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CANCELLED *Official Sylvan Esso Afterparty* w/ Palehound and Grrl + a dance party!

  May 20, 2022 11:00 PM

We're sad to say this party has been cancelled!  There are many other afterparties and we'll have KARAOKE HERE so come hang!!


Official Sylvan Esso Afterparty! 

* At this point it is difficult to know what our COVID procedures will be.  Please check our website for information prior to the show! * 

The third full-length from Boston-based trio Palehound, Black Friday is a finespun exploration of all the forms that love can take: love between friends, love for people no longer in your life, love in the face of self-hate, love that endures through major life changes or through many tiny catastrophes. With her thoughtful narrative voice, Palehound singer/songwriter Ellen Kempner imbues each song on the album with a radical sensitivity, an unchecked depth of feeling that ultimately sparks a greater open-heartedness within the listener. Co-produced by Kempner and Gabe Wax (Beirut, Soccer Mommy), Black Friday follows 2017’s A Place I’ll Always Go—a widely acclaimed release that landed on many year-end best-of lists. In creating the album, Kempner and her bandmates Jesse Weiss (drums) and Larz Brogan (bass) recorded at Panoramic House in Stinson Beach, California, tracking most of the songs live and breathing a new vitality into Palehound’s elegantly detailed sound. Black Friday opens with the stripped-back intensity of “Company,” the first of many songs conveying a profound longing for a lost friend. From there, Palehound shift into the joyful wonder of “Aaron,” a song Kempner wrote for her partner in the midst of his transitioning process. “It’s about the past year of him coming out and me helping him through that, and just watching him grow so much,” she says. With her hushed yet urgent vocals, Kempner reveals her ability to draw so much power from a single word, turning “Aaron” into an indelibly tender expression of devotion and love.
While much of Black Friday unfolds with palpable compassion, “Killer” takes on a vengeful mood as Kempner recounts a fantasy of doing away with a friend’s abuser. “It came from being so fed up with people who feel like they can take advantage of others sexually or physically or emotionally to get ahead or get what they want, and just wanting to destroy that culture in general,” she says. “Making music’s always been a therapeutic thing for me—that’s such a big part of the reason why I do it in the first place,” says Kempner. “What I always want to do with my songs is to help people heal in some way, or come to some new understanding about whatever it is that they’re going through. Even if it’s just hearing a song and feeling less alone than they were before, that would mean so much to me.”
Tickets Available at the Door