The Jones Assembly presents Colony House with opening support Little Image.
Doors at 6:30. Full bar and walk-up food window available. Standing room only.
Advance GA $24.50 | Mezzanine $50 (21+) | Day of Show GA $26.50
Booth tickets are $75/person and are sold in packages of 8 (floor booths $600) and 6 (mezzanine & small patio booths $450). Booths include table service at a private reserved booth.
The mezzanine is accessible by stairs only. For ADA accessibility, please see floor level ticketing or contact info@thejonesassembly.com with any questions.
Rain or shine event. No re-entry. No refunds. No smoking. ALL AGES show. Under 16 must be accompanied by parent or guardian. Support acts are subject to change without notice.
More questions? Visit our website HERE
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“We tried to stay away from getting stuck on a theme, but I think being back home for such an extended period of time after traveling so hard for the last ten years informed a lot about this album.” The music of Colony House—an indie rock band made up of brothers Will and Caleb Chapman, as well as Scott Mills and Parke Cottrell—is playfully self-described as “landlocked surf rock.” Their personal genre designation is as much inspired by their hometown of Franklin, Tenn. as their new album The Cannonballers is: “In short, Tennessee was the inspiration for this project,” frontman Caleb Chapman says. “We got to see the seasons change and experience our home again for the first time in a long time. I think I was falling back in love with Tennessee, and I started revisiting some old memories and old relationships in my head that pertained to certain geographical locations as well as just emotional places I had spent my most formative years.” The band’s music is built on pillars of honesty, accessibility and family, and much of The Cannonballers is too: within 11 tracks, the band delves into where they come from and how a place, and its memories, have made them. To the band, The Cannonballers signifies the carefree times of childhood past, with its beautiful naivete, while simultaneously encapsulating their alter ego—a character speeding down the open road, racing the clock in his rear view. The band is often caught in the duality between the “Cannonballer” and the kid on the album cover. Beneath the baptismal a juxtaposition is revealed-the “Cannonballer” is two sides of the same coin-the reckless and the innocent.