The paradoxical title of Dosh’s new album, Tomorrow 1972
, to be released this spring by Max/Min Records, distills the exploratory rootedness central to the producer and performer’s aesthetic. Like everything Dosh has put out since coming to prominence as a pioneer of loop-based multi-genre multi-instrumentalism, the album uses old and new technology to seek uncharted ground, but it also takes cues from a lifetime of varied listening and sometimes evokes the perpetually contemporary fusion of Dosh’s babyhood (the album title, you may have guessed, contains the year of his birth) as well as hip-hop, minimalism, harmolodics, Midwestern hybridists from Tortoise to Happy Apple, and a hundred other touchstones that equally revere experimentation and groove. Proof of Vaccination Required
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