TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $20.00
DAY OF - GENERAL ADMISSION: $25.00
FIRST100: $15.00

TICKET SALE DATES
GENERAL ADMISSION / FIRST100 Public Onsale: January 12, 2022 12:00 PM to July 8, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: July 9, 2022 12:00 AM to July 9, 2022 7:00 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.A tribute to the music of the '70s with Mr. Majestyk's 8-Track Revival with Hans Rotenberry of the ShazamWhat do you get when you come to see a Mr. Majestyk’s 8-Track Revival show? You get "Grade A" performances of rock and pop masterpieces from the 1970s. That's right kids...this means tunes that you may not often hear these days. From ELO, Queen and Led Zeppelin to rarities by Wings, Gary Wright and Sweet...MM8TR delivers 100% top fuel analog rock and roll, with a side of AM gold pop. A portion of the proceeds will benefit India Transformed! - For almost 30 years, India Transformed! has been changing the lives of impoverished children and at-risk women through accessible education(K-college) and vocational training to break the cycle of generational poverty. www.indiatransformed.org 

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $22.00
DAY OF - GENERAL ADMISSION: $25.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 13, 2022 10:00 AM to July 14, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: July 15, 2022 12:00 AM to July 15, 2022 9:00 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy. Allah-Las with Mapache“A ship in harbor is safe, but that’s not what ships are built for” the saying goes. But suppose the proverbial harbor is Los Angeles — a place not particularly known for being the origin of adventures. From the Spanish Conquistadors to the countless starry-eyed nobodies hoping to make it big, LA is usually the destination. So it’s no wonder the Allah Las became fascinated with both the carefree spirit and glitter-in-the-gutter lifestyle of their hometown. After three records mining its lore and lure (from the desert to the sea) they have become global ambassadors of not just a place but a location.The Allah Las seem to be transmitting from a place not found on any map. Those familiar with the band’s work will recognize their skillful melding of melodies and moods, but through that lens we see them venturing into new, exciting territories. Indeed, their growth not just as songwriters, but as performers, arrangers, and producers — is clearly audible.Correia sings in Portuguese on “Prazer Em Te Conhecer” (Nice to Meet You), which evokes George Harrison while also sounding like a rare 45 from a Brazilian flea market. The breezy sweetness of “Pleasure” could pass for a song by Spanish folk darlings Picnic, were it not for the wistful wisdom in Dunham’s delivery. “Polar Onion” takes us through the inevitable lows one encounters on a long journey, as Michaud laments “drown in the sea, I fill my cup – but it’s not enough”- a caricature of the lonesome cowboy seeking and occasionally glimpsing enlightenment.One of the most notable evolutions from their previous work is a razor-sharp focus on the groove. We hear the rhythms of Krautrock influencing songs like “Houston” and “Electricity,” with steady and precise drumming that create complexity from repetition. Whilst both “Roco Ono” and “Star” incorporate elements of disco and soul into Allah Las universe, highlighting an airtight rhythm section unafraid to tap their toes. “LAHS to me feels like a soundtrack to the past 5 years or so. A sort of audio postcard to anyone who wants to listen.” This sentiment is echoed in the album’s artwork — a collection of exotic postcards, postmarked from equally exotic locals (designed by Matt Correia & Robbie Simon).Tracking was done mostly by the band at their own studio in Los Angeles, allowing them more time and space to experiment with tunes and tones. Producer/Engineer Jarvis Taveniere (Woods) was brought in to help polish it off, resulting in a sound both crisp and clear while keeping with the warmth and atmosphere the band are known for.The Allah Las have left the harbor. The infectious wanderlust that fuels these thirteen songs continues to propel the group forward across new frontiers, as they collect and catalog all they find and return with plenty of inspiration in tow. With LAHS we not only discover what souvenirs they’ve brought back for us; they’re inviting us aboard and taking us along for the ride.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $20.00
DAY OF - GENERAL ADMISSION: $25.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: April 15, 2022 10:00 AM to July 28, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: July 29, 2022 12:00 AM to July 29, 2022 9:30 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.This show has been rescheduled from July 29th to July 30th. All tickets purchased prior to 6/7/22 will be honored for the rescheduled date and you will not need new tickets to enter for the show. If you cannot make the rescheduled date of July 30th, please email boxoffice@washingtonsfoco.com. Refunds will be honored through June 30th; any requests made after that date will not be honored.Ozomatli with Opening Act TBAOzomatli's music is as multifaceted as its members and influences. Meeting as young political activists and musicians, the original band formed in Los Angeles in 1995 to play a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&B and New Orleans second line, Jamaican ragga and Indian raga— all while following a key mantra: it will take you around the world by taking you around Los Angeles.Their music has been recognized and celebrated widely - having won four Grammy Awards, serving as official US Cultural Ambassadors playing to audiences around the world, and here in the City of LA, April 23rd is designated Ozomatli Day in recognition of their immense contribution to the cultural life of our city. Over the course of Ozomatli’s 25 year career, the group has sold hundreds of thousands of albums, consistently sold out concerts around the world, and performed on high profile TV shows like The Today Show, Jimmy Kimmel, Tonight Show w/Jay Leno, and Austin City Limits. The band also stars in Drew Barrymore’s Never Been Kissed and has been featured on PBS Kids.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $22.00
DAY OF - GENERAL ADMISSION: $25.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: June 17, 2022 10:00 AM to August 5, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: August 6, 2022 12:00 AM to August 6, 2022 9:30 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.George Porter Jr. & Runnin' Pardners with Opening Act TBA

