TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $35.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: September 21, 2022 12:00 PM to February 4, 2023 10:00 PM

PERFORMANCE DESCRIPTION

General Admission Standing Room with Limited Seating

with An-Ten-Nae and Sidecar Tommy (of Beats Antique)

Musician. Producer. Beatsmith. Recording artist. Composer. Dance-floor general. Label-head. Farmer. Comic Book SuperHero. A mystery man of many hats, The Polish Ambassador rocks more than just a trademark jumpsuit, authoring sublime, intentional artistic works, animated safaris in technicolor sound.  At first breath, The Polish Ambassador was an experiment, David Sugalski’s sound-art passion project that came to life. An inventive, imaginary character born of humble, humorous beginnings, he found his first audiences through the support of primitive digital radio stations. Today, TPA is among the premier EDM/live crossover artists in the country with millions of listeners around the world; he’s consistently in-demand at the live music-focused gatherings and boutique electronic festivals from coast to coast. Founder of independent label Jumpsuit Records, an environmentalist and early progenitor of the permaculture action movement, the world’s funkiest diplomat is here to party with a purpose.

The Polish Ambassador’s prolific output incorporates many styles, from exuberant global-house to fatback mid-tempo funk, you’ll pick up on West African percussion alongside stirring Kirtan melodies, a psychedelic sax solo or a fresh verse from a Brooklyn female emcee. TPA employs live horns, keyboards, guitars, violins, and a bevy of talented instrumentalists on stage. “The Jumpsuited One” has headlined iconic venues like Red Rocks Amphitheater in Morrison, Colorado, and the renowned counter-culture gathering Oregon Country Fair. Suwannee Hulaween, Electric Forest, Envision Festival, and Lightning in a Bottle and other national festivals have each repeatedly invited TPA back across different years.

In alignment with TPA’s artistic ethos is a low-key lifestyle that places a premium on being present, living in harmony with nature, participating in community and inspiring it to thrive. Offstage, David Sugalski instigated a village-building convergence in his hometown in Northern California, and manages his own 25-acre homestead in the picture-Esque, rolling Sierra Nevada foothills. The farmer/carpenter lives modestly in a cabin he built on his land of the lush; TPA music is created in a solar-powered recording studio on the property. When he removes the famed bright blue-and-yellow 80’s jumpsuit and reverts back to his humanoid self, Sugalski is an avid solo bicyclist who enjoys venturing up California’s breathtaking coastal Highway 1; he’s a dedicated van-adventurer, having built out an exquisite tiny home inside a contractors van. Sugalski plans his TPA tours for minimum carbon footprint, he advocates for healthy-beverage alternatives at music venues. Jumpsuit Records has donated tens of thousands of dollars to various non-profit organizations and charities; a portion of the label split goes to supporting non-profits voted on by fans. TPA’s awareness-in-action coalesces with numerous non-profit endeavors, including Jumpsuit Records, own 501(c) certified organization ActionDays.us. TPA decided to eliminate the merchandise from his business model, in order to facilitate a fan-operated buy-and-sell marketplace. The Polish Ambassador has evolved exponentially, from an art project to a vibration; a joyful community that thrives on the dancefloor and finds freedom, connection, and collective oneness through this music.

TICKET PRICES CURRENTLY AVAILABLE
GA - SRO: $16.50

TICKET SALE DATES
GA - SRO Public Onsale: December 16, 2022 10:00 AM to February 14, 2023 8:00 PM

PERFORMANCE DESCRIPTION
Relive this cult classic on screen, complete with the Bay Area's premier live cast, Barely Legal! Sweethearts Janet and Brad stumble upon the flirtatious mad scientist, Dr. Frank-N-Furter's, bizarre abode during his annual Transylvanian science convention. Audience participation is expected. Burlesque show included.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $30.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: November 4, 2022 10:00 AM to February 17, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

