The Travelers Tour VIP Package
with support from Spirit MotherKing Buffalo is the trio of vocalist/guitarist Sean McVay, bassist Dan Reynolds, and drummer Scott Donaldson. Since forming in 2013, the self-proclaimed "heavy psych" band has made its name via 4 Full-lengths, 4EPs, and tours with Clutch, Uncle Acid and the Deadbeats, All Them Witches, The Sword, and Elder.
King Buffalo will issue their fifth full-length, Regenerator, on Sept. 2, 2022, as a self-release in North America and through Stickman Records in Europe. Preorders will be available on June 10th via http://kingbuffalo.bigcartel.com.
Written and recorded by the band with mixing and engineering by Sean McVay and mastering by Bernie Matthews, the seven-song outing is the third in King Buffalo’s stated ‘pandemic trilogy,’ following Two of 2021’s Best Albums in The Burden of Restlessness and Acheron.
Both of those albums – like 2018’s Longing to Be the Mountain, 2016’s debut, Orion, and the various EPs and other offerings they’ve made over the last eight years – made bold declarations about who King Buffalo are as a band, and Regenerator is no different. As McVay, Reynolds and Donaldson continue to explore the outer reaches of modern psychedelic songcraft, melding progressive rhythms, drifting atmospheres and accompanying surges of electricity, the new collection only further establishes them as one of the brightest lights shining in underground rock today.
As the third of three, Regenerator seems inherently to tie together the two LPs most immediately before it, and as King Buffalo unfold the leadoff title-track across nine and half minutes, it becomes clear just how truly they have marked out their own sonic presence. The later melodic highlight “Mammoth” – with McVay’s most confident vocal yet – shimmers with hope that somehow doesn’t come across as desperate, and as “Hours” engages classic space rock and the closing “Firmament” summarizes the first, second and third series installments, the final chapter of this trilogy becomes the essential cornerstone of King Buffalo’s work to-date.