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $15.00
DAY OF - GENERAL ADMISSION: $17.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 13, 2022 10:00 AM to August 10, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: August 11, 2022 12:00 AM to August 11, 2022 9:15 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.The Texas Gentlemen with Opening Act TBAPop on Floor It!!!, the new and second full-length effort from the Texas Gentlemen, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r&b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $15.00
DAY OF - GENERAL ADMISSION: $18.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 27, 2022 10:00 AM to August 12, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: August 13, 2022 12:00 AM to August 13, 2022 9:00 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.Y La Bamba with Opening Act TBAY La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.The record exists in the post-2016 landscape of a national identity crisis, and Mendoza explores what it means to be a Mexican American woman by leading us through places we are afraid to go. Mujeres ventures in to the discomfort of the stories we tell ourselves. Those of our past, our futures. We all have these stories somewhere inside of us, but with Y La Bamba, Mendoza forges new narratives from old stories of heritage and family, tracing history while forging modern chicana feminism.“Music is an extension of everything I have inside. It’s how I emote,” Mendoza says. The raw honesty of Mujeres is in fact the raw honesty of Mendoza. Armed with the emotionality of traditional música mexicana and the storytelling of American folk, Y La Bamba’s artistry is not just their musical ability but Mendoza’s search for unadulterated truth. It is in an ancestral, spiritual journey in which Mendoza comes to terms with the influence and limitations of her upbringing. Mendoza’s experience of childhood summers in the San Joaquin Valley listening to mariachi, of being raised strict Catholic by immigrant parents, of being a woman having to prove herself to the boys, paints strokes of both melancholy and healing on the tracks. “From the way that my family struggles, to the way they shoot the shit… it’s so different from whiteness,” Mendoza says. “It’s a different dimension.”Y La Bamba exists in the dimension of the Mexican American imagination: somewhere cynical and optimistic at the same time. While there is a celebration of the Mexican creativity that has informed Mendoza’s life, there is a darker side to reconcile with. Where do mujeres fit in to the American story? What are the sins for which we are all guilty? How do different generations interact with the world? How can a culture become visible without tokenization? It is no surprise that in Mujeres, Y La Bamba’s first record with Mendoza at the helm of production, Mendoza contemplates these questions to tell her story. But it is not just Mendoza’s story. Challenging a narrative and dealing with the emotionality of that effort— that is everyone’s story.Mujeres was recorded by Luz Elena Mendoza and Ryan Oxford at Color Therapy Studios and Besitos Fritos Studios in Portland, Oregon. Mixed by Jeff Bond, with Grace Bugbee on bass, John Niekrasz on drums, Margaret Wher Gibson on keys, and Ed Rodriguez and Ryan Oxford on electric guitar.

TICKET PRICES CURRENTLY AVAILABLE
GA SEATED (FLOOR): $35.00
GA STANDING MEZZANINE: $25.00

TICKET SALE DATES
GA SEATED (FLOOR) / GA STANDING MEZZANINE Public Onsale: May 13, 2022 12:00 AM to August 14, 2022 9:00 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

Please note that there are seats on the main floor for this show and you must purchase a floor seat to have access to that level. All remaining tickets are for standing in the balcony. Seating is still first come first serve for those with the proper ticket.Asleep At The WheelFounded in 1970, Asleep at the Wheel has been part of the American roots music landscape for more than 50 years. Although the band got its start on a farm in Paw Paw, West Virginia, Asleep at the Wheel became a cornerstone of the Austin, Texas, scene upon its arrival in 1973. Inspired by Western swing and honky-tonk country, the band has accrued 10 Grammy Awards. In the fall, a career retrospective recorded with the current lineup -- and a few special guests -- will carry the band back onto the road, where they’ve remained a staple for five decades.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $18.00
DAY OF - GENERAL ADMISSION: $23.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 20, 2022 10:00 AM to August 26, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: August 27, 2022 12:00 AM to August 27, 2022 8:30 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