The Budos Band

In The Tooth was recorded in just five days at Diamond Mine Studios in Queens, NY. After one listen, you might expect a full orchestra behind the curtain, instead, you’ll find eight ruthless mavericks - Brian Profilio [drums], Daniel Foder [bass], Tom Brenneck [guitar], Mike Deller [organ], Jared Tankel [saxophone], Andrew Greene [trumpet], Dave Guy [trumpet], Rob Lombardo [bongos, congas]. The band occupies a unique place in the musical stratosphere. While they themselves have maintained a timeless and unique style unaffected by musical trends, the signature Budos sound has been sampled by Panic! At The Disco, Black Eyed Peas, and Earthgang to name a few. Notable fans range from Madonna (who loved them so much she invited them to perform at her birthday party), rock God Iggy Pop, and fellow Staten Island musicians, The Wu-Tang Clan.

The Budos Band had reached a critical high with Budos V in 2019. Debuting at #1 on Billboard Heatseekers chart, their fifth full-length was applauded by both new and life-long Budos fans and masses of press including NPR All Songs Considered, Rolling Stone, and KERRANG!, which quite fittingly described them as “booty-shaking funk that sounds like Satan spreading his wings.” Pre-order the album, out October 9th.

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guest Jalen Ngonda

For Thee Sacred Souls, the first time is often the charm. The band’s first club dates led to a record deal with the revered Daptone label; their first singles racked up more than ten million streams in a year and garnered attention from Billboard, Rolling Stone, and KCRW; and their first fans included the likes of Gary Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. Now, the breakout San Diego trio is ready to deliver yet another landmark first with the release of their highly anticipated, self-titled debut.

“Every step of the way has just been so organic,” says drummer Alex Garcia. “Things just seem to happen naturally when the three of us get together.”

Indeed, there’s something inevitable about the sound of Thee Sacred Souls, as if these ageless songs of love and loss have somehow always existed, as if Garcia and his bandmates—bassist Sal Samano and singer Josh Lane—have been playing together for a lifetime already. Produced by Bosco Mann (aka Daptone co-founder Gabriel Roth), the record is warm and textured, mixing the easygoing grace of sweet ’60s soul with the grit and groove of early ’70s R&B, and the performances are utterly intoxicating, with Lane’s weightless vocals anchored by the rhythm section’s deep pocket and infectious chemistry. Hints of Chicano, Philly, Chicago, Memphis, and even Panama soul turn up in their music, and while it’s tempting to toss around labels like “retro” and “vintage” with a deliberately analog collection like this, there’s also something distinctly modern about the band that defies easy categorization, a rawness and a sincerity that transcends time and place.

Jalen Ngonda

Presently residing in the UK, Jalen Ngonda grew up just outside of Washington D.C., At the tender age of 11 his father introduced him to the joys of soul music, most notably Motown's robust catalog, which he soaked up like a thirsty sponge, guiding him on the path to become the remarkable artist that he is today. With this inaugural release Jalen delivers mid-tempo magic that will make you feel his Motown roots as opposed to wearing them on his sleeve.  'Just Like You Used To' drops with groove and vibe in equal measure, providing the perfect foundation for Jalen's vocals to soar.

Clearly a keen student of the genre’s revered pioneers, Jalen possesses a rich, nuanced voice that sets him miles apart from other contemporaries. Inspiration for his compositions derives from a variety of places. “Everyday life. Anything, really,” he says. “To a stranger, I would say my music is soul/R&B, while trying to fit in the Beach Boys and the Beatles somewhere in between.”

His first ever US tour brought him to New York City’s Summer Stage Festival, Picktathon, and the history-laden Newport Folk Festival. “The Newport Folk Festival was absolutely amazing,” says Jalen. “The crowd they bring every year just loves to hear good music. To think that so many great artists and bands played there in the past, you feel like you’re part of the festival’s timeline.” He’s also been a supporting act for Laura Mvula and Lauryn Hill at the Montreal Jazz Festival and wowed sold-out houses on his own in Germany, UK and Switzerland.

