Cat's Cradle

Haw River Ballroom


Feb
1 Fri
Image for Yonder Mountain String Band, with Handmade Moments

Yonder Mountain String Band, with Handmade Moments

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
INDIVIDUAL: $25.00
DAY OF: $30.00

TICKET SALE DATES
INDIVIDUAL Public Onsale: November 9, 2018 11:00 AM to February 1, 2019 12:00 AM
DAY OF Public Onsale: February 1, 2019 12:00 AM to February 1, 2019 8:00 PM

PERFORMANCE DESCRIPTION
Yonder Mountain String Band’s first new album in two years, LOVE. AIN’T LOVE is undeniably the Colorado-based progressive bluegrass outfit’s most surprising, creative, and yes, energetic studio excursion to date. Songs like “Chasing My Tail” and “Alison” are rooted in tradition but as current as tomorrow, animated by electrifying performance, vivid production, and the modernist power that has made Yonder one of the most popular live bands of their generation. Melding sophisticated songcraft, irrepressible spirit, and remarkable instrumental ability, LOVE. AIN’T LOVE is a testament to Yonder Mountain String Band’s organic, dynamic, and intensely personal brand of contemporary bluegrass-fueled Americana.

“I think this is our best album yet,” says Adam Aijala, guitarist.

Yonder founding members Aijala, banjo player Dave Johnston, and bassist Ben Kaufmann reconfigured Yonder Mountain String Band as a traditional bluegrass instrumental five-piece in 2014 with the recruitment of new players Allie Kral (violin) and Jacob Jolliff (mandolin). The reconstituted group debuted with 2015’s acclaimed BLACK SHEEP, but truly gelled as they toured, the new players’ personalities seamlessly blending and elevating the intrinsically tight Yonder sound. Yonder made certain to show off the current roster’s growing strength with the 2017 release of MOUNTAIN TRACKS: VOLUME 6, the first installment in their hugely popular live recording series since 2008.

“This lineup just keeps getting better,” Aijala says. “The more gigs you get under your belt, the better you get. Obviously. But the confidence I have in these individual musicians, I’m amazed at some of the places we go together on stage.”

LOVE. AIN’T LOVE is produced by Yonder Mountain String Band and longtime collaborator John McVey, with the majority of the album recorded at Coupe Studios in Yonder’s home base of Boulder, CO. Aijala and McVey handled all of the album’s mix and engineering at their respective home studios and while Yonder was on the road – the second time a Yonder member has taken on the technical task.

“John taught me a lot when we worked together on our last album,” Aijala says. “So this time around, I felt a lot more confident.”

Like virtually all aspects of Yonder Mountain String Band’s unlikely artistic methodology, LOVE. AIN’T LOVE is a fully collaborative effort, its original songs credited to the core founding trio of Aijala, Johnston, and Kaufmann, regardless of combination or specific input.

“I think it removes the jockeying for songs on a record,” says Aijala. “We’re all of the mind that even if one of us wrote a great song, if not for Yonder, would anyone get a chance to hear it? It works better this way. All three of us grew up playing team sports so we’re team players – everyone wants what’s best for the band.”

Laced with interstitial dialogue, music, sound effects, and other overlapping ephemera, LOVE. AIN’T LOVE is by design Yonder’s most ingenious studio collection thus far. Songs like “Take A Chance On Me” and the heavy metal-inspired breakdown, “Fall Outta Line,” see the quintet touching upon FM pop, country rock, funk, world music, and so much more; adopting traditional sonic and lyrical idioms to mask deeper and darker personal truths.

“It’s a little more eclectic,” Aijala says. “None of us grew up with bluegrass so there are always other influences in there. I think this record is a bit more reminiscent of our live show, with different genres and different types of songs.”
Mar
18 Mon
Image for Teenage Fanclub, with Eric Bachmann, The Love Language

Teenage Fanclub, with Eric Bachmann, The Love Language

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 7:30 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $25.00
DAY OF: $30.00

TICKET SALE DATES
DAY OF Public Onsale: March 18, 2019 12:00 AM to March 18, 2019 11:59 PM
DAY OF Public Onsale: March 18, 2019 12:00 AM to March 18, 2019 7:30 PM
ADVANCED Public Onsale: October 29, 2018 1:29 PM to March 18, 2019 12:00 AM

PERFORMANCE DESCRIPTION
The first Teenage Fanclub single, 1990’s “Everything Flows,” was all about getting older and finding your way: Right from the beginning, the Scottish band somehow inherently understood the joy and confusion of forging a creative path. Even with that knowledge, the band’s three equally proficient and prodigious songwriters—Norman Blake, Raymond McGinley, and Gerard Love—probably wouldn’t have predicted that this path would still be unfolding nearly 30 years later.