The DocksidersImagine that its 1981 and you’re cruising the Atlantic shores of the Hamptons with your friends. Bikinis are fluorescent, polo collars are popped, and boat shoes are rocked sockless. In the background, your booming sound system is playing the soft-rock sounds of Michael McDonald, Olivia Newton-John, Hall & Oates, Christopher Cross and Air Supply.The Docksiders are made up of veteran musicians from Milwaukee, Wisconsin – led by 3-time Grammy™ nominee, Kevin Sucher. Their unique tribute act of your favorite soft rock songs of the 70s and 80s – now defined as Yacht Rock – have been entertaining thousands of people for years and audiences are only getting bigger – thanks Weezer!The Docksiders show stopping hit song after hit song, costume changes, and visual production, is only topped by their world-class performance.The Docksiders – Yacht Rock at its Finest!

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $28.00
DAY OF - GENERAL ADMISSION: $33.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: June 24, 2022 10:00 AM to August 31, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: September 1, 2022 12:00 AM to September 1, 2022 8:30 PM

PERFORMANCE DESCRIPTION

This event is hosted at New Belgium Brewing Company (500 Linden Street, Fort Collins). It is an outdoor event, please prepare accordingly. The event is 21+ only. Weapons of any kind, non-service animals, portable chairs, and outside food and drink will not be permitted. Please refer to the FAQ for additional information on venue policies. Masks and Vaccination cards are not required for this event but Covid policies are subject to change. When purchasing a ticket, you agree to these policies; tickets are non-refundable.

Washington's and The Colorado Sound presents:Rising Appalachia with Big Richard BandAs world travelers for nearly two decades, Rising Appalachia have merged multiple global music influences with their own southern roots to create the inviting new folk album, Leylines. Remarkably the band has built its legion of listeners independently -- a self-made success story that has led to major festival appearances and sold-out shows at venues across the country. Founded by sisters Leah and Chloe Smith, the band established an international fan base due to relentless touring, tireless activism, and no small degree of stubborn independence. However, for the first time, they opted to bring in a producer for the new album, teaming up with the legendary Joe Henry on the sessions. These were also their first recording sessions outside of the South. For 10 days, all six band members lived and recorded in a castle-like studio in Marin County, California, overlooking the Pacific Ocean. As a result, a sense of unity and immediacy can be heard throughout their seventh album, Leylines. Although Leah and Chloe Smith consider their voices as their primary instrument, Leah also plays banjo and bodhran on the album, while Chloe plays guitar, fiddle, and banjo. They are joined on Leylines by longtime members David Brown (stand-up bass, baritone guitar) and Biko Casini (world percussion, n’goni), as well as two new members: West African musician Arouna Diarra (n’goni, talking drum) and Irish musician Duncan Wickel (fiddle, cello). The sonic textures of these two cultures are woven into Leylines, enhancing the stunning blend of folk, world, and urban music that has become Rising Appalachia’s calling card. Special guests on Leylines include folk hero Ani DiFranco, soulful songwriter Trevor Hall, and jazz trumpeter Maurice Turner. The album title alludes to the concept of invisible lines believed to stretch around the world between sacred spaces, bonded by a spiritual and magnetic presence. That deep sense of connection is key to understanding Rising Appalachia as a whole.  “Rising Appalachia has come out of this idea that we can take these traditions of southern music – that we’ve been born and raised with – and we can rise out of them, creating all these different bridges between cultures and stories to make them feel alive.” Leah says. “Our music has its foundation in heritage and tradition, but we’re creating a music that also feels reflective of the times right now. That’s always been our work.”

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $20.00
DAY OF - GENERAL ADMISSION: $25.00
VIP MEET&GREET: $100.00
VIP EARLY ENTRY: $55.00

TICKET SALE DATES
VIP MEET&GREET / VIP EARLY ENTRY Public Onsale: June 9, 2022 10:00 AM to September 3, 2022 10:00 AM
GENERAL ADMISSION Public Onsale: June 10, 2022 10:00 AM to September 10, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: September 11, 2022 12:00 AM to September 11, 2022 9:15 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy. 

