Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

MARCUS ANDERSON
WEBSITE

Craft cocktails and small plates begin at 6:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

 

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

 

Craft cocktails and small plates begin at 5:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Craft cocktails and small plates begin at 6:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

 

Small Plates and Craft Cocktails Begin at 5:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

 

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

 

Craft cocktails and small plates begin at 6:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Craft cocktails and small plates begin at 5:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

THE STRANGER

With over 150 million records sold worldwide in a career spanning nearly 50 years, singer, songwriter, composer & performer BILLY JOEL is one of the world's most beloved musical artists of the past 100 years. So naturally, paying tribute to that level of talent and doing it justice is something not easily achieved... 

THE STRANGER is the complete premiere tribute to the music of one of the world’s most beloved performers, Billy Joel. Comprised of some of the best and most experienced musicians in the business, this 6 piece band brings together an authentic replication of Billy's timeless music, crowning it with soulful, spot on vocals that makes listening to a Billy Joel song so special. 

Out front on piano & lead vocals is founder & frontman Mike Santoro. Born and raised in Levittown like Joel himself, Mike not only looks and talks a lot like Billy, but has the piano chops, vocal prowess and stage presence of the Piano Man -  so much so that you will soon forget you are watching a tribute show. The STRANGER gives you the Billy Joel experience with the sound of his original band in its prime... energetic, interactive and often unpredictable. It's live entertainment at its best! 

From his radio hits to classic b-sides, sprinkled with great songs from similar artists such as Elton John, Paul McCartney and many others, it's everything you'll ever want in an evening out of great music. Available for corporate events, festivals, casinos, private affairs, and select venues. 

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

THE STRANGER

With over 150 million records sold worldwide in a career spanning nearly 50 years, singer, songwriter, composer & performer BILLY JOEL is one of the world's most beloved musical artists of the past 100 years. So naturally, paying tribute to that level of talent and doing it justice is something not easily achieved... 

THE STRANGER is the complete premiere tribute to the music of one of the world’s most beloved performers, Billy Joel. Comprised of some of the best and most experienced musicians in the business, this 6 piece band brings together an authentic replication of Billy's timeless music, crowning it with soulful, spot on vocals that makes listening to a Billy Joel song so special. 

Out front on piano & lead vocals is founder & frontman Mike Santoro. Born and raised in Levittown like Joel himself, Mike not only looks and talks a lot like Billy, but has the piano chops, vocal prowess and stage presence of the Piano Man -  so much so that you will soon forget you are watching a tribute show. The STRANGER gives you the Billy Joel experience with the sound of his original band in its prime... energetic, interactive and often unpredictable. It's live entertainment at its best! 

From his radio hits to classic b-sides, sprinkled with great songs from similar artists such as Elton John, Paul McCartney and many others, it's everything you'll ever want in an evening out of great music. Available for corporate events, festivals, casinos, private affairs, and select venues. 

Craft cocktails and small plates begin at 5:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

TONY EXUM JR.
WEBSITE
Colorado's own national recording artist Tony Exum, Jr. is a contemporary jazz, R&B and funk saxophonist, songwriter, and performer with a smooth, sultry, and soulful sound. In 2019 Tony released his single “My Name’s Tony” receiving international airplay, charting on the Smooth Jazz Network top 100 chart for 12 weeks. In addition, the My Name’s Tony Spring/Summer 14 city tour, included performances at the San Diego Smooth Jazz Festival in San Diego, California, Spaghettini’s in Long Beach, California, The Soiled Dove Underground in Denver Colorado, Jazz in The Park in Prattville, Alabama, and the Winter Park Jazz Festival in Winter Park Colorado to name a few. He remains a staple in the national contemporary jazz circuit with performances across the U.S.

Tony is taking 2022 to new heights musically and professionally with an unrestrained passion and impeccable work ethic that is second to none. Performances in 2021/22 already include the Taste of the South Festival, 30th Annual Berks Jazz Fest and the 2021Jazz Legacy Foundation 8th Annual Gala Weekend, Stockton Jazz Fest, San Diego Smooth Jazz just to name a few. Tony’s catalog consists of two critically acclaimed albums, “Finally” and “The One” and 7 singles including two Smooth Jazz Network top 100 charting singles "Brighter Days (with David P. Stevens)" and "Get At You" feat. Desmond "Motown" Washington which also reached #1 and #4 on the Billboard/BDS Smooth Jazz Airplay Most Added charts respectively.

Beyond work as a recording artist Tony embarked on a career in radio hosting in 2017 on Colorado Springs FM Station Jazz 93.5 FM (jazz935.org) with over 20 hours per week of on-air time. In addition, Tony entered a business venture in late 2019 with Kastell Vodka as their Global Brand Ambassador performing throughout the year at Kas'tell sponsored Red Bottle Affairs also featuring fellow contemporary jazz artists as special guests including Lin Rountree and David P Stevens. In late 2021, Tony signed his first recording contract with Sony/The Orchard/BSE Recordings and released his current single in summer 2022 "Everything" Produced by BSE CEO Lou Humphrey, labelmate R&B Pop singer songwriter Arika Kane and producer/multi-instrumentalist Jasmon Joyner reaching #19 on the Urban Influencer R&B Soul Chart in the 2022. Tony refers to his music as "Rhythm N Smooth". A tag indicating his flawless execution of the smooth saxophone with R&B influenced grooves and melodies. 