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guest Jalen Ngonda

For Thee Sacred Souls, the first time is often the charm. The band’s first club dates led to a record deal with the revered Daptone label; their first singles racked up more than ten million streams in a year and garnered attention from Billboard, Rolling Stone, and KCRW; and their first fans included the likes of Gary Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. Now, the breakout San Diego trio is ready to deliver yet another landmark first with the release of their highly anticipated, self-titled debut.

“Every step of the way has just been so organic,” says drummer Alex Garcia. “Things just seem to happen naturally when the three of us get together.”

Indeed, there’s something inevitable about the sound of Thee Sacred Souls, as if these ageless songs of love and loss have somehow always existed, as if Garcia and his bandmates—bassist Sal Samano and singer Josh Lane—have been playing together for a lifetime already. Produced by Bosco Mann (aka Daptone co-founder Gabriel Roth), the record is warm and textured, mixing the easygoing grace of sweet ’60s soul with the grit and groove of early ’70s R&B, and the performances are utterly intoxicating, with Lane’s weightless vocals anchored by the rhythm section’s deep pocket and infectious chemistry. Hints of Chicano, Philly, Chicago, Memphis, and even Panama soul turn up in their music, and while it’s tempting to toss around labels like “retro” and “vintage” with a deliberately analog collection like this, there’s also something distinctly modern about the band that defies easy categorization, a rawness and a sincerity that transcends time and place.

Jalen Ngonda

Presently residing in the UK, Jalen Ngonda grew up just outside of Washington D.C., At the tender age of 11 his father introduced him to the joys of soul music, most notably Motown's robust catalog, which he soaked up like a thirsty sponge, guiding him on the path to become the remarkable artist that he is today. With this inaugural release Jalen delivers mid-tempo magic that will make you feel his Motown roots as opposed to wearing them on his sleeve.  'Just Like You Used To' drops with groove and vibe in equal measure, providing the perfect foundation for Jalen's vocals to soar.

Clearly a keen student of the genre’s revered pioneers, Jalen possesses a rich, nuanced voice that sets him miles apart from other contemporaries. Inspiration for his compositions derives from a variety of places. “Everyday life. Anything, really,” he says. “To a stranger, I would say my music is soul/R&B, while trying to fit in the Beach Boys and the Beatles somewhere in between.”

His first ever US tour brought him to New York City’s Summer Stage Festival, Picktathon, and the history-laden Newport Folk Festival. “The Newport Folk Festival was absolutely amazing,” says Jalen. “The crowd they bring every year just loves to hear good music. To think that so many great artists and bands played there in the past, you feel like you’re part of the festival’s timeline.” He’s also been a supporting act for Laura Mvula and Lauryn Hill at the Montreal Jazz Festival and wowed sold-out houses on his own in Germany, UK and Switzerland.

TICKET PRICES CURRENTLY AVAILABLE
DAY OF: $38.50
GENERAL ADMISSION: $34.50

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: January 20, 2023 12:00 PM to February 20, 2023 12:00 AM
DAY OF Public Onsale: February 20, 2023 12:00 AM to February 20, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guest Jalen Ngonda

For Thee Sacred Souls, the first time is often the charm. The band’s first club dates led to a record deal with the revered Daptone label; their first singles racked up more than ten million streams in a year and garnered attention from Billboard, Rolling Stone, and KCRW; and their first fans included the likes of Gary Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. Now, the breakout San Diego trio is ready to deliver yet another landmark first with the release of their highly anticipated, self-titled debut.

“Every step of the way has just been so organic,” says drummer Alex Garcia. “Things just seem to happen naturally when the three of us get together.”

