Cat's Cradle

Haw River Ballroom


Dec
20 Fri
Image for Chatham County Line - Electric Holiday Tour, with Big Fat Gap

Chatham County Line - Electric Holiday Tour, with Big Fat Gap

Saxapahaw, NC
United States
Doors at 7:30 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $20.00
DAY OF: $22.00

TICKET SALE DATES
ADVANCED Public Onsale: November 1, 2019 10:00 AM to December 20, 2019 12:00 AM
DAY OF Public Onsale: December 20, 2019 12:00 AM to December 20, 2019 6:30 PM

PERFORMANCE DESCRIPTION
Come 2020, Chatham County Line will have been a staple of the North Carolina music scene for two decades. Embracing an all acoustic instrumentation and the modern songwriting of leader Dave Wilson the band has graced stages all across the U.S. as well as Europe, Scandinavia, Ireland and the United Kingdom. With seven studio albums of original material to pull from, CCL has a sound all their own and a stage show to match. Songwriter, guitarist and vocalist Dave Wilson pulls tunes out of an ether that is inspired by a shelf bending collection of vinyl records from the 1920's to the 2020's. One listen to their all covers release "Sharing the Covers" [Yep Roc Records 2019] will give you an idea of those inspirations, with songs from the likes of Wilco and Beck shared with those of John Lennon, Tom Petty and John Hartford.

With the recording of 2020s upcoming Yep Roc Records release Strange Fascination the band decided to push their sound a little bit more into the modern world and embrace the use of drums both in studio and onstage. "We've had drums on several albums, most notably Wildwood, and our audience always responded well to those tunes" says Dave Wilson. John Teer who rotates from Mandolin to Fiddle all while singing soaring harmony adds "We've done an Electric Holiday Tour for the past 12 years that features an expanded group of musicians on the stage so we're no stranger to a backbeat."

With 20 years behind and clear skies ahead, look for Dave Wilson, John Teer, and Greg Readling [Bass] as well as a rotating cadre of drummers to keep traveling the highways, byways and airways to share their special canon of songs with the world.

Links: Website | Facebook | Twitter | YouTube
Jan
31 Fri
Image for G. Love & Special Sauce Pre-Show Pop Off Event

G. Love & Special Sauce Pre-Show Pop Off Event

Saxapahaw, NC
United States
Doors at 5:00 PM, Show at 8:30 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
VIP: $99.00

TICKET SALE DATES
VIP Public Onsale: October 11, 2019 12:00 PM to January 31, 2020 5:30 PM

PERFORMANCE DESCRIPTION
Doors for GA Ticket Holders open at 7:30PM. G. Love's Pre-Show Pop Off includes a general admission ticket with early entry, access to a pre-show performance and Q&A with G. Love at sound check, group photo on stage with G. Love and a limited edition poster autographed by G. Love. You will receive instructions via email 4-7 days before each show with event information. Please note that this event will take place before doors are open so it will be just you and a few others for a very intimate and interactive performance with G!!

"I've been in the game a long time, but I've always considered myself a student," says G. Love. "Finishing this album with Keb Mo' felt like graduation."

Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus King, and Roosevelt Collier, 'The Juice' is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Mo', it's an electrifying collection, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre, mixing programmed beats and hip-hop grooves with blistering guitar and sacred steel. G. Love's lyrics are both personal and political here, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality, and his performances are suitably riotous and rousing to match, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on 'The Juice' refuse, insisting instead on hope and determination in the face of doubt and despair.

"I've always tried to make music that's a force for positivity," G. Love explains. "It was important to me that this album be something that could empower the folks who are out there fighting the good fight every day. I wanted to make a rallying cry for empathy and unity."