VIP Package detailsMeet & Greet Package includes: -One (1) GA ticket to the show-One (1) picture with Ricky Montgomery-Early Entry to the venue-One (1) exclusive merch item-Early access to merch table-Please arrive 1 hour prior to scheduled door times-K-N95 masks will be required for all attendees for the duration of the Meet & Greet ExperienceEarly Entry package:-Early entry to the venue ('Skip the Line')-One (1) GA ticket to the show-One (1) exclusive merch item-Early access to the merch table-Please arrive 30 minutes prior to scheduled door timesRicky Montgomery with Delaney BaileyRicky Montgomery's music was ahead of its time -- literally. Four years after the release of his debut album, and a decade after he wrote some of it, the Los Angeles native's indie-pop has been a balm in the midst of a heavy time, comforting listeners with warm melodies and relatable lyrics. It all started in July of 2020, when a pair of singles from 2016's Montgomery Ricky -- the gently swaying "Mr Loverman" and string-soaked stunner "Line Without a Hook" -- took off on TikTok. "I think because we had a really traumatizing year, these songs kind of found a moment," Montgomery says. "Because they're all, in their own way, about traumas in my life."Now, with a fan base that's all caught up, Montgomery is sitting on a trove of new music built on this now-familiar foundation: "Mr. Loverman" pairs intense family strife with soft acoustic strums that build to a rousing sing-along chorus; "Line Without a Hook" rocks a bit heavier, with strings and power-pop riffs weaving around cathartic one-liners that speak to the jumble that is one's coming of age. He balances melancholy with a touch of sweet humor and loads of humanity. It's no wonder these songs have racked up more than 210M streams so far, landing simultaneously on the Spotify 200 and Spotify Viral 50 charts -- a feat few artists can claim -- with over 50 entries worldwide. As of early 2021, Montgomery's catalog was picking up 15M global streams weekly.But in the summer of 2014, he released his debut EP, Caught on the Moon, and found himself climbing iTunes' Rock and Alternative charts. His yearning to move back to the West Coast was palpable in those songs, and he knows it. "At the time, I defined my personality around wanting to leave Missouri," he admits. "It was almost obsessive for me." The success gave him the excuse. He dropped out, hightailed it to his hometown, and released Montgomery Ricky.Of course, music careers in L.A. are rarely so simple. When things didn't exactly take off, Montgomery swerved into The Honeysticks, a side project with a childhood friend meant to be an outlet for experimentation. In 2018, he took a year off of music. And by the summer of 2020, he was considering quitting entirely. Then the seemingly impossible -- yet somehow inevitable -- happened: Suddenly people were finding solace in his songs. Now, he's using that momentum to prepare for the release of new music on Warner Records. While the songs will certainly be updated, Montgomery's sincere songwriting will continue to shine through. "I just want to create something that can feel as special for other people as it is to me," he says.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $35.00
DAY OF - GENERAL ADMISSION: $38.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 6, 2022 10:00 AM to October 3, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: October 4, 2022 12:00 AM to October 4, 2022 9:00 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy. 

Theory of a Deadman with All Good ThingsSongs make statements at just the right time. Born at the intersection of insurgency and inspiration, music props up a sounding board for the people to be heard. Theory Of A Deadman amplify this voice on their seventh full-length offering, Say Nothing [Roadrunner Records/Atlantic Worldwide]. The award-winning multiplatinum Los Angeles-based Canadian band—Tyler Connolly [lead vocals, guitar], Dave Brenner [guitar, backing vocals], Dean Back [bass], and Joey Dandeneau [drums]—flip the pulse of theworld into scorching songcraft, integrating experimental vision, rock ‘n’ roll attitude, and clever pop ambition.In the midst of this storm, Connolly and Co. speak up like never before. “This album allowed me to say all of the things that were on my mind earlier, but I was too afraid to say,” the frontman admits. “Our previous material was pretty much all relationship-driven. Everything was about me being unhappy. This one was about what’s going on in the world, the state of American politics, and everything else. It was a completely different way of writing for us.A whirlwind two years awakened this feeling in the group. After nearly two decades together, Theory landed their biggest career hit in the form of “Rx (Medicate)” from 2017’s Wake Up Call. Not only did it receive a platinum plaque, generate 100 million -plus streams, and become their third number one on the Billboard Hot Mainstream Rock Tracks chart, but it also received a nomination in the category of “Rock Song of the Year” at the iHeart Radio Music Awards.The musicians quietly reached this high watermark by remaining consistently prolific. To date, their discography encompassed the double-platinum single “Bad Girlfriend,” platinum single “Not Meant To Be,” platinum album Scars & Souvenirs, and gold singles “Angel” and “Hate My Life.” Plus, they notched two Top 10 debuts on the Billboard Top 200, namely Truth Is... [2011] and Savages[2014], as well as eight top tens on Billboard Hot Mainstream Rock Tracks Chart. In addition to selling out shows worldwide, they’ve toured with everyone from Alter Bridge and Bush to Stone Sour and Big Wreck and more.Theory introduce Say Nothing with the single “History Of Violence.” Finger-picked guitar by Brenner brushes up against the singer’s searing snapshot of a woman afflicted by abuse at the hands of her husband. Between sweeping strings and airy solos,Connolly sings, “She need a sedative to get her straight, ya know she need a cigarette, she got the shakes, put them sunglasses on her, hide her face, such a waste...maybe the way out is a .38.”“All around, we really pushed ourselves in terms of the sound,” adds Brenner. “It’s like we finally fit the square peg in the round hole here!”However, Theory’s music might be something everyone can ultimately agree on.“We just want to write what speaks to us,” Connolly leaves off. “The best thing is when people sing lyrics back to you, or if a song gets somebody through a tough time. There’s something we all might be able to dig here.”