Indeed, there’s something inevitable about the sound of Thee Sacred Souls, as if these ageless songs of love and loss have somehow always existed, as if Garcia and his bandmates—bassist Sal Samano and singer Josh Lane—have been playing together for a lifetime already. Produced by Bosco Mann (aka Daptone co-founder Gabriel Roth), the record is warm and textured, mixing the easygoing grace of sweet ’60s soul with the grit and groove of early ’70s R&B, and the performances are utterly intoxicating, with Lane’s weightless vocals anchored by the rhythm section’s deep pocket and infectious chemistry. Hints of Chicano, Philly, Chicago, Memphis, and even Panama soul turn up in their music, and while it’s tempting to toss around labels like “retro” and “vintage” with a deliberately analog collection like this, there’s also something distinctly modern about the band that defies easy categorization, a rawness and a sincerity that transcends time and place.

Jalen Ngonda

Presently residing in the UK, Jalen Ngonda grew up just outside of Washington D.C., At the tender age of 11 his father introduced him to the joys of soul music, most notably Motown's robust catalog, which he soaked up like a thirsty sponge, guiding him on the path to become the remarkable artist that he is today. With this inaugural release Jalen delivers mid-tempo magic that will make you feel his Motown roots as opposed to wearing them on his sleeve.  'Just Like You Used To' drops with groove and vibe in equal measure, providing the perfect foundation for Jalen's vocals to soar.

Clearly a keen student of the genre’s revered pioneers, Jalen possesses a rich, nuanced voice that sets him miles apart from other contemporaries. Inspiration for his compositions derives from a variety of places. “Everyday life. Anything, really,” he says. “To a stranger, I would say my music is soul/R&B, while trying to fit in the Beach Boys and the Beatles somewhere in between.”

His first ever US tour brought him to New York City’s Summer Stage Festival, Picktathon, and the history-laden Newport Folk Festival. “The Newport Folk Festival was absolutely amazing,” says Jalen. “The crowd they bring every year just loves to hear good music. To think that so many great artists and bands played there in the past, you feel like you’re part of the festival’s timeline.” He’s also been a supporting act for Laura Mvula and Lauryn Hill at the Montreal Jazz Festival and wowed sold-out houses on his own in Germany, UK and Switzerland.

TICKET PRICES CURRENTLY AVAILABLE
DAY OF: $32.50
GENERAL ADMISSION: $27.50

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: November 18, 2022 10:00 AM to February 22, 2023 12:00 PM
DAY OF Public Onsale: February 22, 2023 12:00 PM to February 22, 2023 11:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guests Soft Blue Shimmer

Covet started in 2014 as a bedroom project by guitarist Yvette Young, who at the time, was balancing writing music part time with working as an art teacher. Over the years, the project has certainly grown beyond its “Bay Area garage band” roots and has been fortunate enough to reach people all over the world- enough so that Young eventually left her teaching job to pursue making music with a band full-time.

With a background in visual art, art therapy/education, and classical piano/violin, Young aims to write emotive songs that capture colorful imagery, uplift, and tell stories. Their sound can be described as “instrumental progressive rock” but the music draws influence from many genres like Midwest emo and shoegaze and doesn’t try to adhere to one main sound. Young’s fluid and polyphonic fingerstyle approach to guitar is often described as very piano-like, and although her playing at surface level is technical and intricate, the music still aims to make people feel something and make people want to dance.

The band has released an EP Currents, an acoustic EP, and 2 full length albums Effloresce and Technicolor. Over time the sound has really transformed from its twinkly mathrock origins to a more evolved, fuller, more melodically complex sound that incorporates a myriad of tones and textures. There is currently one new album in the works, which the band will be playing songs from.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $32.50

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: November 18, 2022 10:00 AM to February 23, 2023 10:00 PM

PERFORMANCE DESCRIPTION

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $28.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: October 28, 2022 10:00 AM to March 4, 2023 8:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guests Jesus Piece, Scowl, and TRiPPJONES

Show Me The Body is a New York City based ecClesiastical hardcore trio consisting of Julian Cashwan Pratt (founder; banjo and vocals), Harlan Steed (founder; bass), and Jackie McDermott (current drummer). The band has organized non-traditional, intentional DIY spaces for NYC youth since 2015, and since expanded that work to a global capacity through their urgent, ceremonial live shows, subterranean punk and hip-hop mixed tours, and their CORPUS NYC platform. Trouble the Water is the culmination of nearly a decade of barrelling against New York City’s structural ambivalence and indifference; an invocation to a like-minded global community to consider the alchemy of family-building, and of turning water to blood.

