Cat's Cradle

Haw River Ballroom


Mar
18 Mon
Image for Teenage Fanclub, with Eric Bachmann, The Love Language

Teenage Fanclub, with Eric Bachmann, The Love Language

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 7:30 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $25.00
DAY OF: $30.00

TICKET SALE DATES
DAY OF Public Onsale: March 18, 2019 12:00 AM to March 18, 2019 11:59 PM
DAY OF Public Onsale: March 18, 2019 12:00 AM to March 18, 2019 7:30 PM
ADVANCED Public Onsale: October 29, 2018 1:29 PM to March 18, 2019 12:00 AM

PERFORMANCE DESCRIPTION
The first Teenage Fanclub single, 1990’s “Everything Flows,” was all about getting older and finding your way: Right from the beginning, the Scottish band somehow inherently understood the joy and confusion of forging a creative path. Even with that knowledge, the band’s three equally proficient and prodigious songwriters—Norman Blake, Raymond McGinley, and Gerard Love—probably wouldn’t have predicted that this path would still be unfolding nearly 30 years later.

Steadily—and, if we’re being honest, sort of slowly—Teenage Fanclub have built an incredible catalog of gleaming pop songs. It’s been a relatively straight line in pursuit of pop perfection, from the snarlier early days to the highly vaunted Bandwagonesque to the grand Songs from Northern Britain to their more measured, contemplative latest, 2016’s Here. Consistency has been a virtue, never a handicap.

They spent a decent chunk of 2018 looking back, something they’re not inclined to do, but duty called: Five classic albums originally released between 1991 through 2000 were remastered at Abbey Road and lovingly reissued, and Teenage Fanclub took that as a challenge to relearn nearly every song from that era and plan a special series of three-night stands in the UK during which to play them.

“We don’t spend a lot of time listening to the things we’ve done. Actually, we don’t spend any time,” says McGinley. “Sometimes you live with your own imagined version of a song in your head, and what you play is different than the records. Memories can be unreliable. It’s an interesting process to be forced to listen to the reality.”

“As a musician you never listen to your own music—it’s masochistic!” laughs Blake. “Back at the start I wasn’t too clever on the guitar. And you can hear the change in the tone of your voice through aging. We sound like young men on the early records, full of optimism! Lots of these songs we have never, ever played live before. It’s exciting.”

A big plus to relearning the oldies: They’d have a bigger pool of songs to choose from live, something they still cherish. A trip around the world was planned, starting with Japan, Australia, and New Zealand. It turned out, though, that Love’s enthusiasm for touring far-off places had waned, while the rest of the band consider touring to be crucial fuel for creativity. That impasse led to Love’s amicable departure from the band: He’ll play the back-catalog shows in the UK in October and November, and then turn in his Fanclub membership.

McGinley and Blake have nothing but praise for their bandmate; they’ll miss his contributions, but they’re more excited than ever to make songs together—including, sooner than later, brand-new ones. “The good part of any change is that it forces you to not be complacent about things,” says McGinley. “There’s always something exciting about any kind of change.”

“The three of us have spread the burden of songwriting over the years, so there will be a bit more work involved creatively,” says Blake. “We don’t feel pressure to get somebody in as a songwriter to replace Gerry. We could collaborate with other people, we could write together… I’m not worrying about it too much. Whatever happens, I know that we’ll create something that we’ll be happy to put our name behind.”

One of the most recent Teenage Fanclub songs, “Live in the Moment,” goes like this: “Feel good not knowing / What tomorrow and what’s following may bring / Need only think about today.” It applies to the band circa 2018—the past is an unshakeable foundation to be acknowledged and honored, but their minds are still on what happens right now. There are a lot more songs to be written and played, starting today. Everything flows.
Mar
31 Sun
Image for Patty Griffin, with Scott Miller

Patty Griffin, with Scott Miller

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $35.00

TICKET SALE DATES
ADVANCED Public Onsale: January 18, 2019 10:00 AM to March 31, 2019 8:00 PM

PERFORMANCE DESCRIPTION
Patty Griffin is a Grammy-Award winning artist who has achieved great acclaim for her songwriting as well as her powerful voice. Her first two albums, “Living With Ghosts” and “Flaming Red” are considered seminal albums in the singer-songwriter genre, while “Children Running Though” won Best Album and led to her being named Best Artist at the 2007 Americana Music Awards. She won the Grammy for “Downtown Church,” her 2010 gospel album. Her songs have been covered by a myriad of artists including Emmylou Harris, The Dixie Chicks, Joan Baez and Bette Midler.