Craft cocktails and small plates begin at 6:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Craft cocktails and small plates begin at 5:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

Craft cocktails and small plates begin at 6:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

MARION MEADOWS
LISTEN
WEBSITE
Meadows was born in West Virginia and grew up in Stamford, Connecticut. He began playing the clarinet and studying classical music at the age of nine. He started playing tenor sax in high school, and then migrated to soprano sax. His passion for various types of music led him down an eclectic musical path. He was intrigued by the styles of jazz musicians, like Stanley Turrentine, Sidney Bichet, Johnny Hodges, John Coltrane, Sonny Stitt, Rahsaan Roland Kirk, Dexter Gordon, Cannonball Adderley, Coleman Hawkins, Sonny Fortune, Joe Henderson, Grover Washington and many others. After studying jazz at Rippowam High School in Stamford, CT with Anthony Truglia, Meadows attended Berklee College of Music. There he majored in arranging and composition. He later went to the SUNY Purchase School for the Arts. During his college years he played in a number of bands including disco, R&B and various jazz ensmbles. I got a lot of sideman jobs in college, and I have always said I got my real graduate degree playing clubs, says Meadows, who perfected his craft studying with Sonny Fortune, Joe Henderson, Dave Liebman and Eddie Daniels. “Not long after I finished school, (drummer) Norman Connors recorded one of my songs, “Invitation” and then asked me to join his band. I later produced his Passion album with my colleague Jacques Burvick (Aquarium Dream) . Things just fell into place. Meadows first hit the airwaves in 1991 with “For Lovers Only”, but his career really began one day in the late ‘80s at New York’s Grand Central Station. He had been a sideman with Connors for three years, with only vague notions of eventually going solo. One day, while waiting for a train, he pulled out his horn and began playing under the huge dome. His sweet sound caught the attention of fellow traveler, producer and TV composer Jay Chattaway, who happened to be passing by on his way to the train. Chattaway was so impressed with Meadows’ sound that he hooked Meadows up with legendary keyboardist Bob James. Meadows and James collaborated on a recording which unfortunately went unreleased. The experience put him on the road to his eventual success. Meadows hooked up with numerous artists and musicians and became a well known sideman in his own right, recording or performing over the years with Brook Benton, Eartha Kitt, Phyllis Hyman, Jean Carne, The Temptations, Michael Bolton, Angela Bofill, Will Downing , Bob Baldwin, Chuck Loeb, John Lee, among many others. In the late ‘80s, Meadows stretched his boundaries by becoming a member of a New York avant-garde band called the Aboriginal Music Society.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

MARION MEADOWS
LISTEN
WEBSITE
Meadows was born in West Virginia and grew up in Stamford, Connecticut. He began playing the clarinet and studying classical music at the age of nine. He started playing tenor sax in high school, and then migrated to soprano sax. His passion for various types of music led him down an eclectic musical path. He was intrigued by the styles of jazz musicians, like Stanley Turrentine, Sidney Bichet, Johnny Hodges, John Coltrane, Sonny Stitt, Rahsaan Roland Kirk, Dexter Gordon, Cannonball Adderley, Coleman Hawkins, Sonny Fortune, Joe Henderson, Grover Washington and many others. After studying jazz at Rippowam High School in Stamford, CT with Anthony Truglia, Meadows attended Berklee College of Music. There he majored in arranging and composition. He later went to the SUNY Purchase School for the Arts. During his college years he played in a number of bands including disco, R&B and various jazz ensmbles. I got a lot of sideman jobs in college, and I have always said I got my real graduate degree playing clubs, says Meadows, who perfected his craft studying with Sonny Fortune, Joe Henderson, Dave Liebman and Eddie Daniels. “Not long after I finished school, (drummer) Norman Connors recorded one of my songs, “Invitation” and then asked me to join his band. I later produced his Passion album with my colleague Jacques Burvick (Aquarium Dream) . Things just fell into place. Meadows first hit the airwaves in 1991 with “For Lovers Only”, but his career really began one day in the late ‘80s at New York’s Grand Central Station. He had been a sideman with Connors for three years, with only vague notions of eventually going solo. One day, while waiting for a train, he pulled out his horn and began playing under the huge dome. His sweet sound caught the attention of fellow traveler, producer and TV composer Jay Chattaway, who happened to be passing by on his way to the train. Chattaway was so impressed with Meadows’ sound that he hooked Meadows up with legendary keyboardist Bob James. Meadows and James collaborated on a recording which unfortunately went unreleased. The experience put him on the road to his eventual success. Meadows hooked up with numerous artists and musicians and became a well known sideman in his own right, recording or performing over the years with Brook Benton, Eartha Kitt, Phyllis Hyman, Jean Carne, The Temptations, Michael Bolton, Angela Bofill, Will Downing , Bob Baldwin, Chuck Loeb, John Lee, among many others. In the late ‘80s, Meadows stretched his boundaries by becoming a member of a New York avant-garde band called the Aboriginal Music Society.