Trouble the Water both references and pays homage to the physical city, and the New York Sound: not one particular genre, but the people and subcultures that encapsulate it’s true foundation, style, and spirit; while expanding upon and reckoning with the hyperlocal territory of 2019’s Dog Whistle. With Pratt’s most encantatory, interrogative poetry to date, and Steed expanding the glitchy, caustic arena of his electronic experimentation, the band is feeling more like themselves than ever. The founding duo, who have worked together since 2009, used Trouble The Water to methodically inhabit one another’s forms; Pratt experimented recklessly with production and synths, while Steed challenged his own focus to include melodies and riffs.

Although the title invokes the ancient alchemy Moses wielded to free and unite Israelite peoples, Trouble The Water refuses nostalgia, or mimicry. Instead, it considers the sublime power of the unifying physical practices that can be enacted daily, to invoke immeasurable spiritual and collective reactions. Buoyed by moments of stinging stillness and compulsive, almost optimistic, malfunctioning rhythms, the work is literally a conjuration to dance, and move. If we are really living through the end of the world, maybe every movement we make, no matter how slight, is actually boundless and radical. How do we find freedom through rejecting time altogether, and existing only in communion, in space, and in the constellations we form as we choose our “blood” families? Or, as Pratt demands on Demeanor, “What’s better than when we come together? Fighting, dancing, fucking together.” Trouble the Water is at once a homily for those left behind or displaced, and a searing investigation of what survival looks like from within the borders of an aggressively policed city and state, that postures those unignorable calls for rage and migration to a world at war.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $29.50

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: December 2, 2022 10:00 AM to March 5, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating 

with special guests Hot Mulligan and Carly Cosgrove

The Wonder Years are a band & they are a band from Philadelphia, Pennsylvania & they came to life in 2005 & they write songs & those songs are sometimes about people they love & those songs are sometimes about people you might have loved & those songs are sometimes about a city that could be the city you live in or a neighborhood that feels like it could be your neighborhood & they put those songs on albums & they put those songs on The Upsides in 2010 & they put those songs on Suburbia I've Given You All and Now I'm Nothing in 2011 & they put those songs on The Greatest Generation in 2013 & on No Closer to Heaven in 2015 & those albums were loved by critics & even more loved by fans & their shows are awash with a genuine emotional energy that only they can pull out of a room & The Wonder Years are a band made up of old friends & they play rock & roll music & they play it like they mean it & They have played it in a lot of places & in front of a lot of people & they have played it in dive bars & stadiums & outside with the whole sky bowing & they have played it in five continents & they have played it in thirty countries & they are still counting & Sister Cities is their new album & it is an album about how all of our distance might not be so wide after all & it was written with the world on fire & all of the songs sound like they are trying to build you a bridge from somewhere bad to somewhere better & The Wonder Years are a band & they are also bridge builders.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $25.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: October 28, 2022 10:00 AM to March 8, 2023 8:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

TICKET PRICES CURRENTLY AVAILABLE
VIP: $130.00
GENERAL ADMISSION: $30.00

TICKET SALE DATES
VIP / GENERAL ADMISSION Public Onsale: November 4, 2022 10:00 AM to March 10, 2023 9:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guest Tei Shi

New Zealand-born pop star and two-time Grammy Award winning tour de force Kimbra is readying her fourth studio album, A Reckoning. Produced in tandem with Son Lux’s Ryan Lott, A Reckoning features brand-new singles “Save Me” and “Replay,” which channel heartbreak amidst a global pandemic into bold new sonic territory.

