Cat's Cradle

Alex Dezen (of The Damnwells) and his band, with Mike Dunn

March 4, 2017 8:30 PM

Doors Open: 7:30 PM
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TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $10.00
DAY OF: $12.00

TICKET SALE DATES
ADVANCED Public Onsale: January 7, 2017 7:26 PM to March 4, 2017 12:00 AM
DAY OF Public Onsale: March 4, 2017 12:00 AM to March 4, 2017 7:30 PM
It’s official. The Damnwells are done. “It was an amazing run,” says Alex Dezen. “But it’s time to move on.” 16 years, 5 albums, and countless miles later, Dezen is finally stepping out on his own with his second solo album in two years. Truth be told, the tenuous formation which has carried the Damnwells moniker over the last decade and a half has always featured Dezen’s voice and songs front and center. Both 2007’s One Last Century 2010’s No One Listens to the Band Anymore employed a wide net of musicians and friends, often without founding members Steven Terry, Ted Hudson, and David Chernis. So, in many ways, II, the second solo album from Damnwells frontman, is just a continuation of what Dezen has been doing his entire career. Only it isn’t that at all.

From the fuzzed-out refrains of “When You Give Up” to the lush harmonies of “Everything’s Great (Everything’s Terrible)” to the acoustic folkie life lessons of “The Boys of Bummer,” II showcases the creative spark of an artist coming into his prime — a songwriter who has been able to deftly thread the needle between his past, present, and future. II, which is being released on February 3, 2017 on Poor Man Records, remains undaunted, pushing artistic boundaries like never before.

“In many ways,” says Dezen, “the job of an artist is to re-examine what came before. That informs what we do next.” Taken as a whole, II displays a penchant for blending both retro and modern sounds to forge something new, yet still creating something catchy enough to hook the listener on the very first spin. “My intention when I made this record was not to make an ’80s record,” Dezen clarifies. “But as soon as I got the guitar in my hands and started messing around with chords and getting further along into the production and the writing, it just went that way — and it felt very natural to me.”

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