New Date! This is a rescheduled performance from WED, FEB 22, 2023 at 7pm. Original ticket holders do not need to take any action as their ticket purchase has been automatically transferred to the rescheduled date.
Tickets are available online until 2pm the day of the performance.
Any further sales must be completed through the Box Office via phone at 612-332-5299 or in-person.
Please purchase tickets directly through our website or Box Office, via our exclusive ticket provider, Etix.
We are not affiliated with any third-party sellers. Thank you—see you soon!
Dan Newton’s Cafe Accordion Orchestra (CAO) performs an eclectic mix full of French flare, Latin heat and Bohemian attitude. The heart of the CAO repertoire is the romantic, gypsy-influenced valse-musette. The group complements the musettes with swing, ballads, tangos, cha chas, rumbas, and cumbias to create a wonderfully varied show. They inject their music with good humor and expressive abandon. Their high level of musicianship and passion for performance makes them an entertaining concert act as well as a great dance band.
CAO is led by Dan Newton on accordion and vocals, with Eric Mohring on mandolin, violin and vocals, Brian Barnes on guitar and vocals, Erik Lillestol on bass and vocals, and Joe Steinger on percussion. CAO has been delighting audiences and dancers alike since 1995. They have appeared in New York at the Lincoln Center's Midsummer Night Swing series, the International Akkordeon Festival in Vienna, Austria, the Minnesota State Fair, as well as festivals, theaters and dance halls across the United States.
One might wonder how a group of musicians in Minnesota end up forming a band that plays French musette, hot club swing, Tin Pan Alley, Latin music and cinematic themes. It's certainly been an interesting journey for CAO, a band whose repertoire cannot be described neatly with one word like "blues" or "swing". It all started with a tune composed in 1992 by Newton. Dan had been introduced to the Parisian sidewalk cafe accordion sound while teaching at a music camp in northern California in the 1980s. He began writing his own tunes based on the style, which he referred to as "faux Parisian elevator music". A friend commented that one of the tunes in particular sounded like "cafe accordion" music. That became the name of the tune and Dan's first solo album.
LEARN MORE: http://www.cafeaccordion.com/
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