Steadily—and, if we’re being honest, sort of slowly—Teenage Fanclub have built an incredible catalog of gleaming pop songs. It’s been a relatively straight line in pursuit of pop perfection, from the snarlier early days to the highly vaunted Bandwagonesque to the grand Songs from Northern Britain to their more measured, contemplative latest, 2016’s Here. Consistency has been a virtue, never a handicap.

They spent a decent chunk of 2018 looking back, something they’re not inclined to do, but duty called: Five classic albums originally released between 1991 through 2000 were remastered at Abbey Road and lovingly reissued, and Teenage Fanclub took that as a challenge to relearn nearly every song from that era and plan a special series of three-night stands in the UK during which to play them.

“We don’t spend a lot of time listening to the things we’ve done. Actually, we don’t spend any time,” says McGinley. “Sometimes you live with your own imagined version of a song in your head, and what you play is different than the records. Memories can be unreliable. It’s an interesting process to be forced to listen to the reality.”

“As a musician you never listen to your own music—it’s masochistic!” laughs Blake. “Back at the start I wasn’t too clever on the guitar. And you can hear the change in the tone of your voice through aging. We sound like young men on the early records, full of optimism! Lots of these songs we have never, ever played live before. It’s exciting.”

A big plus to relearning the oldies: They’d have a bigger pool of songs to choose from live, something they still cherish. A trip around the world was planned, starting with Japan, Australia, and New Zealand. It turned out, though, that Love’s enthusiasm for touring far-off places had waned, while the rest of the band consider touring to be crucial fuel for creativity. That impasse led to Love’s amicable departure from the band: He’ll play the back-catalog shows in the UK in October and November, and then turn in his Fanclub membership.

McGinley and Blake have nothing but praise for their bandmate; they’ll miss his contributions, but they’re more excited than ever to make songs together—including, sooner than later, brand-new ones. “The good part of any change is that it forces you to not be complacent about things,” says McGinley. “There’s always something exciting about any kind of change.”

“The three of us have spread the burden of songwriting over the years, so there will be a bit more work involved creatively,” says Blake. “We don’t feel pressure to get somebody in as a songwriter to replace Gerry. We could collaborate with other people, we could write together… I’m not worrying about it too much. Whatever happens, I know that we’ll create something that we’ll be happy to put our name behind.”

One of the most recent Teenage Fanclub songs, “Live in the Moment,” goes like this: “Feel good not knowing / What tomorrow and what’s following may bring / Need only think about today.” It applies to the band circa 2018—the past is an unshakeable foundation to be acknowledged and honored, but their minds are still on what happens right now. There are a lot more songs to be written and played, starting today. Everything flows.
Mar
31 Sun
Image for Patty Griffin

Patty Griffin

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $35.00

TICKET SALE DATES
ADVANCED Public Onsale: January 18, 2019 10:00 AM to March 31, 2019 8:00 PM

PERFORMANCE DESCRIPTION
Patty Griffin is a Grammy-Award winning artist who has achieved great acclaim for her songwriting as well as her powerful voice. Her first two albums, “Living With Ghosts” and “Flaming Red” are considered seminal albums in the singer-songwriter genre, while “Children Running Though” won Best Album and led to her being named Best Artist at the 2007 Americana Music Awards. She won the Grammy for “Downtown Church,” her 2010 gospel album. Her songs have been covered by a myriad of artists including Emmylou Harris, The Dixie Chicks, Joan Baez and Bette Midler.

Very much in the traditions of American transcendental writer Ralph Waldo Emerson, and mystical poets like Rumi and Rainer Maria Rilke, Patty Griffin grounds her themes of love and mystery in the experience and rhythms of the everyday, the stuff of life. “Servant Of Love” takes on big ideas, but does so in the vernacular of folk tales, blues cants and jazz gestures. Griffin’s characteristic expressive vocals – equal measures passion and poignancy – and her potent songwriting blur the lines between the personal, the spiritual and the political. These songs move and persuade while they dive deep.
 Public Onsale:
10:00 AM
Jan 18, 2019

Haw River Ballroom

1711 Saxapahaw-bethlehem Church Rd
Saxapahaw, NC
United States