Born Garrett Dutton in Philadelphia, PA, G. Love grew up equally enthralled with folk, blues, and rap, devouring everything from Lead Belly and Run D.M.C. to John Hammond and the Beastie Boys. After migrating to Boston, he and his band, Special Sauce, broke out in 1994 with their Gold-selling self-titled debut, which earned widespread critical acclaim for its bold vision and adventurous production. Over the next twenty-five years, G. Love would go on to release seven more similarly lauded studio studios albums with Special Sauce (plus four solo albums on his own), solidifying his place in music history as a genre-bending pioneer with a sound The New York Times described as "a new and urgent hybrid" and NPR called a "musical melting pot." G. Love's magnetic stage presence, meanwhile, made him a fixture on festival lineups from Bonnaroo to Lollapalooza, and his relentless appetite for tour and collaboration landed him on the road and in the studio with artists as diverse as Lucinda Williams, Dave Matthews, The Avett Brothers, Jack Johnson, and DJ Logic.

While G. Love has covered considerable sonic ground during his prolific career, he's always found himself drawn back to the blues, and to one bluesman in particular.

Links: Website | Facebook | Instagram | Twitter | Soundcloud | YouTube
Jan
31 Fri
Image for G. Love & Special Sauce, with Jontavious Willis

G. Love & Special Sauce, with Jontavious Willis

Saxapahaw, NC
United States
Doors at 7:30 PM, Show at 8:30 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $25.00
DAY OF: $30.00

TICKET SALE DATES
DAY OF Public Onsale: January 31, 2020 12:00 AM to January 31, 2020 6:30 PM
ADVANCED Public Onsale: October 11, 2019 12:00 PM to January 31, 2020 12:00 AM

PERFORMANCE DESCRIPTION
"I've been in the game a long time, but I've always considered myself a student," says G. Love. "Finishing this album with Keb Mo' felt like graduation."

Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus King, and Roosevelt Collier, 'The Juice' is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Mo', it's an electrifying collection, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre, mixing programmed beats and hip-hop grooves with blistering guitar and sacred steel. G. Love's lyrics are both personal and political here, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality, and his performances are suitably riotous and rousing to match, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on 'The Juice' refuse, insisting instead on hope and determination in the face of doubt and despair.

"I've always tried to make music that's a force for positivity," G. Love explains. "It was important to me that this album be something that could empower the folks who are out there fighting the good fight every day. I wanted to make a rallying cry for empathy and unity."

Born Garrett Dutton in Philadelphia, PA, G. Love grew up equally enthralled with folk, blues, and rap, devouring everything from Lead Belly and Run D.M.C. to John Hammond and the Beastie Boys. After migrating to Boston, he and his band, Special Sauce, broke out in 1994 with their Gold-selling self-titled debut, which earned widespread critical acclaim for its bold vision and adventurous production. Over the next twenty-five years, G. Love would go on to release seven more similarly lauded studio studios albums with Special Sauce (plus four solo albums on his own), solidifying his place in music history as a genre-bending pioneer with a sound The New York Times described as "a new and urgent hybrid" and NPR called a "musical melting pot." G. Love's magnetic stage presence, meanwhile, made him a fixture on festival lineups from Bonnaroo to Lollapalooza, and his relentless appetite for tour and collaboration landed him on the road and in the studio with artists as diverse as Lucinda Williams, Dave Matthews, The Avett Brothers, Jack Johnson, and DJ Logic.

While G. Love has covered considerable sonic ground during his prolific career, he's always found himself drawn back to the blues, and to one bluesman in particular.

"Keb Mo' and I got signed to the same label at the same time back when I first started out, and we toured together early on in my career," G. Love remembers. "He used to introduce me onstage as 'a true American original,' and I could tell that he got a kick out of what I did. We didn't see each other for a while after that, but a few years ago we reconnected and did a co-headline tour, which was really special for me."

Click here to purchase VIP tickets to the Pre-Show Pop Off Event, which includes admission to this show.

Links: Website | Facebook | Instagram | Twitter | Soundcloud | YouTube
Feb
22 Sat
Image for Where The Moon Hides Tour 2020 - GARZA featuring Rob Garza of Thievery Corporation

Where The Moon Hides Tour 2020 - GARZA featuring Rob Garza of Thievery Corporation

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $20.00
DAY OF: $23.00

TICKET SALE DATES
ADVANCED Public Onsale: November 15, 2019 10:14 AM to February 22, 2020 12:00 AM
DAY OF Public Onsale: February 22, 2020 12:00 AM to February 22, 2020 6:00 PM

PERFORMANCE DESCRIPTION
GARZA is a collaborative musical experience conjured up by Rob Garza, one-half of the pioneering electronic outfit, Thievery Corporation. His new project is a deep reimagining of a process that features a collective of artists, musicians, producers, visual artists and videographers. With multidimensional music and a convergence of genres; it blends, merges and melds together into one singular experience.