Craft cocktails and small plates begin at 6:00 pm.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

MARION MEADOWS
LISTEN
WEBSITE
Meadows was born in West Virginia and grew up in Stamford, Connecticut. He began playing the clarinet and studying classical music at the age of nine. He started playing tenor sax in high school, and then migrated to soprano sax. His passion for various types of music led him down an eclectic musical path. He was intrigued by the styles of jazz musicians, like Stanley Turrentine, Sidney Bichet, Johnny Hodges, John Coltrane, Sonny Stitt, Rahsaan Roland Kirk, Dexter Gordon, Cannonball Adderley, Coleman Hawkins, Sonny Fortune, Joe Henderson, Grover Washington and many others. After studying jazz at Rippowam High School in Stamford, CT with Anthony Truglia, Meadows attended Berklee College of Music. There he majored in arranging and composition. He later went to the SUNY Purchase School for the Arts. During his college years he played in a number of bands including disco, R&B and various jazz ensmbles. I got a lot of sideman jobs in college, and I have always said I got my real graduate degree playing clubs, says Meadows, who perfected his craft studying with Sonny Fortune, Joe Henderson, Dave Liebman and Eddie Daniels. “Not long after I finished school, (drummer) Norman Connors recorded one of my songs, “Invitation” and then asked me to join his band. I later produced his Passion album with my colleague Jacques Burvick (Aquarium Dream) . Things just fell into place. Meadows first hit the airwaves in 1991 with “For Lovers Only”, but his career really began one day in the late ‘80s at New York’s Grand Central Station. He had been a sideman with Connors for three years, with only vague notions of eventually going solo. One day, while waiting for a train, he pulled out his horn and began playing under the huge dome. His sweet sound caught the attention of fellow traveler, producer and TV composer Jay Chattaway, who happened to be passing by on his way to the train. Chattaway was so impressed with Meadows’ sound that he hooked Meadows up with legendary keyboardist Bob James. Meadows and James collaborated on a recording which unfortunately went unreleased. The experience put him on the road to his eventual success. Meadows hooked up with numerous artists and musicians and became a well known sideman in his own right, recording or performing over the years with Brook Benton, Eartha Kitt, Phyllis Hyman, Jean Carne, The Temptations, Michael Bolton, Angela Bofill, Will Downing , Bob Baldwin, Chuck Loeb, John Lee, among many others. In the late ‘80s, Meadows stretched his boundaries by becoming a member of a New York avant-garde band called the Aboriginal Music Society.

Middle C Jazz has General Admission seating available on a first-come basis. We also offer preferred seating for our Baby Grand members. 

MARION MEADOWS
LISTEN
WEBSITE
Meadows was born in West Virginia and grew up in Stamford, Connecticut. He began playing the clarinet and studying classical music at the age of nine. He started playing tenor sax in high school, and then migrated to soprano sax. His passion for various types of music led him down an eclectic musical path. He was intrigued by the styles of jazz musicians, like Stanley Turrentine, Sidney Bichet, Johnny Hodges, John Coltrane, Sonny Stitt, Rahsaan Roland Kirk, Dexter Gordon, Cannonball Adderley, Coleman Hawkins, Sonny Fortune, Joe Henderson, Grover Washington and many others. After studying jazz at Rippowam High School in Stamford, CT with Anthony Truglia, Meadows attended Berklee College of Music. There he majored in arranging and composition. He later went to the SUNY Purchase School for the Arts. During his college years he played in a number of bands including disco, R&B and various jazz ensmbles. I got a lot of sideman jobs in college, and I have always said I got my real graduate degree playing clubs, says Meadows, who perfected his craft studying with Sonny Fortune, Joe Henderson, Dave Liebman and Eddie Daniels. “Not long after I finished school, (drummer) Norman Connors recorded one of my songs, “Invitation” and then asked me to join his band. I later produced his Passion album with my colleague Jacques Burvick (Aquarium Dream) . Things just fell into place. Meadows first hit the airwaves in 1991 with “For Lovers Only”, but his career really began one day in the late ‘80s at New York’s Grand Central Station. He had been a sideman with Connors for three years, with only vague notions of eventually going solo. One day, while waiting for a train, he pulled out his horn and began playing under the huge dome. His sweet sound caught the attention of fellow traveler, producer and TV composer Jay Chattaway, who happened to be passing by on his way to the train. Chattaway was so impressed with Meadows’ sound that he hooked Meadows up with legendary keyboardist Bob James. Meadows and James collaborated on a recording which unfortunately went unreleased. The experience put him on the road to his eventual success. Meadows hooked up with numerous artists and musicians and became a well known sideman in his own right, recording or performing over the years with Brook Benton, Eartha Kitt, Phyllis Hyman, Jean Carne, The Temptations, Michael Bolton, Angela Bofill, Will Downing , Bob Baldwin, Chuck Loeb, John Lee, among many others. In the late ‘80s, Meadows stretched his boundaries by becoming a member of a New York avant-garde band called the Aboriginal Music Society.