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $17.00
DAY OF - GENERAL ADMISSION: $17.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: June 24, 2022 10:00 AM to October 6, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: October 7, 2022 12:00 AM to October 7, 2022 9:00 PM

PERFORMANCE DESCRIPTION
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.Alysia Kraft with Sound of Honey and Special GuestHaving amassed devoted regional followings for projects Whippoorwill and The Patti Fiasco as a celebrated songwriter and incomparably magnetic frontwoman, Kraft has sold out most of Colorado’s big stages and directly supported icons Bon Jovi, Blondie, Nathanial Rateliff and Bonnie Raitt on significantly bigger ones. Embracing the complexities of growing up queer on a cattle ranch in small-town Wyoming and choosing to love within a landscape that didn’t always love back, “First Light” is a triumphant homecoming and a defining solo debut. Americana dipped in indie pop shimmer and folk bioluminescence will find crossover appeal with fans of HAIM, Kacey Musgraves, Sharon Van Etten, and Waxahatchee. Enlisting close collaborator J. Tom Hnatow & Grammy-nominated Justin Craig to produce and mix and acclaimed engineer, Sarah Register to master, "First Light" is open-hearted and thoughtfully hook-adorned-- with soundscapes as dimensional as Kraft’s western upbringing and the liberated narratives contained therein.Sound of HoneyWhere there’s honey, there’s a buzz. This rings true for the Colorado based band, Sound of Honey. Emma Rose (Big Richard) has been steeped in the music scene since she entered this world. Raised by two talented musicians and with a natural knack for songwriting, Rose has spent the last few years fine tuning her quiver of indie-soul-folk songs with only the finest pollen that the spring flowers have to offer. Rich, crystalline vocal melodies weave themselves through a sweet sonic landscape created with the help of Tobias Bank (Whippoorwill) on drums, percussion, and backup vocals, Will Kuepper (Sturtz) on bass and backup vocals, and Sam Armstrong-Zickefoose (Railroad Earth) on electric guitar. Together their warm hues, sultry harmonies and gentle tones create an experience of overall mellow- sparking curiosity of oneself and the emotions that come with diving into the human experience.

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show. Masks are required for entry and the duration of the event. By purchasing a ticket, you agree to this policy. 

Please note that there are seats on the main floor for this show and you must purchase a floor seat to have access to that level. We are also selling the seats around the balcony (outside of our ADA and Artist section) and you must have a mezzanine seat ticket in order to sit in those seats. All remaining tickets are for standing in the balcony. Seating is still first come first serve for those with the proper ticket.***THIS SHOW IS COMPLETELY SOLD OUT***VIP Packages are available until October 13th, 2022. The first two packages will include a seat in the first few rows, a soundcheck performance, autographed poster, tour laminate, a special ticket and merch shopping. The Guacamole Fund ticket is for a center seat in the 4th row and 100% of the lift is paid to organizations that work in the areas of the environment and wildlife, social change, peace with justice, energy and a non nuclear future. Graham has supported the Guacamole fund for decades. Seats will be held for the amount of purchasers within those sections but seats are first come, first serve.An Evening with Graham NashLegendary artist Graham Nash, as a founding member of both the Hollies and Crosby, Stills and Nash, is a two-time Rock and Roll Hall of Fame inductee who has seen rock history unfold at some of its seminal moments – from the launch of the British Invasion to the birth of the Laurel Canyon movement a year later. An extraordinary Grammy Award® winning renaissance artist – and self-described “simple man” – Nash was inducted twice into the Songwriters Hall of Fame, for his work with CSN and his work as a solo artist, beginning with two landmark albums, Songs For Beginners and Wild Tales. The original classic union of Crosby, Stills & Nash (& Young) lasted but twenty months.  Yet their songs are lightning rods embedded in our DNA, starting with Nash’s “Marrakesh Express,” “Pre-Road Downs” and “Lady Of the Island,” from the first Crosby, Stills & Nash LP (1969).  On CSNY’s Déjà Vu (1970), Nash’s iconic “Teach Your Children” and “Our House” (for Joni Mitchell) beseeched us to hold love tightly, to fend off the madness that was on its way. Towering above virtually everything that Graham Nash has accomplished in his long and multi-faceted career, stands the litany of songs that he has written and introduced to the soundtrack of our lives for nearly six decades. Watch a special video here.