GARZA explores a different musical palette of colors and textures than Rob Garza's previous work...at times blurring the lines between 'pop' familiarity and electronic esoterica. After twenty years of Thievery Corporation, GARZA is redrawing his musical boundaries and stretching into areas with a newfound freedom that feels deep and open all at once, yet is undeniable in its accessibility.

GARZA's debut EP releases Fall 2019 with five exciting new tracks. Featuring vocalists: Seann Bowe, Emeline and Shenova...and the ethereal and
evocative artwork of Indig0 with each single. The EP releases on Rob Garza's own Magnetic Moon label. In 2020, GARZA will hit the road with a live band of instrumentalists and vocalists, playing in venues and festivals worldwide.

Links: Website | Facebook | Twitter | Instagram
Mar
24 Tue
Image for John Moreland

John Moreland

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $15.00

TICKET SALE DATES
ADVANCED Public Onsale: October 25, 2019 10:00 AM to March 24, 2020 12:00 AM

PERFORMANCE DESCRIPTION
This is a seated show.

Over the last half a dozen years or so, John Moreland's honesty has stunned us--and stung. As he put hurts we didn't even realize we had or shared into his songs, we sang along. And we felt better. But there has always been far more to Moreland than sad songs. Today, his earthbound poetry remains potent, but in addition to his world-weary candor, Moreland's music smolders with gentle wisdom, flashes of wit and joy, and compassion. And once again, as we listen, we feel better.

"I can't dress myself up and be some folk singer character that I'm not really," Moreland says. "I figured, I can't dress up these songs and try to sell them that way. All I can do is be me."

Out February 2020, his latest album LP5 proves John Moreland has gotten really good at being John Moreland--thank God. A masterful display of songwriting by one of today's best young practitioners of the art form, LP5 is Moreland's finest record to date. The album's experimentations with instrumentation and sounds capture an artist whose confidence has grown, all without abandoning the hardy roots rock bed and the lyrics-first approach Moreland's work demands. "I feel like just this year, in the past few months, I've reached a point where I feel like I know what I'm doing here now," he says. "And I feel comfortable with it."

There was a time when Moreland thought LP5 may not happen. Wary of expectations and his cemented status as a writer's writer and critical darling, the Tulsa, Oklahoma-based Moreland found writing difficult at best--and completely undesirable at worst. "I'm hesitant to talk about it because I know people don't want to hear some dude complaining that his dream of being a successful musician came true, but there are things about it that you don't expect that can mess you up," Moreland says. "One of the results of that was I really didn't want to write songs for a couple of years." He pauses and sighs. "One of the ways I got back into liking music again was to let go of the idea that every time I'd go mess around with an instrument, I'd have to be writing a really good song. I just gave myself the freedom to go into my little music room every day and mess around with different instruments and different sounds. It doesn't have to be anything. It doesn't have to result in anything."

Moreland points to that liberating rediscovery as a major influence on the sonic choices that shape LP5. There is no grand or alarming stylistic departure here--just different textures and background layers that add muscly new dimensions to Moreland's heretofore instrumentally sparse recordings. The record also marks Moreland's first time working with a producer. He chose Matt Pence. "I wouldn't say that he pushed me into trying anything that I didn't already want to do, but I think I came in with a lot of ideas that I found interesting but didn't know how to execute. Matt was great at expanding on those things," Moreland says.

For Moreland, falling back in love with music also coincided with an even more personal change. "This past year, I've been getting into mindfulness and being kinder to myself," he says. "I was really on that wave when I started writing these songs. I guess it shows."