This is just the latest chapter in a series of Kimbra’s overall career  success: the experimental pop performer’s 2011 debut, Vows, bowed at No. 14 on the Billboard Top 200 and was certified platinum in Australia and New Zealand. That same year, she exploded into the public consciousness with “Somebody That I Used To Know,” a duet with Gotye that earned her two Grammy Awards for “Record of the Year” and “Best Pop Duo/Group Performance,” as well as reaching No. 1 on global charts (across 18 countries) and selling more than 13 million copies.

Tei Shi (pronounced “tay-shee”) is the moniker of singer/songwriter and producer Valerie Teicher. 

Since her first two EPs, Saudade (2013) and Verde (2015) “introduced her to the world as a skilled and fluid vocalist... [Tei Shi] has fully stepped into her own, brewing up confections centered on trusting your own intuition.” (Pitchfork). Her groundbreaking song Bassically garnered over 17 million streams on Spotify alone and set the scene for her critically acclaimed debut album Crawl Space (2017), which was highly revered by the likes of NPR, The New Yorker, Pitchfork, The Fader and The Guardian, and projected her as one of today’s most influential multidisciplinary acts.

Her new single, GRIP, marks the beginning of a new chapter for Tei Shi as a truly independent artist, fully in control of her sound, creative direction, and business. The song discusses the disappointment and anger brought about by some of her experiences in the music industry, and paves the way for a breadth of new material set to be released throughout 2022.

VIP - Kimbra Meet and Greet Experience 

Description of package: 

• 
  

  One (1) Event Ticket 

  
  


• 
  

  One (1) Meet and Greet and Photo Opportunity with Kimbra 

  
  


• 
  

  One (1) Exclusive Kimbra Tote Bag

  
  


• 
  

  One (1) VIP Laminate

  
  

All package elements will be rendered invalid if resold. Name changes will be issued at the sole discretion of 23/7 Global. VIP instructions will be sent via email no later than three days (3) prior to the concert. If you do not receive this email three days (3) prior please email info@237global.com. All packages and contents are non-transferable; no refunds or exchanges; all sales are final. All VIP package items and experiences are subject to change. Please note that the information provided at the time of purchase (e-mail and mailing address) is the same information that will be utilized for individual contact requirements where applicable. 23/7 Global, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer at the time of purchase. If you have any questions regarding your VIP package elements, or have not received your package information within three days (3) of the concert date, please email info@237global.com. 

TICKET PRICES CURRENTLY AVAILABLE
GA - SEATED DANCE FLOOR & TIER 2: $80.00
GA - SEATED TIER 3: $65.00
GA - STANDING TIER 3: $50.00

TICKET SALE DATES
GA - SEATED DANCE FLOOR & TIER 2 / GA - SEATED TIER 3 / GA - STANDING TIER 3 Public Onsale: January 20, 2023 10:00 AM to March 31, 2023 7:00 PM

PERFORMANCE DESCRIPTION
Reserve Seating by Section with Limited Standing Room Tickets

Tickets to this event include access to a moderated conversation with Ari Shapiro and a signed copy of THE BEST STRANGERS IN THE WORLD (published by HarperOne, a $29 value.)

In conversation with Davia Nelson of NPR’s show Kitchen Sisters

Join award-winning NPR journalist Ari Shapiro for an evening of conversation about his memoir and tales from his storied broadcast career.

The beloved host of “All Things Considered” is known for his adventurous spirit and insatiable curiosity, which has served him well whether he’s traveling on Air Force One with President Obama, navigating war-torn countries, or following community leaders fighting for social justice.

His new memoir, THE BEST STRANGERS IN THE WORLD, details all of this and more in captivating essays and is a true love letter to journalism.

Shapiro will be joined by special guests as he shares insights from his life spent listening.

Tickets to this event include access to a moderated conversation with Ari Shapiro and a signed copy of THE BEST STRANGERS IN THE WORLD (published by HarperOne, a $29 value.)

