CapitalBop Presents: Mendoza Hoff Revels w/ Nik Francis + Mark Cisneros

Echolocation Is the astonishing debut album from Mendoza Hoff Revels – an electric and formidable new unit led by Ava Mendoza (Unnatural Ways, Bill Orcutt, William Parker's Mayan Space Station) on guitar and Devin Hoff (Sharon Van Etten, Julia Holter, Cibo Matto) on bass. As non-characterizable as it is sharply focused, Echolocation highlights the multi-faceted nature of both Hoff and Mendoza’s playing, where moments of full-blown jazz-rock freak-outs, intricately woven riffs, and unbelievably catchy melodies, expand and meld together exceptionally. 

While Mendoza and Hoff have floated around each other's musical orbits as individuals for decades, the original impetus of this group was Mendoza’s, based on the love she and Hoff shared for aggressive and polyglot electric avant-garde ensembles – artists like mid-80's Black Flag and Ornette Coleman's Prime Time bands revolutionized the way they heard music. Mendoza and Hoff split the writing of these pieces, with the sizable stamps of James Brandon Lewis on tenor sax and the John Zorn-collaborator Ches Smith on drums. The result is remarkable – 21st Century progressive rock played by punk rockers with serious improv skills and a deep jazz feel. 

The inspirations for these eight tracks are just as wide-ranged as the musicians’ backgrounds in jazz, rock, and avant-garde. A carnival folk dance performed in Bolivia, in which a devil deity fights arc-angel Michael, inspired the lead single, “Diablada.” Then there’s “Babel-17,” a namesake of Samuel Delany’s novel which addresses the consciousness-altering powers of language. And of course, the recreation lounge found on deck 10 of a Galaxy-class starship, otherwise known as “Ten Forward.” However, it’s the album’s title, Echolocation, that truly gives us a glimpse of how this slew of diverse influences fit together: “Certain animals use sound to find their way through space and time by decoding sonic refractions,” Mendoza and Hoff state in the album’s liner notes. “This seems like a fitting metaphor for how music helps humans collectively decode our own experiences of our world and our lives, through the alchemy of transfigured sound.”