Performance Image

Blitzen Trapper

  June 18, 2022 8:00 PM

Doors Open: 7:00 PM
More Information
TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION: $18.00
DAY OF - GENERAL ADMISSION: $22.00

TICKET SALE DATES
GENERAL ADMISSION Public Onsale: February 11, 2022 12:00 PM to June 17, 2022 11:59 PM
DAY OF - GENERAL ADMISSION Public Onsale: June 18, 2022 12:00 AM to June 18, 2022 9:00 PM
We require proof of full vaccination for Covid-19 for entry to this show; a negative COVID test will not be accepted for admittance. Masks are not required but are encouraged for this show. By purchasing a ticket, you agree to this policy.

Blitzen Trapper with Laney Jones

Singer-songwriters have been tackling existential questions about life and death since time immemorial… or at least the 1960s. But when it came to Blitzen Trapper’s newest album, Holy Smokes Future Jokes, front man Eric Earley looked beyond mere existence—or even the end of it—to contend with grander cosmic explorations: namely, the intermediate period between a person’s separate lives on earth, “and what it means to escape the cycle of birth and rebirth,” he explains.

Weighty stuff, to say the least. But then again, Blitzen Trapper has never been the type of band to just skim the surface. Over the course of 20 years and ten full-length albums, the Portland, Oregon-hailing act, with singer, songwriter and guitarist Earley firmly at the helm, has crafted a singular catalog of songs—sometimes wrapped in impressionistic imagery and scruffy, singalong melodies (the fan favorite “Furr,” for just one example), and other times rendered in sharp-focus, needlepoint detail and imbued with driving, electrified rhythms (“Cadillac Road,” about a depressed and deserted mill town in the Oregon mountains where Earley’s father once worked, comes to mind here)— that celebrate the human experience in all its triumph and tragedy.

Which brings us back around to Holy Smoke Future Jokes, a record that, in following where Earley’s head is at these days, cuts a spectacular, almost supernatural path through the past, present and still-to-come. Earley’s words take the listener on a wild and dramatic journey through rivers of waist-high water in the aftermath of a tragic car wreck and the hazy morning before a murderous moment, and from getting blitzed to the point of extinction inside a masonic temple to a stop for chips and dip before the apocalypse.

“The main theme that kept drawing me in when I was writing was what I call ‘cosmic humility,’ ” he says. “It’s the idea that humanity is not the center of the universe, or even the center of our own universe here on earth. We’re not the most important
thing. Because we’ve only been around for, like, a fraction of a fraction of a fraction of a second in the grand scheme of things, you know? But it’s very difficult for humans to conceive of their own non-existence.”

Needless to say, it’s a markedly different approach than Earley has taken on Blitzen Trapper’s last few albums, including the upbeat and electrified All Across This Land and the sprawling and ambitious Wild and Reckless, the latter of which grew out of
a month-long stage production in their hometown of Portland produced by the Portland Center Stage.

“All the songs talk to each other, at least to me they do, and in really cool ways,” Earley says. “And in some really dark and disturbing ways sometimes, too.”

He laughs. “But still, really cool.”

Number of Tickets
Limit 6 tickets per order.


* Does not include convenience or handling fees.