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with special guests Tiny Habits

Since making her debut with “Mean It” in October 2019, Gracie Abrams has emerged as one of the most compelling songwriters of her generation, earning the admiration of such likeminded artists as Lorde, Billie Eilish, and Olivia Rodrigo. A consummate songwriter who names Joni Mitchell as her most formative influence, she penned her first song at age eight, then went on to amass a devoted following on the strength of her emotionally intimate lyrics and DIY sensibilities. As her profile rose, Abrams was named an artist to watch by taste making outlets like Pigeons & Planes, Fader, and i-D, in addition to being crowned one of seven breakout female musicians by Vogue UK. With the arrival of her debut project minor in summer 2020, she received glowing reviews from the likes of NME, who praised her “painfully honest tales of heartbreak draped in delicate melodies that carry much more intrigue than the usual run-of-the-mill singer-songwriter.” Executive-produced by Blake Slatkin — and also made with leading producers like Joel Little and benny blanco – the seven-song effort features her beloved singles “21,” “I miss you, I’m sorry,” and “Long Sleeves.” In November 2021, Abrams returned with This Is What It Feels Like, a 12-track project exploring such complex emotional experiences as self-betrayal, insecurity, and failed attempts at connection. Soon after completing her sold-out North American headline tour for This Is What It Feels Like, she set to work on her debut album.  With This Is What It Feels Like Abrams took on a greater role in the production process, working with The National’s Aaron Dessner, Joel Little and Blake Slatkin to dream up each track’s minimalistic yet kaleidoscopic sound. In a departure from her previous work, Abrams also left her hometown of L.A. to write and record in such serene settings as the woods of Maine and Dessner’s Long Pond Studio in the Hudson Valley—a move that quickly brought a greater clarity to her creative. Abrams kicked off 2022 with a headline tour of North America followed by a support slot on Olivia Rodrigo’s tour and reconnected with Dessner to release two songs “Block me out” and “Difficult.”  This year will see Abrams release her debut album, Good Riddance, on February 24th followed by a North American headline tour and dates supporting Taylor Swift this Spring on her blockbuster Eras Tour.

TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $28.50
DAY OF: $35.00

TICKET SALE DATES
ADVANCED Public Onsale: December 16, 2022 10:00 AM to April 21, 2023 5:00 PM
DAY OF Public Onsale: April 21, 2023 5:00 PM to April 21, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating 

Enslaved

In true Enslaved fashion, the Bergen voyagers’ 16th album, Heimdal, is both a departure and a communion with roots forged over three decades ago in the turbulent birth throes of Norway’s black metal scene. Founded in 1991 by the then precociously young Ivar Bjørnson and Grutle Kjellson, Enslaved were determined to set out on a different course from their Satanic, church-burning peers, turning their attention towards Viking lore and writing the majority of the lyrics for their 1994 debut album, Vikingligr Veldi, in Icelandic for its proximity to Old Norse. 2020’s Utgard album was the beginning of a new phase for the band, delving deeper into the esoteric nature of Nordic mythology, but finding more precise jump-off points for a leap into the unknown. More streamlined than its multi-layered predecessors, In Times and E, if only to prise open new expanses to explore, its ruminations on the shadowy, titular land of the Norse Jotun ice giants found parallels with the psychological states of the unconscious, and the pilgrimage into our own hearts of darkness that’s the start of the route to all self-knowledge. Heimdal offers another tangential act of discovery, another embarkation point for a solemn, expectant and exhilarating passage through the realms of the senses. It's a reflection of paths travelled, a promise of a new beginning, and a rite of passage between the two. Truly an album for all times.

Insomnium

At its strongest, music is a gateway into another world. The key to a gate nothing else can pry open. Music, essentially, is a weapon to destroy the walls we built around us–and Finnish metal melancholists Insomnium are amongst its strongest wielders. Their ninth masterpiece, “Anno1696”, leads us deep into a dark and troublesome past in Northern Europe. This is an age of unrest. The age of great famine in the North. The witch hunt is in full swing all across Europe and the gruesome witch trials have even reached the remote and majestic landscapes of Finland and Sweden.