TICKET PRICES CURRENTLY AVAILABLE
GA SEATED (FLOOR): $34.00
GA STANDING MEZZANINE: $24.00

TICKET SALE DATES
GA SEATED (FLOOR) / GA STANDING MEZZANINE Public Onsale: June 10, 2022 10:00 AM to October 26, 2022 8:45 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

Please note that there are seats on the main floor for this show and you must purchase a floor seat to have access to that level. All remaining tickets are for standing in the balcony. Seating is still first come first serve for those with the proper ticket.Todd Snider with Opening Act TBATroubadour, meaning an itinerant singer of songs, is a word that dates back centuries, and comes from the French verb “trouver,” which is to find. These musical wanderers would find and invent stories humorous and intellectual, romantic and earthy, performing them as they went from town to town. Troubadour is also the word that acclaimed musician-raconteur Todd Snider leans on to describe himself and his latest release, Live: Return of the Storyteller.“I think my first thought with this record was I wanted to remind people really quickly that I'm a troubadour,” says Snider. “Playing live is the only chance for me to show, 'This is what I really do.' I've never thought of myself as a recording artist. I'm someone who gets over by traveling around, telling stories, making up new songs and singing them alone on stage.”Acting as palate cleansers and putty, the stories between numbers offer colorful glimpses into Snider's interior life. Whether he's talking about being mistaken for a homeless guy in a nice hotel, searching for a song in the woods while tripping or the poetry of one of his heroes dying on stage, his spoken interludes are delivered with both meandering charm and deadly comic timing.Snider is also mindful about not repeating himself when he's returning to a familiar venue, which can add a tightrope quality to his performances. “On this record, when I left Nashville, I didn't know what I was going to say,” he admits. “I just knew that it couldn't be the same shit that I've said. I was going to have to have some new stories to tell. That's how it's been for years. Then one night, I'll get up there and open my mouthand something new comes out. And then I'll just kept telling it and refining it. It happens under pressure.”The timing of Live: Return of the Storyteller's release has extra resonance in our post-pandemic era. Snider says, “I'm glad I recorded the tour last year, because that was the sound of the country getting to see live music again. It was unique and it won't happen again. Everyone just hugs at the start of a concert-you can tell that they're glad to see each other, and then they get more excited than they used to be about just being out andseeing music. I'm sure that it will go back to normal, but it hasn't yet.”While the album captures what Snider laughingly calls his “second tour - because I went out on the road in '94 and never went home until the pandemic” - it acts as both a summing up of a thirty-year career and a look ahead.“I always think that being a recording artist isn't something that I've thrived at,” he says. “I have fun with it and try all different kinds of music and try to learn more and more, but the only reason I get to do it is because of the main thing I do - which is travel around by myself and sing and tell stories. That thing works. Since I was twenty, that thing has worked. People come to see me do it and I love to do it.”

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $25.00
DAY OF - GENERAL ADMISSION: $28.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 20, 2022 10:00 AM to October 31, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: November 1, 2022 12:00 AM to November 1, 2022 9:00 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

Shovels & Rope with Tre Burt“It’s not heavy metal, but in our guts, it feels a bit like Heavy Metal,” says Michael Trent of the band’s new album, Manticore due Feb. 18. Next year, 2022, will mark ten years since Cary Ann Hearst and Michael Trent released their debut album O’ Be Joyful, the first formally billed as “Shovels & Rope.” And it was in the rear courtyard suite of the Decatur St. house belonging to the Preservation Hall Jazz Band in New Orleans where Michael and Cary Ann began polishing up the songs that became Manticore. There was a piano in the room and a little desk. There were piles of scattered and folded papers lying on the bed and copious digital ideas in the form of voice memos. And despite the pounding parades in the surrounding streets, it was quiet in the afternoon.  The songs and stories that make up Manticore are visceral, bold and at times deeply personal. And while all those adjectives could be used to describe the duo, this time around it rings true in a way that hits differently – or at least harder. Perhaps everything hits harder for everyone these days. And while most of these songs were written before the pandemic, they were all recorded at a time when everyone was inside. It takes aim at the human experience and does so without pulling a single punch: reflections on idol worship, homelessness, social justice, the experience of fierce parental love and marital strife are all on the menu here; and in true American fashion, the helpings are plentiful.  Manticore was initially intended to be a stripped back affair. The songs were written with the expectation that they would feature almost nothing but acoustic guitar, piano and their two voices. But with the time afforded to the band by the complete stalling of their industry, they returned to the recordings and indulged the opportunity to expand the sound of the album with no pressures or expectations regarding the calendar.  The album closes with the somber reflection of “Human Race”, a despairing ode to life in a troubled headspace. Appropriately, the song is more than just an album closer; it serves as a reminder of what still makes Shovels & Rope wholly unique, even ten years later amidst a sea of their peers. They are still master commentators of the human experience and maintain a rare gift that allows them to address the most gnarly of life’s lows while always keeping an eye on hope, compassion and community. The album’s title, Manticore, at its most simplistic, is a playful combination of a Leo and a Scorpio combined into one beast. A simple google search of the word will bring up depictions that are comical, fantastical, intimidating, aggressive, playful, beautiful and even mildly terrifying. At their best, all of these can be said of Shovels & Rope, but no matter which adjective feels most appropriate in a given song, show or album, it is always powerful. Thankfully, Manticore finds them at their (weary) best. It feels like a hard-won summation of the band’s first act, shedding away notions the public may have had of them or that they had of themselves. The second act of Shovels & Rope looks beautifully weathered and wiser – shining a bright light at the end of this very dark tunnel. 

