We will only be accepting proof of full vaccination for Covid-19 into this show. Masks will still be required for entry and the duration of the event but a negative COVID test will not be accepted for admittance to this show. By purchasing a ticket, you agree to this policy.
Hayes Carll Pre-Show Experience includes:
• One general admission ticket
• VIP early entry into the venue
• Exclusive meet & greet with Hayes Carll
• Personal photograph with Hayes Carll
• Access to a private pre-show soundcheck performance by Hayes Carll
• Exclusive tour poster, signed by Hayes Carll
• Commemorative meet & greet laminate
• Merch shopping before doors open to the general public
Hayes Carll with Caleb Caudle
The country simplicity that imbues Hayes Carll’s songs can sometimes hide the social conscience and sharp humor that also runs through them, but if you want to find those things, they are there. In fact, Carll has spent over 20 years having a conversation about what it is we’re all doing here with anyone who will listen. He makes us laugh––but then he makes us cry. We judge a song’s protagonist, only for Carll to spin us around to commiserate with them.
The New York Times likened Carll’s ability to undergird humor with a weightier narrative to Bob Dylan. When Carll talks about the sounds that are in his own head, he mentions Randy Travis. That juxtaposition defines the singularity of Carll’s career: He exists in a space of his own, informed by John Prine, Tom Waits, and Dylan but also by Travis, Kenny Rogers, and Hank Williams, Jr.
Those influences may have made him hard to pigeonhole, but he’s still been embraced. Two Americana Music Awards, a Grammy nomination for Best Country Song, and multiple Austin Music Awards line his resumé́. He’s had the most-played record on Americana radio twice. His songs appear on the screen regularly and have been recorded by Kenny Chesney, Lee Ann Womack, and Brothers Osborne, to name a few.
Among Carll’s co-writers is singer-songwriter Brandy Clark, who helped him pen and perform “In the Mean Time,” a gorgeous, honky-tonk waltz which perfectly depicts the damage couples can inflict on each other when they’re at their worst. The multi-dimensionality of relationships is a thread woven throughout the entire album. “When we’re our weakest or most afraid, real damage can be done to our relationships, as well as our spirits,” says Carll. “You can love somebody, everything can be as good as you could’ve imagined, but when your traumas or fears come out, all that love can disappear in an instant.”
Honest and sometimes subversive, but never mean-spirited, Carll keeps writing sad, funny, compelling songs in which nobody’s perfect or predictable––at least not for long. And he can’t quit wishing we’ll all realize that’s the way anything worth having or being has got to go. “I hope this record helps people feel good, laugh a bit, and maybe give them something to lean on when they need it,” he says. “I hope they dance to it, too.”