When Ayron Jones wrote the haunting lyric, “Got me on my knees / too much smoke, can’t breathe,” heard in his new single “Mercy,” he meant the words quite literally. It was August of 2020 when he penned the song along with Marty Frederickson and Scott Stevens, and by that point, during one of the most tumultuous years in recent American history, the whole world appeared to be on fire.
“I just felt like the line epitomized where we were in America,” Jones says. “It was like taking a telescope and giving people a perspective of America from an outsider and what it felt like to experience this time. It was a rough story about what was really going on here in this country—and particularly for me, as a Black man.” Full of charged lyrics and melodies, “Mercy” strongly captures a collective consciousness of the time. It is also, though, underscored by a vision of hope and endurance: through it all, we persevere.
Jones’ own personal story—from the streets of Seattle to full-blown rock star—is no less rough, yet also one filled with perseverance and determination. His parents both battled drug addiction, and at a young age Jones was taken in by his aunt and uncle. Money was tight, and Jones struggled to understand both his place in the world and how to overcome his tumultuous youth. Yet, these very elements became the fuel to drive his early career.
Doubling down on his uniqueness with an album that harkens back to Jones’ beginnings, CHILD OF THE STATE is slated for release on May 21 via Big Machine / John Varvatos Records. “Having faced the abandonment I did as a child, and how that affected me in life, is really what this album is about,” he explains of the title. “It’s the triumph of overcoming all of that and still being that person. I’m the same kid looking for his parents, that longed for the love and support. A lot of people have faced adoption and abandonment, but it’s not really talked about as to how that affects people and I thought it was important to be a beacon of hope for those people. To stand for something and prove not everyone has to be a stereotype or statistic.”
Jones was 13 when he first picked up the guitar that belonged to his friend—one that he began visiting more frequently just so he could spend more time with the instrument. Recognizing his raw talent, his aunt and a neighbor eventually gifted him guitars, and all the while he taught himself to play, picking and strumming until the strings felt like a second skin. “I had a lot of conflicting emotions about my identity and my childhood,” explains Jones, “and until I found the guitar, I didn’t have an outlet. Writing and playing became a channel to express everything that I had been feeling, and then it just became my obsession.”...