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $22.00
DAY OF - GENERAL ADMISSION: $25.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: March 11, 2022 10:00 AM to November 6, 2022 12:59 AM
DAY OF - GENERAL ADMISSION Public Onsale: November 6, 2022 12:00 AM to November 6, 2022 9:20 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

Kevin Morby with CocoI. “This is a photograph.” The story begins with Kevin Morby, absentmindedly flipping through a box of old family photos in the basement of his childhood home in Kansas City. Anything to take his mind off the events of earlier that day. Just hours before, at a family dinner, his father had collapsed in front of him at the table and had to be rushed to the hospital. Hours later, Morby still felt the shock and fear lodged in his bones. So he gazed at the images until one of the pictures jumped out at him: his father as a young man, proud and strong and filled with confidence, posing on a lawn with his shirt off. While his father regained his strength, Morby meditated on these ideas. And then, he headed to Memphis. II. “If you go down to Memphis, please don't go swimming in the Mississippi River.” III. “Stop before I cry.” To call This Is A Photograph “Americana” would not do it justice; the word having become a toothless moniker conjuring images of weather beaten flags, rustic junk and anodyne pedal steel. It ignores the grand fucked-up-ness of it all that Morby taps into.Even the album’s sweetest moments are laced with caution, with Morby imploring his lover to “stop before I cry.” It’s a record that doesn’t shy away from the confusion and sadness of the times. “It’s Over,” feels downright stark, as if the the singer was channeling all the loss in his heart and the world into one song: “It’s over, it's over now, used to take our dinner babe, by the sea, everyone was a winner then, when everyone was free.” IV. “Strike up the band.” Easier said than done. The logistics of getting people together safely in a room were difficult; so Morby started with a skeleton crew, befitting the times. They worked on the song “This Is A Photograph” that last day, with recent Stax Academy of Music alumni singing the backing harmonies. Something so simple that had been so elusive over the previous year: people coming together to spend a few hours making music and helping to shape a dream. As the song played on, Morby’s voice reached a fever pitch: “this is what I'll miss about being alive.” V. “Sun came up.” As Morby reminds us early on in This Is A Photograph, time is undefeated. So what do we do while we’re still here? This is a photograph of that sense of yearning. That fight. And so, we’ll have tortuous affairs and then listen to Otis Redding. We’ll bury our dead and visit their graves and do our best to honor what they stood for. We’ll fall short, we’ll try again. We’ll toast Mickey Mantle and Tina Turner and Diane Lane. We’ll worry about those we love growing old, weak and frail. We’ll laugh until it hurts. We’ll remember our lover and how they looked all dressed up. Then we’ll go out dancing. We’ll say goodbye to old friends, sometimes for the last time. Then slide into a dream. And then watch, as the sun rises all over again.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $25.00
DAY OF - GENERAL ADMISSION: $30.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 20, 2022 10:00 AM to December 1, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: December 2, 2022 12:00 AM to December 2, 2022 9:45 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