Set to their latest batch of achingly beautiful, soul-cleansing post-doom dirges and accompanied by a sombre short story written by frontman Niilo Sevänen himself, Insomnium once more summon a manifesto of grief and hope from the ever fertile and melancholic Finnish soil.

With “Anno 1696”, Insomnium take us into a world woven of sorrow and last crumbling vestiges of hope, of wrath and morbid lullabies, an album relying on the strengths of their beloved trademark sounds and a new sense of grandiose, melancholic storytelling.

Welcome to 1696. Welcome to hell.

TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $32.50
DAY OF: $35.00

TICKET SALE DATES
ADVANCED Public Onsale: February 3, 2023 10:00 AM to April 28, 2023 12:00 AM
DAY OF Public Onsale: April 28, 2023 12:00 AM to April 28, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with Municipal Waste, Sacred Reich, Creeping Death

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $33.50

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: January 13, 2023 10:00 AM to April 29, 2023 9:30 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $58.50

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: October 13, 2022 10:00 AM to May 5, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with limited VIP Table Seating


After a 14-year hiatus, one of the greatest icons of Brazilian music announces his return to the US for a major tour. Four-time Latin GRAMMY winner Djavan will present a brand-new show with his full band, featuring songs from his twenty-fifth studio album “D”, as well as major hits from his 45 year career. Aside from new hit songs like “Iluminado” and “Num Mundo de Paz”, the set list will also include major classics from Djavan’s legendary career, such as “Se", "Flor de Lis", "“Eu te Devoro”, "Samurai" and many others.

AmericanAirlines – official airline

TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $30.00
DAY OF: $35.00

TICKET SALE DATES
ADVANCED Public Onsale: January 27, 2023 10:00 AM to May 6, 2023 12:00 AM
DAY OF Public Onsale: May 6, 2023 12:00 AM to May 6, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

Based in San Diego, rock-reggae band Tribal Seeds come at their music from a different angle, more influenced by bands like Steel Pulse and Aswad than the common touchstone of Sublime. Formed in 2005 by the Jacobo brothers, singer Steven and producer Tony-Ray, the group issued its debut album, Youth Rebellion, that same year. The album was the first of many to be released on the group's own label, including a self-titled album in 2008 plus The Harvest from 2009. The Soundwaves EP followed in 2011, while 2014's Representing cracked the Billboard 200 albums chart. The album featured guest appearances from Don Carlos, Mykal Rose, and Midnite's Vaughn Benjamin.

In March 2017, Tribal Seeds won the San Diego Music Award for Artist of the Year. A new single followed, entitled "Rude Girl" which debuted among iTunes Hot Singles in the Reggae genre. The band is currently recording their fifth full length album, schedule for release in early 2018.

Tribal Seeds have toured throughout the United States, and have also performed in Mexico, Aruba, Tahiti & Peru. They have shared the stage with artists such as Dave Matthews Band, Jack White, Red Hot Chili Peppers, Jane's Addiction, Skrillex, MGMT, Cee Lo Green, Jason Mraz, Matisyahu, Sublime with Rome, Taking Back Sunday, O.A.R., Pretty Lights, Steel Pulse, The Wailers, Julian Marley, Stephen Marley, Gregory Isaacs, SOJA, Rebelution, Pepper, and many more.

TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $30.00
DAY OF: $32.50

TICKET SALE DATES
ADVANCED Public Onsale: January 20, 2023 10:00 AM to May 13, 2023 12:00 AM
DAY OF Public Onsale: May 13, 2023 12:00 AM to May 13, 2023 10:00 PM

PERFORMANCE DESCRIPTION
General Admission Standing Room with Limited Seating

with Terror, Frozen Soul, Fuming Mouth, Phobophilic