SAMFORD UNIVERSITY

The Samford Dance Company explores the beauty of masterpieces in the annual dance concert performance.  This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

Lauded for "superb playing" and "poised, alert musicianship" by the Boston Globe, and labeled "definitely a man to watch" by London's The Independent, American pianist Spencer Myer is one of the most respected and sought-after artists on today's concert stage. Spencer Myer’s orchestral, recital and chamber music performances have been heard throughout the United States, Canada, Europe, Africa and Asia. An enthusiastic supporter of the education of young musicians, Spencer Myer has served as a guest faculty at the Oberlin and Baldwin-Wallace Conservatories of Music, and in the fall of 2015, he was appointed Artist-Teacher of Piano and Collaborative Piano at Boston's Longy School of Music of Bard College.

This performance is part of The Morris Piano Competition Festival and the Davis Guest Artist Series in Partnership with the Birmingham Chamber Music Society.

The Samford Dance Company explores the beauty of masterpieces in the annual dance concert performance.  This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

The Samford Dance Company explores the beauty of masterpieces in the annual dance concert performance.  This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

The Samford Dance Company explores the beauty of masterpieces in the annual dance concert performance.  This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

Samford University’s Orlean Beeson School of Education is honored to host Tim Tebow as the 2023 Tom and Marla Corts Distinguished Author presented in partnership with the Percy Cook Ratliff Lecture Series. Mr. Tebow will speak about his latest book, Mission Possible, which challenges you to find your mission and pursue a bolder, brighter, more fulfilling life.

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling and moving look at human relationships in the face of societal collapse. In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling and moving look at human relationships in the face of societal collapse. In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling and moving look at human relationships in the face of societal collapse. In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

Daphne du Maurier’s short story, also the basis for Alfred Hitchcock’s classic film, is boldly adapted by Conor McPherson—a gripping, unsettling and moving look at human relationships in the face of societal collapse. In an isolated house, strangers Nat and Diane take shelter from relentless masses of attacking birds. They find relative sanctuary but not comfort or peace; there’s no electricity, little food and a nearby neighbor may still be alive and watching them. Another refugee, the young and attractive Julia, arrives with some news of the outside world, but her presence also brings discord. Their survival becomes even more doubtful when paranoia takes hold of the makeshift fortress—an internal threat to match that of the birds outside.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

Optimism, vitality and joyful exuberance are elements of Camille Thomas’s rich and compelling personality. The young Franco-Belgian cellist, who signed an exclusive contract with Deutsche Grammophon in April 2017, understands art’s power to bring people together, to unite individuals from diverse cultures, countries and backgrounds. Her charismatic artistry is driven by a passion for life and a desire to inspire others to open their hearts to the wonder and emotion of classical music. “I strongly believe that music has the power to enlarge the heart, to make you feel everything with more intensity,” she says. “Music gives hope for the beauty and greatness of the human soul.”

This performance is part of the Davis Guest Artist Series in Partnership with the Birmingham Chamber Music Society.

In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits
by charging admission for one of humanity's most basic needs. Amid the people, a hero decides that he's had enough and plans a revolution to lead them all to freedom. A brilliant satire modeled off the plays of Kurt Weill and Bertolt Brecht, with additional nods to the musical theatre canon, Urinetown is a wickedly funny, fast-paced, and surprisingly intelligent comedic romp.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits
by charging admission for one of humanity's most basic needs. Amid the people, a hero decides that he's had enough and plans a revolution to lead them all to freedom. A brilliant satire modeled off the plays of Kurt Weill and Bertolt Brecht, with additional nods to the musical theatre canon, Urinetown is a wickedly funny, fast-paced, and surprisingly intelligent comedic romp.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits
by charging admission for one of humanity's most basic needs. Amid the people, a hero decides that he's had enough and plans a revolution to lead them all to freedom. A brilliant satire modeled off the plays of Kurt Weill and Bertolt Brecht, with additional nods to the musical theatre canon, Urinetown is a wickedly funny, fast-paced, and surprisingly intelligent comedic romp.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series

In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits
by charging admission for one of humanity's most basic needs. Amid the people, a hero decides that he's had enough and plans a revolution to lead them all to freedom. A brilliant satire modeled off the plays of Kurt Weill and Bertolt Brecht, with additional nods to the musical theatre canon, Urinetown is a wickedly funny, fast-paced, and surprisingly intelligent comedic romp.

This production is part of the Michael J. and Mary Anne Freeman Theatre and Dance Series