, respectfully. Intertwining Cumbia, Salsa, Tropical & Latin Pop, Palmas Del Sol have birthed a sound that is not quite easy to pinpoint, but is familiar in a distant way, like a song that you loved as a child but can only hear in your dreams. This quintet culls from the depths of their native tierra to add a unique perspective onto these genres that they have all grown up on to bring a brand new interpretation to their music & what that means to them.


Collar de Lunas

Collar de Lunas es un proyecto musical gestado en la ciudad de Portland, Oregon, 2024. La música de Collar de Lunas se pasea por los campos del pop, la psicodelia, la música clásica, el folklore latinoamericano, entre otras musas que se amalgaman en el sonido del proyecto.


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w/ Kimmi Bitter



Since the release of dada’s groundbreaking 1992 debut Puzzle, the trio has created an array of songs boasting progressive rock musicianship, dazzling vocal harmonies and melodic power pop layered with inspired psychedelic and experimental rock impulses. Adding to the trio’s groundbreaking line of attack are the marathon-length shows that deliver on the promise that every performance is the only one of its kind.

Three decades after the Los Angeles outfit embarked on its singular journey, singer-guitarist Michael Gurley, singer-bassist Joie Calio and drummer Phil Leavitt are celebrating dada’s 30th anniversary.

“dada is about digging into our roots, examining and celebrating it.” Says Calio.

Puzzle was released on September 8, 1992, and it didn’t take long for the band’s sonic imprint to find an audience. The album’s first single “Dizz Knee Land” found widespread airplay on alternative and mainstream rock outlets cracking the Top 5 on the Modern Rock Single’s chart and pushing the album’s sales to over 1,000,000 worldwide. The band was soon touring around the globe, opening for the celebrated likes of Crowded House, Depeche Mode and Sting.

“People always ask, ‘Do you still talk to each other after all these years?’ So that’s really why I wanted to commemorate it because no matter the size of the career if you can stick together and still have a desire to play music together you have accomplished something” explains Leavitt.

Dada was founded when Gurley and Calio began writing songs and performing as an acoustic duo in the late ‘80s. But from the beginning, their approach was unique amidst the onslaught of ‘90s bands featuring lead singers and mostly generic backing bands.

“Joie and I were both lead singers. But we really found quickly that harmonies were going to be a big strength for us,” recalled Gurley, noting both he and Calio are fans of Simon & Garfunkel’s pioneering harmonies.

Gurley noted that once they recruited Leavitt, they were able to blend the thunderous power of trios such as Cream with the artful harmony-minded songcraft of Simon & Garfunkel.


Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


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MOSTLY STANDING / LIMITED BALCONY SEATING

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With friends Holy Sons, Isaiah Mitchell, Laith and the Texas Birds and Mattress


Celebrating ten years of friendship, fuzz and foraging. Four records and three cities later, the band is still exploring new sounds. Friends and collaborators from the past and present will join the gang, jamming together and spreading love. Do join us! 




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MOSTLY STANDING / LIMITED BALCONY SEATING

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Jeffrey Martin

On a small corner lot in southeast Portland, Oregon, Jeffrey Martin holed up through the winter recording his quietly potent new album Thank God We Left The Garden. Long nights bled into mornings in the tiny shack he built in the backyard, eight feet by ten feet. What began as demos meant for a later visit to a proper studio became the album itself, spare and intimate and true. Recorded live and alone around two microphones, Jeffrey often held his breath to wait for the low diesel hum of a truck to pass one block over on the busy thoroughfare. During the coldest nights, he timed recording between the clicks of the oil coil heater cycling on and off.

Martin's fourth full length album, Thank God We Left The Garden comes out on Portland's beloved Fluff and Gravy Records Nov __. He produced and engineered it himself, recalling, "There was a magic quality to the sounds I was getting in the shack with these two cheap microphones, some lucky recipe of time and place that allowed my voice and the way I play guitar and the shape of these new songs to come together with the kind of honesty I was craving."

