$20 in advance ($25 day of show)
**"Rhythm of the Rain” - named Top 10 songs of January 2019 (Rolling Stone Country)**
AMELIA WHITE NAVIGATES PERSONAL AND POLITICAL LOSS ON RHYTHM OF THE RAIN
The East Nashville standard-setting songwriter brings a sharp edge of truth and gritty poetry to her seventh album set for release Jan. 25th, 2019
NASHVILLE, Tenn. — If there were an East Nashville Music Hall of Fame, Amelia White would already be in it. The now-famous scene was in its formative days when White arrived from Boston in the early 2000s and became a fixture at the Family Wash. She’s been a leading light in America’s most musical zip code ever since, even as she’s developed a reputation in the rest of the U.S. and Europe as a first-rate songwriter. She helped define and refine the core folk-rock sound of Americana, yet her band’s energetic pulse never outshines her carefully wrought lyrics. She’s a poet who’s been compared to more famous songwriters for years; now, it would be more appropriate to use her as a benchmark.
She’s shared shows with the likes of Brandy Clark, Asleep at the Wheel, John Prine, and Justin Townes Earle, as well as performed for a handful of folks in unknown cafes. “There was a point in my career where I realized you have to go out and knock on doors with your songs,” she allows. “They need to be sung for people and that means a relentless tour schedule. If I were a trucker I’d be rich.”
White’s seventh album, Rhythm of the Rain, due out January 25, 2019, is a volume of ruminations and short stories written largely during a tour in the U.K. in 2016.
“Dude’s a juke-joint professor emeritus”–Rolling Stone
Kevin Gordon’s Louisiana is a strange place. It’s a place where restless teens road trip to where the highway dead-ends at the Gulf of Mexico; a place where prisoners who are in for life compete in a rodeo while the town watches; where a character can get lost in the humid afternoon and where religion may not signify hope; and where rivers, never far away, carry secrets behind levees. “One of the things I like about it and am mystified by is that what passes for normal in Louisiana would not make the grade elsewhere,” he says.
The kicker? All of these postcards are based on true stories. It’s a place that he’s been exploring for twenty years now, on the eve of the release of his astonishing new album ‘Tilt & Shine’ on Crowville Media. It is work that has earned him fans like noted author and Elvis Presley biographer Peter Guralnick; New West Records artist Buddy Miller; journalist, songwriter, and Country Music Hall of Fame staffer Peter Cooper; Todd Snider; head of the Americana Music Association Jed Hilly; and Lucinda Williams, with whom he dueted on the song “Down To The Well” (which was featured prominently on an Oxford American compilation).