Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members.
For information regarding our Baby Grand Membership click here.
Sy Smith has long since solidified her place in the world of underground soul music (she’s often called “the hardest working woman in underground soul”). This Los Angeles-based singer, songwriter and producer helped cultivate the nu-soul scene in that city more than 10 years ago, a scene which now easily boasts some of the most progressive artists of that genre to date, some of whom came directly from Smith’s own band line-ups (including Thundercat and Kamasi Washington). Her catalog includes 5 studio albums, with contributions from a who’s who of producers (James Poyser of The Roots, Ali Shaheed Muhammad of A Tribe Called Quest and Nicolay of The Foreign Exchange). All 5 of her albums, including her brand new project “Sometimes A Rose Will Grow In Concrete” have been heralded by critics around the world for Smith’s lyrical dexterity, her vocal whimsy (often colored with a very distinctive rhythmic swing that’s all her own) and her ability to spin a story like few others in soul music. Listeners often remark on Smith’s vocal range, which moves effortlessly from a speakeasy, gritty alto all the way to a stratospheric soprano whistle register reminiscent of the late Minnie Riperton.
Smith’s career began as a backing vocalist on some of the music industry’s most coveted gigs. She has provided supporting vocals for Whitney Houston, Sheila E., Meshell Ndegeocello, Chaka Khan, Usher, Macy Gray and The Rickey Minor Band (as seen on American Idol for six seasons and The Tonight Show with Jay Leno). Most recently though, she’s caught the ear of jazz aficionados as a featured guest with Grammy-winning trumpeter Chris Botti. Audiences around the world are often astounded to see Smith’s voice and Botti’s trumpet go note-for-note in playful competition on stage, and her performance of “The Look Of Love” on his Grammy-nominated DVD “Live In Boston” is an audience favorite. Jazz critics have also taken note of Smith’s solo performances in her genre-bending presentations (e.g. “SySingsJanet!”, her jazz-reworking of classic Janet Jackson songs), which include her often sitting in on piano, synth bass and manipulating her own vocal effects on with an on-stage processor.