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By the late 1970s, trailblazing keyboardist/composer/producer Jeff Lorber had become a prominent figure in the new movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. Lorber and his band, the Jeff Lorber Fusion, first honed their craft in the Portland, Oregon, club scene and rapidly expanded their reach to a national and international audience via a combination of complex harmonies, unconventional time signatures and compelling rhythms.
In subsequent years, Lorber dropped the term “fusion” from his billing as the movement evolved into what is currently known as contemporary jazz. Still, he continued to explore the innovative, improvisational potential of grafting other musical forms to the jazz idiom.
More than three decades after his earliest recordings, Lorber has come full circle. His new recording,
Hacienda, set for release August 27, 2013, on Heads Up International, a division of Concord Music Group, ®
revisits a sound he helped pioneer. The album takes the experiment that he started with his GRAMMY - nominated CD, Now is the Time, and his 2012 album, Galaxy, up a notch with 11 exciting and energetic new compositions performed by some of the biggest names in jazz today. Co-produced by Lorber and bassist/composer Jimmy Haslip, Hacienda also features saxophonist Eric Marienthal, a longtime collaborator with Lorber and his collective. Other guests include premier jazz-rock violinist Jean-Luc Ponty, drummers Vinnie Colaiuta and Dave Weckl, and an impressive cadre of other stellar players.
Lorber’s music reaches a new level by crystallizing jazz, funk, and Latin rhythms with some killer melodies that will certainly translate to live performance. Obviously, time spent touring together has made Lorber, Haslip and Marienthal into a tight unit, which is evident from this latest recording.
Stretching the envelope has been Lorber’s strategy from the very beginning. Born in Philadelphia in 1952, Lorber began playing piano when he was just four years old. By his teen years, he had hooked up with several local R&B bands, but his tastes trended more toward jazz when he studied at Berklee College of Music.