Soccer Mommy with TOPSSometimes, Forever, the immersive and compulsively replayable new Soccer Mommy full-length, cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. Packed with clever nods to synth-filled subgenres like new wave and goth, the album finds Sophie broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that make Soccer Mommy songs so easy to obsess over. Sometimes, Forever is the 24-year-old’s boldest and most aesthetically adventurous work, a mesmerizing collection that feels both informed by the past and explicitly of the moment. It’s a fresh peek into the mind of an artist who synthesizes everything —retro sounds, personal tumult, the relatable disorder of modern life —into original music that feels built to last a long time. Maybe even forever.”Sometimes, Forever fixates on those sorts of contradictory forces: desire and apathy, ecstasy and misery, good and evil, self-control and wildness. Straight-up love songs —like the ultra-catchy “Shotgun,” which likens romance to a chemical high without the gnarly comedown —rub  up against much gloomier fare, like the Sylvia Plath-referencing “Darkness Forever,” a sludge-rock fever dream from the album’s midsection. “I didn't want to make something super depressing without any sense of magic,” Sophie explains.The title Sometimes, Forever refers to the idea that both good and bad feelings are cyclical. “Sorrow and emptiness will pass, but they will always come back around —as will joy,” Sophie says. “At some point you’re forced to say, I'll just have to take both.” She articulates this sentiment on the gut-punch opening of “Still,” her clear voice imbued with a heartbreaking blend of wisdom and hurt: “I don’t know how to feel things small / It’s a tidal wave or nothing at all.” Sophie understands  that Sometimes, Forever is lyrically dark, with macabre imagery haunting even its most upbeat passages. But because she’s in a better place than when she wrote the songs, she has no trouble luxuriating in the moments of uncomplicated bliss that coexist alongside the bleakness.One of those moments comes on the record’s penultimate track, “Feel It All The Time,” a song-length metaphor about a resilient old truck. “I wanna drive out where the sun shines / drown out the noise and the way I feel,” goes the hook, a heart-bursting blur of shoegaze-y Americana. By song’s end the narrator returns to a state of world-weariness, resigned to the fact that she probably can’t outrun her demons forever. But for a few flickering moments —Sophie’s voice freewheeling over  warm  guitar  ripples,  the sun-drenched sound of a generational talent at the height of her powers —it feels like maybe she could keep on driving, faster and faster until all of that existential darkness is behind her, just a cloud of red dust in a dirty rearview mirror.

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $30.00
DAY OF - GENERAL ADMISSION: $35.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: May 20, 2022 10:00 AM to December 2, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: December 3, 2022 12:00 AM to December 3, 2022 10:45 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

The Menzingers with Touche Amore and Screaming FemalesSince forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the Philadelphia-based punk band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irrepressible spirit that’s always defined the band.The sixth full-length from The Menzingers, Hello Exile arrives as the follow-up to After the Party: a 2017 release that landed on best-of-the-year lists from outlets like Clash and Noisey, with Stereogum praising its “almost unfairly well-written punk songs.” In creating the album, the band again joined forces with producer Will Yip (Mannequin Pussy, Quicksand), spending six weeks recording at Yip’s Conshohocken, PA-based Studio 4. “That’s the longest amount of time we’ve ever worked with Will,” notes Barnett. “We wanted to make sure these stories didn’t get lost in the music, so we kept it to a lot of room sounds with the guitar and bass and drums.”Despite that subtler sonic approach, Hello Exile still rushes forward with a restless urgency—an element in full force on the album-opening “America (You’re Freaking Me Out).” With its pounding rhythms and furious guitar riffs, the viscerally charged track provides a much-needed release for all those feeling frenzied by the current political climate. “We’re living in a pretty insane time, where all you can think about every single day is ‘What the hell is going on with this country?’” says Barnett. “But as I was writing that song I realized that it’s kind of always freaked me out, especially coming-of-age during the Iraq War. I love so much about America, but I think you can’t deny that there are some people in power who are absolutely evil.”With the band achieving that soul-baring intimacy all throughout the album, Hello Exile emerges as The Menzingers’ most emotionally daring work to date. “We’ve always been in love with good songwriting and the beauty of taking a song to its fullest potential, but with this album I feel like we’re really becoming the band we’ve always wanted to be,” says Barnett. Not only a creative turning point for The Menzingers, that uncompromising honesty helps fulfill their mission of leaving each listener with a potent sense of solidarity. “A lot of these songs are looking at different life challenges—they’re stories of people at some sort of crossroads,” Barnett says. “We might not have the answers for anybody, but hopefully the songs will help them to see the light at the end of the tunnel, and know that they’re not alone in whatever tough decisions they’re facing.”

TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $25.00
DAY OF - GENERAL ADMISSION: $30.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: June 30, 2022 11:00 AM to December 15, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: December 16, 2022 12:00 AM to December 16, 2022 9:15 PM

PERFORMANCE DESCRIPTION

We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

An Evening with Keller Williams (w/ Dave Watts & Tye North)Virginian, Keller Williams, released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE,SYNC, RAW, SANS, ADD, SPEED and CELL. Each title serves as a concise summation of the concept guiding each project. Keller’salbums reflect his pursuit to create music that sounds like nothing else. Un-beholden to conventionalism, he seamlessly crossesgenre boundaries. The end product is music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar, bass, guitar synthesizer and drum samples; a technique called live phrase sampling or “looping”. The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls “acoustic dance music” or ADM.” Keller's constant evolution has led to numerous band projects as well; Keller & The Keels, Grateful Grass, KWahtro, Keller and the Travelin’ McCourys, Grateful Gospel and More Than A Little to name a few. Keller can be found playing clubs and festivals around the U.S. with these projects throughout the year.

PERFORMANCE DESCRIPTION