Very much in the traditions of American transcendental writer Ralph Waldo Emerson, and mystical poets like Rumi and Rainer Maria Rilke, Patty Griffin grounds her themes of love and mystery in the experience and rhythms of the everyday, the stuff of life. “Servant Of Love” takes on big ideas, but does so in the vernacular of folk tales, blues cants and jazz gestures. Griffin’s characteristic expressive vocals – equal measures passion and poignancy – and her potent songwriting blur the lines between the personal, the spiritual and the political. These songs move and persuade while they dive deep.
Apr
6 Sat
Image for Nick Lowe's Quality Rock & Roll Revue starring Los Straitjackets, with Dawn Landes

Nick Lowe's Quality Rock & Roll Revue starring Los Straitjackets, with Dawn Landes

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $32.00
DAY OF: $35.00

TICKET SALE DATES
ADVANCED Public Onsale: February 5, 2019 12:00 PM to April 6, 2019 12:00 AM
DAY OF Public Onsale: April 6, 2019 12:00 AM to April 6, 2019 11:59 PM

PERFORMANCE DESCRIPTION
Nick Lowe

Nick Lowe has made his mark as a producer (Elvis Costello-Graham Parker-Pretenders-The Damned), songwriter of at least three songs you know by heart, short-lived career as a pop star, and a lengthy term as a musicians’ musician. But in his current ‘second act’ as a silver-haired, tender-hearted but sharp-tongued singer-songwriter, he has no equal.

Starting with 1995′s ‘The Impossible Bird’ through to 2011′s ‘The Old Magic,’ Nick has turned out a fantastic string of albums, each one devised in his West London home, and recorded with a core of musicians who possess the same veteran savvy. Lowe brings wit and understated excellence to every performance, leading Ben Ratliff of the New York Times to describe his live show as “elegant and nearly devastating.”

His new 4 song EP “Tokyo Bay” features Los Straitjackets as his backing band.

Los Straitjackets

Los Straitjackets are the leading practitioners of the lost art of the guitar instrumental. Using the music of the Ventures, The Shadows, and with Link Wray and Dick Dale as a jumping off point, the band has taken their unique, high energy brand of original rock & roll around the world. Clad in their trademark Lucha Libre Mexican wrestling masks, the “Jackets” have delivered their trademark guitar licks to 16 albums, thousands of concerts and dozens of films and TV shows.

Their most recent album “What’s So Funny ‘Bout Peace Love & Los Straitjackets” consists of instrumental covers of Nick Lowe songs.


Dawn Landes links: Website | Facebook
May
3 Fri
Image for The Jayhawks

The Jayhawks

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $25.00
DAY OF: $28.00

TICKET SALE DATES
ADVANCED Public Onsale: February 6, 2019 10:00 AM to May 3, 2019 12:00 AM
DAY OF Public Onsale: May 3, 2019 12:00 AM to May 3, 2019 8:00 PM

PERFORMANCE DESCRIPTION
The incredible harmonies and distinctive arrangements of The Jayhawks set them apart from the rest of the Minneapolis music scene that emerged in the 1980s. Over the course of two decades, 9 albums, countless memorable live shows and enough personal drama to fill a couple of Behind the Music episodes, this beloved band soared to heights few ever achieve while winning the hearts and minds of numerous critics, fans and peers in the process.

After releasing 2 Indie albums in the 80s, The Jayhawks had become a driving force and inspiration behind the growing Americana movement in the early 1990s. Combining the talents of singer-songwriters Gary Louris and Mark Olson, The Jayhawks released their major label debut, the acclaimed Hollywood Town Hall (1992) on the Def American label. This was followed by Tomorrow the Green Grass (1995), which produced the alternative radio hit single “Blue.”

When Olson left to pursue a solo career, Louris singularly took over the songwriting role in The Jayhawks creating the band’s enduring sound on some of their best selling and well-received albums including Sound of Lies (1997), Smile (2000) and Rainy Day Music (2003).

