If finding common ground sounds like an ambitious prospect in these profoundly polarized times, that’s because, quite frankly, it is. But with his extraordinary new album, The United State, Wells has managed to transcend politics and race and religion and tap into something far deeper, something infinitely more primal and timeless. Recorded with acclaimed producer Duane Lundy (Ringo Starr, Sturgill Simpson’s Sunday Valley, Joe Pug), the collection explores our innate humanity and everything that comes with it: the joy, the sorrow, the ecstasy, the pain, the hope, the fear. Wells’ songs speak to the universal truths that bind us, empathetically leaping between perspectives as they reckon with personal growth and existential quandaries. The arrangements here are rich and ethereal to match, balancing lush sonic landscapes with stark acoustic meditations. The result is a subtly revelatory record, a gripping, cinematic album full of small moments and sharp insights that add up to nothing short of life itself. “Ultimately, this album’s about unity,” says Wells. “It’s about the common thread that connects us all.” After spending his childhood in Blanchard, LA, Wells moved with his family to Cynthiana, Kentucky as a youngster. Growing up in the rural South, he rebelled against the commercial country music that surrounded him, instead preferring the trippy psychedelia of Pink Floyd and the brash energy of Guns N’ Roses. After an aimless couple of years trying to put a band together in rural Kentucky, he moved to Lexington, and immediately launched the cult favorite Southern rock band Fifth on the Floor. The group released a couple of well-received independent records before teaming up with Shooter Jennings on their breakout third album, 2013’s Ashes & Angels, which debuted on the Billboard Country charts. While the record earned raves and helped land the band dates with the likes of Chris Stapleton, Sturgill Simpson, Jason Isbell, and Blackberry Smoke, it would prove to be the group’s last, and following a pair of hometown farewell shows, the four-piece split for good. “When that band broke up, it kicked me in the teeth. We’d spent years clawing upward, and suddenly there was no wind, no sails,” says Wells. “That had been my dream since I was a teenager, and all of my eggs were in that basket. There was no backup plan.”
With the rug suddenly pulled out from under him, Wells found himself in freefall. Rather than succumb to the disappointment, though, he decided to write his way through the heartache, emerging stronger and more creatively invigorated on the other side with his solo debut, Dawn in the Distance. The record (and its subsequent touring) prompted the best reviews of Wells’ career, with Rolling Stone hailing his “gift for melody” and Saving Country Music praising his “stunning insight and honesty.” The album reached #3 on Amazon’s Alt-Country/Americana chart, and songs from the collection racked up more than a million streams on Spotify alone.
With roots embedded in the Colorado Rocky Mountains, and a sound unhinged in the capital of Texas, Shovelin Stone is a music almost as unique as the friendship it stems from. A shared passion for old-timey bluegrass is what brought Makenzie and Zak together, but it’s the unknowing joy for the moment and the obsession with the complications that life brings that continues to push the duo forward. Within heartfelt lyrics and a unique musical composition the indie folk sound that projects from these two is not only going to get the audience thinking but
on their feet.
With the addition of multi-talented bassist, cellist and mandolin player Russick Smith, and rock drummer Brett Throgmorton, Shovelin Stone is gearing up to release their sophomore album recorded deep in the Appalachian Mountains with Grammy winning producer Chance McCoy of the Old Crow Medicine Show. With songs about longing, love, and the hunger to be heard in this big world, it is hard not to relate to these four on their quest for success. The road is winding but one thing is for sure that with Shovelin Stone at the wheel it’s going to be a wild ride.
From Park Hills, Northern Ky...
Brothers Wes and Aaron Smith have been performing as and leading Brother Smith since 2015.
What began as a roots driven acoustic duo has transformed into a progressive auditory ensemble to be reckoned with.
Featuring new members Trevor Caddell (saxophone) and Amberly Winfrey (vocals), Brother Smith's sound continuously evolves with inspirations that span across several genres, including: rock, funk, gospel, folk, blues, bluegrass, jazz, and country (to name a few).
Brother Smith's latest release, "Blue Sod, Vol. II", showcases the brothers' multi-instrumental talents by splitting all the recorded instrument and vocal responsibilities between themselves (Wes and Aaron that is) while also featuring Caddell and Winfrey on the first track, "Kill the Weeds".
Brother Smith is currently recording new music with plans for more releases this year and next.