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David Nail is on his way to Stoney’s Rockin’ Country on Friday Night, July 8th, 2022Doors are at 7pm and the show starts at 10pm!This is an 18 and over event!GA 21+ tickets are $15.00 in advance18+ tickets are $25 in advanceDavid Nail’s candor cuts like a laser through star-making propriety, a ritual of predictable answers to predictable questions, recited by artists averse to the controversy that truth can bring.True, he is respected up and down and beyond Music Row. He’s written or co-written multiple hits. Critics laud his singing too: The late, revered Chuck Dauphin, for one, marveled at Nail’s ability to turn an “ordinary lyric and arrangement” into a “tour de force,” adding, “simply put … he is not one of us.”So he’s got rock-solid credentials. And he earned them despite a refusal to present himself in a false light. His songs pull no punches in evoking the demons with which he has wrestled through much of his life. As Nail explains, it’s not so much an act of courage to write about depression and its effects. Rather, it is simply who he is; he says, in conversation and through music, what he must say.In Nail’s own words, “My philosophy has always been, I just hope to have a good enough year that I can have a next year while staying as true to myself as I possibly can.”The practical and the personal: These are the poles that mark the path Nail continues to follow. It began in Kennett, Missouri, Nail’s hometown, and led to Nashville. At the time, he recalls, “I’d written songs about a lot of things I had not lived or experienced. So it was like I’d gotten onto this train and I had to just sit there and hope that the train kept moving. I was so young and naive and ignorant. I started trying to figure things out but I really needed somebody to tell me I wasn’t a moron. First and foremost, I credit Frank Liddell with helping me find where I should live musically. He’s always told me it’s alright to experiment.”The celebrated producer helmed Nail’s album debut, I’m About To Come Alive, and the three that followed: The Sound Of A Million Dreams, I’m A Fire and Fighter. These releases ignited his reputation as an innovator and creative risk-taker yet left Nail feeling restless. His bouts with what he freely describes as “mental illness,” exacerbated by having to chafe against commercial pressures, hastened his departure from MCA Nashville, the only record company home he’d ever known, where he’d formed friendships that endure even now.
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Long before Tennessee Jet began crisscrossing America as a one-man band, playing nightly shows full of fuzz guitar, primal percussion, and songs that split the difference between country and raw rock & roll, he traveled the interstates of Oklahoma with his bronc-riding father and barrel-racing mother. Sitting on the bench seat of an old Ford pickup truck pulling a horse trailer while heading to the next rodeo, he'd watch the grasslands of his home state fly past the windshield at highway speed. Country music was always on the radio back then, and those songs — honest, heartfelt classics by icons like Willie Nelson and Dwight Yoakam, both of whom he'd eventually join on tour — left a permanent mark.
The Country, Tennessee Jet's third album, nods to that childhood soundtrack. A salute to the sounds of his youth, these songs double down on Jet's country and folk influences, without sacrificing the left-of-center approach that's earned him a reputation as a genre bender. Honky-tonk ballads, twin fiddles, and country two-steps rub shoulders with a Nirvana-inspired rock song ("Johnny," a tribute to 1950s legend Johnny Horton) and a bluegrass cover of the Black Crowes' "She Talks to Angels." The result is a richly-textured album that's both classic and modern in the same breath. This is raw, truthful country music — a reinvention of the sound that's always formed the bedrock of Tennessee Jet's artistry, even during his most amplified moments.
"My career has been a constant purging of what I've done before, so I can reinvent and create something that's uniquely me," says Jet, who kicked off his touring career by taking the stage alone, an electric guitar strapped across his chest and a drum set at his feet, accompanying himself with a one-man fuzz-filled wall of sound. It was an approach that owed as much to rock & roll's distorted stomp as country music's twang, and for Jet — an enthusiastic fan of Neil Young and Jack White, two forward-thinking rockers who, like Jet, refuse to be pigeonholed — the contrast between those genres was the whole point.
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Saturday Night, July 16th, 2022! Tickets starting at $15! Doors at 8pmThe Cadillac ThreeSpending their formative years playing music together in basements and garages laid the foundation for THE CADILLAC THREE to put their own spin on each new record. They open a time capsule of their musical history together and expand on some of the grooves from COUNTRY FUZZ release with a new offering titled TABASCO & SWEET TEA via Big Machine Records. Dropping the sonic swirl with little warning, the new album is a welcome interruption to the mundane and stress felt around the globe. “As we finished the last record, we knew we were only tapping the surface with songs like ‘The Jam’ for where we could go next musically and found ourselves inspired to dive into these sounds that we had never explored before as a band,” explains drummer Neil Mason. “We’ve always had a lot of influences, but ultimately found ourselves thinking about what we were listening to in high school -- The Meters, Stevie Wonder, Medeski Martin & Wood and John Scofield.” Lead singer and guitarist Jaren Johnston continues, “this album is a science project … constantly moving in different directions but keeping one cohesive feel throughout. We kind of have this innate thing going after all these years so it’s cool to kind of stretch into some new musical spaces with elements of a DJ set that flows from track to track, but mixed with 80’s Funk vibes and jam-band flow over hardcore Country lyrics.”
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Words like “groundbreaking” and “trailblazing” are often overused. But for Big Loud Records / Back Blocks Music and Republic Records Country star Lily Rose, they may actually be an understatement. The modern expression of Country’s most treasured ideal – pure, unflinching honesty – her debut hit “Villain” has revealed Rose as a talent both 100-percent unique and utterly relatable, with a fresh perspective and forward-looking sound. A Georgia native whose inspirations range from Bruce Springsteen to Keith Urban and Katy Perry, Rose broke out in 2020 with the viral smash, “Villain.” Both vulnerable and defiant with a boundary pushing Country-meets-R&B sound, the track hit Number One on the iTunes all-genre chart and SiriusXM's The Highway Hot 30 Weekend Countdown, leading to her new, ten-song project, STRONGER THAN I AM. In 2022, Rose was nominated for ACM Best New Female Artist and recognized for Outstanding Breakthrough Artist at the 2022 GLAAD Media Awards. With her focus firmly on integrity, Rose’s bold mix of personal lyricism and distinctive language meets the hooky sonics of a post-genre fanbase, as pure-Country confessions merge with Hip-Hop beats and R&B flow – plus representation where there was none before. All told, it gives new credence to her “groundbreaking” label.
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After Midtown is coming back through Stoney’s Rockin’ Country on Friday Night, July 29th, 2022Doors are at 7pm and the show starts at 10pm! This is an 18 and over event!GA 21+ tickets are $10.00 in advance, $15 at the door! 18+ tickets are $15 in advance and $25 at the door! After Midtown
Adam Ernst and Michael Rotundo are After Midtown. Their genre-bending sound is quickly creating a buzz in the Nashville music scene with their self-written debut single “Boys Like Us.” The duo came to life after gigging together as solo artists and discovering their prodigious chemistry as vocalists, songwriters, instrumentalists and maybe most importantly, being two small town guys with a passion to write great songs. With diverse influences and a flare for creating distinctive lyrics, Adam and Michael have written on all of the tracks from their debut EP, Don't Give Away The Ending as well as playing guitar, drums and tracks themselves."We are proud of who we are, and proud of who we surround ourselves with and we feel blessed to be surrounded by such an amazing team all the way around … this song is kind of our anthem for that.”A great team indeed, as the duo just signed a booking deal with CAA, a publishing deal with Sony/ATV and is managed by a strategic partnership between The Core Ent’s Chief Zaruk, Simon Tikhman and 10th Street Ent’s Scott Frazier and Chris Nilsson.
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