All General Admission tickets will have seats in the upper level on a first come first pick of seats basis. General Admission tickets will be allowed on the dance floor in front of the stage but there will not be seats in that area.
There are six seats at each table. You must buy 2 reserved seats at a minimum.
Bars will be open on the main floor and upper levels for service.
Food will be available by order from your table and delivered to your table if requested.
The Patio will open at 5p for dinner service before the main room opens at 630p. You must have a show ticket to enter the Patio at 5p.
All Reserved tickets are at a specific seat or table. All reserved tickets are $40 plus taxes and service fees. All General admission tickets are $27 plus taxes and service fees.
Tickets are only available online from MoonEvents.com.
Capacity limited to less than 50% of venue capacity
Thank you ! For any other ticketing information please email Scott@MoonEvents.com
CLASSIC ALBUMS LIVE BIO
Founded in 2003 by Craig Martin, Classic Albums Live takes the greatest albums and
recreates them live on stage - note for note, cut for cut, using the best musicians.
“Think of it as a recital,” says Martin, “these albums are historic and stand the test of
time.” Forgoing costumes and impersonations, Classic Albums Live has found suc-
cess in concentrating solely on the music. “We don’t dress up or wear any sort of
costume. We just stand there and play. All of our energy is put into the music. We want
the performance to sound exactly like the album,” says Martin.
With 100+ shows a year across North America, Classic Albums Live has seen massive
success in performing arts centres and theatres. Fans in Texas, Las Vegas, Florida,
New York and central and east coast Canada have all continued to support the series
and make it a sustaining, successful show. “We grew while others withdrew,” says
Martin, commenting on the decline of concert ticket sales, “We created something that
endures and connects. These albums are sacred to people. We deliver exactly what we
promote - ‘note for note, cut for cut’ accuracy.”
It’s this type of accountability that works for the series.