Links: Website | Facebook | Twitter
Apr
20 Mon
Image for Sharon Van Etten, with Jay Som

Sharon Van Etten, with Jay Som

Saxapahaw, NC
United States
Doors at 7:00 PM, Show at 8:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $28.00

TICKET SALE DATES
ADVANCED Public Onsale: November 15, 2019 10:00 AM to April 20, 2020 12:00 AM

PERFORMANCE DESCRIPTION
Sharon Van Etten's Remind Me Tomorrow comes four years after Are We There, and reckons with the life that gets lived when you put off the small and inevitable maintenance in favor of something more present. Throughout Remind Me Tomorrow, Sharon Van Etten veers towards the driving, dark glimmer moods that have illuminated the edges of her music and pursues them full force. With curling low vocals and brave intimacy, Remind Me Tomorrow is an ambitious album that provokes our most sensitive impulses: reckless affections, spirited nurturing, and tender courage.

"I wrote this record while going to school, pregnant, after taking the OA audition," says Van Etten. "I met Katherine Dieckmann while I was in school and writing for her film. She's a true New Yorker who has lived in her rent controlled west village apartment for over 30 years. Her husband lives across the hall. They raised two kids this way. When I expressed concern about raising a child as an artist in New York City, she said 'you're going to be
fine. Your kids are going to be fucking fine. If you have the right partner, you'll figure it out together.'" Van Etten goes on, "I want to be a mom, a singer, an actress, go to school, but yeah, I have a stain on my shirt, oatmeal in my hair and I feel like a mess, but I'm here. Doing it. This record is about pursuing your passions." The reality is Remind Me Tomorrow was written in stolen time: in scraps of hours wedged between myriad
endeavors - Van Etten guest-starred in The OA, and brought her music onstage in David Lynch's revival of Twin Peaks. Off-screen, she wrote her first score for Katherine Dieckmann's movie Strange Weather and the closing title song for Tig Notaro's show Tig. She goes on, "The album title makes me giggle. It occurred to me one night when I, on auto- pilot, clicked 'remind me tomorrow' on the update window that pops up all the time on my computer. I hadn't updated in months! And it's the simplest of tasks!"

The songs on Remind Me Tomorrow have been transported from Van Etten's original demos through John Congleton's arrangement. Congleton helped flip the signature Sharon Van Etten ratio, making the album more energetic-upbeat than minimal-meditative. "I was feeling overwhelmed. I couldn't let go of my recordings - I needed to step back and work with a producer." She continues, "I tracked two songs as a trial run with John [Jupiter 4 and Memorial Day]. I gave him Suicide, Portishead, and Nick Cave's Skeleton Tree as references and he got excited. I knew we had to work together. It gave me the perspective I needed. It's going to be challenging for people in a good way." The songs are as resonating as ever, the themes are still an honest and subtle approach to love and longing, but Congleton has plucked out new idiosyncrasies from Van Etten's sound.

For Remind Me Tomorrow, Van Etten put down the guitar. When she was writing the score for Strange Weather her reference was Ry Cooder, so she was playing her guitar constantly and getting either bored or getting writer's block. At the time, she was sharing a studio space with someone who had a synthesizer and an organ, and she wrote on piano at home, so she naturally gravitated to keys when not working on the score - to clear her mind. Remind Me Tomorrow shows this magnetism towards new instruments: piano keys that churn, deep drones, distinctive sharp drums. It was "reverb universe" she says of the writing. There are intense synths, a propulsive organ, a distorted harmonium.

Links: Website | Facebook | Twitter | Instagram | Spotify | Apple Music

May
1 Fri
Image for Tennis, with Molly Burch

Tennis, with Molly Burch

Saxapahaw, NC
United States
Doors at 8:00 PM, Show at 9:00 PM
 More Information
TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $18.00
DAY OF: $20.00

TICKET SALE DATES
ADVANCED Public Onsale: November 15, 2019 10:00 AM to May 1, 2020 12:00 AM
DAY OF Public Onsale: May 1, 2020 12:00 AM to May 1, 2020 11:59 PM

PERFORMANCE DESCRIPTION
Links: Website | Facebook | Twitter | Instagram | < a href="https://www.youtube.com/channel/UCVOdVSbZ_U2YblectplZgyw">YouTube | Spotify | SoundCloud

Haw River Ballroom

1711 Saxapahaw-bethlehem Church Rd
Saxapahaw, NC
United States