Jeffrey Foucault 

Described as “Contemporary and timeless…” by THE NEW YORK TIMES, and “Quietly brilliant…” by THE IRISH TIMES, Jeffrey Foucault mines the darker seams of American music to create a haunting and visceral collision of rock, country, folk, and blues. In two decades on the road across the United States and Europe he’s released a string of critically acclaimed albums showcasing a tersely elegant brand of songwriting, moving seamlessly between full-throated rock’n’roll and plaintive, intimate solo pieces to inhabit the borderlands of heartbreak and memory.


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MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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w/ Undeath, Jarhead Fertilizer & Final Gasp


The new wave of American death metal needs a breakout album, and Dark Superstition is it.

Gatecreeper’s third full-length sees the Arizona death metal specialists—vocalist Chase H. Mason, guitarists Eric Wagner and Israel Garza, drummer Metal Matt Arrebollo and bassist Alex Brown—carving out their own path. The band’s first album for Nuclear Blast is more concise, melodic, and memorable than anything they’ve done in the past. “We refined the song structures,” Mason says. “We’re getting better at what we do.”

Formed in 2013, Gatecreeper have spent the last decade steadily climbing the death metal ladder. Their self-titled 2014 EP established instant credibility as purveyors of the old-school form. The band signed with Relapse, releasing their full-length debut Sonoran Depravation in 2016 and An Unexpected Reality (2021) which was released via Closed Casket Activities. At once an homage to their desert origins and a statement of death metal intent, the record landed them a 2017 tour with Cannibal Corpse and Power Trip.

In 2019, Gatecreeper unveiled Deserted, their ripping foray into self-described “stadium death metal.” It landed at number three on Decibel magazine’s revered year-end top 40 list. When the pandemic subsided, Gatecreeper snagged a slot on the 2022 Decibel magazine tour alongside Obituary and Municipal Waste. These days, Gatecreeper are headliners in their own right, touring globally under their own banner.

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MOSTLY STANDING / LIMITED BALCONY SEATING

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w/ LASKA & Shanea


Hanna Glavor

Hannah Glavor is a Portland based artist with a cinematic range of indie rock revelry and raw folk spirit,clutched together by catching pop elements. She has been on the West Coast scene for the past decadesharing the stage and touring with a broad rangeof sound like Joseph, Y La Bamba, and Liz Vice.With her forthcoming album (Spring 2024) she has partnered with Portland producer Cameron Spies(Radiation City, Night Heron, The Shivas, Reptaliens) to co-produce a solidly indie rock anthemicmasterpiece; each song standing confidently on its own.Blending lush soaring vocals over guitar solos, soulful bass runs, and tight drums; she pulls in sonicreferences from 90’s and early aughts legends like the Cranberries, the Strokes, and Radiohead as wellas present day bands like Soccer Mommy, Julia Jacklin and TOPS for an altogether new but familiarcollection of songs.With “So Far, So Long” (2020) Hannah beckoned a new chapter of sound distinct from her former indiefolk and gospel days with her partnership with the analog masters at Mason Jar Music in Brooklyn, NewYork (Feist, Fleet Foxes, Big Thief). Her evocative lyricism, intimate vocal delivery, and enthrallingarrangements conjure a compelling and eclectic blend of comparisons from Faye Webster to Fleet Foxesto Feist to Metric


LASKA 

The songwriters in question are Hannah and Mookie Morton. The work in question? That one takes a little more juice. Sometimes their work presents as harmonies and melodies meticulously placing themselves like the careful legs of a balletic spider in awe of its own symmetry and progress. Sometimes their work arrives as an overdue outpouring. Starting somewhere in the body - ecstatic as the seed of a pure and wordless truth, then erupting as a cathartic yawp. Bonded by blood, forged in psychic battle, sisters Hannah and Mookie channel their lived in experiences into music that glides through genres like a canoe on a quiet lake. Stage tested and bad to the bone. LASKA is the sound you hear when you're inside of an indelible memory. They are currently based in Portland, Oregon and are backed by Steve Harrington on bass and Kai Nealis on drums.







Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

VALID US OR CANADA ID REQUIRED FOR ENTRY. GUESTS TRAVELING FROM OUTSIDE US/CA MUST PRESENT A VALID PASSPORT.