Louris continues to write and tour with the longtime core group of Marc Perlman, Karen Grotberg, and Tim O’Reagan. While the touring line-up has changed over the years and Olson briefly reappeared in 2010 to record and tour, this classic lineup maintains a commitment to adventure and forward motion in their shows and in their recordings. Paging Mr. Proust (2016), was produced in Portland with Peter Buck and Tucker Martine and found the band moving in several new exciting directions. The band’s 10th studio album, Back Roads And Abandoned Motels, was released in the summer of 2018, featuring Jayhawks versions of songs Gary Louris had previously written with other artists plus 2 new compositions.

The Jayhawks have made music in 4 different decades and are as vital now as they were in 1985. They definitely have earned their reputation as a true American treasure.
May
9 Thu
Image for Son Volt

Son Volt

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
INDIVIDUAL: $25.00
DAY OF: $28.00

TICKET SALE DATES
INDIVIDUAL Public Onsale: January 25, 2019 10:00 AM to May 9, 2019 12:00 AM
DAY OF Public Onsale: May 9, 2019 12:00 AM to May 9, 2019 11:59 PM

PERFORMANCE DESCRIPTION
On Son Volt’s new record, Union, present and past mingle into strong confluence. The thirteen new songs written by founder Jay Farrar confront our turbulent politics and articulate the clarity and comfort music can offer in the tumult. “There are so many forces driving our country apart,” observes Farrar. “What can we do to bring our society back together?”

The country and blues sounds explored by Son Volt on its last two records (2013’s Honky Tonk and 2017’s Notes of Blue) linger in the grooves of Union. But the new record nods to many other mile markers along the band’s 25-year path. Some tunes offer a powerful return to the ringing lyrical clarity of 2005’s Okemah and the Melody of Riot and 2007’s The Search. Others hearken back to the freewheeling poetic melodicism of 1994’s Trace and 1997’s Straightaways.

“Broadsides will be hurled to capture the truth,” sings Farrar on the brooding and blues-driven song that takes its name from the one-page bulletins that used to spread both proclamations and ballads. And songs such as “The 99,” “While Rome Burns,” and “Lady Liberty” push up the acoustic guitar in the mix to underscore the enduring role of troubadours in troubled times. “A lot of these songs are songs of turmoil,” says Farrar. “Questioning what’s going on.”

On Union, Farrar taps into folk music’s rich lyrical legacy. It’s a tradition he has tapped often both in Son Volt and in Uncle Tupelo. “I was raised on folk music,” observes Farrar. “Politics is a common thread there. In a time where we see threats to our way of life, and our democracy, from within, you say: What can I do? I put pen to paper and write music.”

The chorus of Union’s title song was a “mantra” of James Paul ‘Pops’ Farrar, about whom Farrar has written so affectingly in his memoir, Falling Cars and Junkyard Dogs. “He thought the Israeli model was best,” says the songwriter. “Everybody serves in one capacity or another, and that was the best way to bring a country together. It did happen here in World War II. People of different spiritual and economic backgrounds brought together. And there was an immense period of prosperity after that – for a myriad of reasons, but the idea that all walks of life were working together is important.”

Union grounds its politics in startling images and portraits of the human costs of our divides. Guitar and organ commingle on “While Rome Burns” to underscore a connectedness in the way that “the freeways lead to the gravel roads, to the town squares and the rodeos.”

The mournful shuffling “Reality Winner” echoes direct protest songs such as “Hurricane” – Bob Dylan’s ode to boxer Rubin Carter, who was wrongly convicted of triple homicide in 1967. Winner is a former intelligence analyst who leaked a National Security Agency document that detailed Russian attempts to hack voting systems to the media. She was convicted of violating the Espionage Act and sentenced to five years and three months in prison.

“We have a reality TV show president,” Farrar says, “and we have this woman named Reality Winner, and they’re linked in a way. She represents everything that you want in an American, someone who’s learned three languages and does her part. She’s basically a whistleblower doing hard time. Maybe this song brings more awareness to her plight.”

Haw River Ballroom

1711 Saxapahaw-bethlehem Church Rd
Saxapahaw, NC
United States